Antonio Gianlisi, attributable to

Still Life with carpets, jewels, fruit and a mirror

Code :  ARTPIT0001042

Antonio Gianlisi, attributable to

Still Life with carpets, jewels, fruit and a mirror

Code :  ARTPIT0001042

Antonio Gianlisi, attributable to - Still Life with carpets, jewels, fruit and a mirror

Features

Still Life with carpets, jewels, fruit and a mirror

Artist:  Antonio Gianlisi (1677-1727) Attributable to 

Work title:  Natura morta con tappeti, gioielli, frutta e specchio

Time:  XIX Century - from 1801 to 1900 , XVIII Century - from 1701 to 1800

Subject:  Still life

Origin:  Italia

Artistic technique:  Pittura

Technical specification:  Oil on canvas

Description : Natura morta con tappeti, gioielli, frutta e specchio

Oil on canvas attributable to Antonio Gianlisi. According to the different depicted objects such as a shirt thrown on an armchair, some jewels, a dressing table with mirror, some fruit and a tray with a pitcher and glasses, the still life could be located in the private room of a rich woman. Restored and relined, presented in an antique coeval frame. 18th century-19th century.

Product Condition:
Very good condition. Wear consistent with age and use. It may have been restored by an expert. Product with a Certificate of Authenticity and Lawful Origin.

frame Size (cm):
Height: 133
Width: 180

work dimensions (cm):
Height: 120
Width: 166

Additional Information

Artist: Antonio Gianlisi (1677-1727)

Time:

XIX Century - from 1801 to 1900

The revolutions in Europe between the end of the 18th and the beginning of the 19th century, accelerating social, political and economic changes, favor the birth of a new artistic movement, Romanticism, which places sentiment and love of country and that, detaching itself from the forms of Neoclassicism, proposes a style that shows the deep emotions of man, aroused by real life. In particular, in painting, historical subjects, scenes of popular life and patriotic struggle, the landscape as an expression of love for nature and orientalist subjects are imposed. To express emotions and feelings, we begin to use bright colors, the outlines are blurred, the contrasts of lights increase, to then progressively arrive at a painting, with the Macchiaioli first and then with the Impressionists, "en plein air", pure exaltation of emotions, chromatic effects, subjective impressions.
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XVIII Century - from 1701 to 1800

In the century of the Enlightenment, or the exaltation of reason and science as the only tools that can free man from ignorance and the yoke of the Church and the nobility, art passes from the intent of the Baroque to tell religious truths or to imitate nature, with strong chiaroscuro contrasts and artificial excesses, to the lighter and more vaporous forms (sometimes even frivolous and affected) of the so-called Barocchetto or Rococò, to lead to Neoclassicism which, looking at the ancient art of the Greeks and Romans, wants to re-propose the discovery of beauty, in the search for harmony, proportions, balances.
Find out more about the 18th century with our insights:
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FineArt: Giovanni Domenico Lombardi, Conversion of a centurion, 18th century

Subject: Still life

Artistic technique: Pittura

La pittura è l'arte che consiste nell'applicare dei pigmenti a un supporto come la carta, la tela, la seta, la ceramica, il legno, il vetro o un muro. Essendo i pigmenti essenzialmente solidi, è necessario utilizzare un legante, che li porti a uno stadio liquido, più fluido o più denso, e un collante, che permetta l'adesione duratura al supporto. Chi dipinge è detto pittore o pittrice. Il risultato è un'immagine che, a seconda delle intenzioni dell'autore, esprime la sua percezione del mondo o una libera associazione di forme o un qualsiasi altro significato, a seconda della sua creatività, del suo gusto estetico e di quello della società di cui fa parte.

Technical specification: Oil on canvas

The oil painting is a painting technique using powder pigments mixed with bases in inert and oils.

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