Oil painting on canvas. Roman school of the seventeenth century. The two landscapes refer to Roman painting of the seventeenth for the setting and the pictorial style: the large and dilated spaces frame in the foreground glimpses of the bucolic countryside, with streams of flowing water, animated and populated by figurines, and with architectural structures behind, in one of the two paintings in particular characterized by a baroque dome soaring over the houses; finally in the background and contour, the nature that from spacious valleys gets lost in hilly slopes in one of the two, but above all in mountain peaks shaded in the blue to merge with the sky above. The chromatic contrasts between the earthy hues used for the vegetation and for the rocky parts and the colder colors of the large patch of sky that opens the landscape towards the deep horizon stand out. Restored and relined, the two paintings are presented in period frames.

Italy XX Century

3-light style lantern in silver-plated sheet, Italy, 20th century. Decorated with anthemes, leaves and cherubs; ending with an acorn element.

Pastels on cardboard. Central European school of the late 1800s. Trace of signature lower left. The beautiful and elegant young woman is depicted with a melancholy expression, a slight heavy smile, her eyes downcast and pensive: the attitude, associated with the black she wears, suggests a woman in mourning. The painting is presented in a mid-1900s frame.

Oil painting on canvas. At the bottom left there is an unidentified signature (Parravicini?). The hilly landscape, with sparse and low vegetation, is inhabited by a solitary brick farmhouse, squared and equally bare; above, to accentuate the atmosphere of solitude, a sky full of gray storm clouds. The painting is presented in a period frame.

Oil painting on canvas. The Holy Family is depicted with Mary and Joseph who, converging one hundredth with their heads close together, frame the Child Jesus, intent on playing with a lamb, the iconographic symbol of the sacrificial victim, therefore a prelude to the Passion, together with the small Cross that the child holds in one hand. The inscription anno 1845 appears at the top right, an indication of the period probably added during the subsequent restoration phase. In fact, the work has been restored and relined. It is presented in a stylish frame.

Ceiling lamp; chromed metal and glass.

'Odin A Bloodhound'

Oil painting on canvas. English school late 1800s - early 1900s. It is a copy of the 1873 graphic preserved in the British Museum in London, and derived from a work by Sir Edwin Landseer (1802 -1873), an English painter and sculptor of the Victorian era known for his paintings of fairies and his scenes with animals. Of the dog, a hound as the English name bloodhound suggests, the head and shoulders are depicted, turned to the right, with eyes raised to look at the master. The painting is presented in a coeval frame, with numerous shortcomings.

Ceiling lamp; blown glass, brass.

Italy 1950s

Pastoral Murano glass chandelier with 7 lights, Italy 1950s. Blown glass pendants.

Oil on canvas. Singed S. Ronzoni at the bottom right. The artist painted a view over the harbour with small boats moored at the quay and sailors loading goods on their shoulders. The pictorial strokes are broad and uncontoured, the colours in a few ranges fading into each other to create a suspended atmosphere. The painting is presented in a stylish frame, with some faults.

Oil on canvas. Lombard School. Portrait of a middle-aged austere and composed lady, The painting is in good conditions and comes in a coeval frame. that shows small drops of the gilding.