Carousel Years 60-70

Small cabinet with drawer and magazine compartment. Solid wood and Beech veneer, flat "grissinato" front with transparent glass in support.

Three 80s-90s vase holders in chromed metal and glass.

Horse for gymnastic exercises, wooden legs, leather upholstery.

Height-adjustable parallel bars, metal and wood.

Flower pot with inside lighting, fiberglass and plexiglass.

Italy Last quarter of the 18th century

Neoclassical sofa in cherry, Italy, last quarter of the 18th century. Carved with rosettes on the armrests, on the apron and at the point of connection with the legs, the latter fluted and tapered truncated cones. Padded back, armrests and seat.

Buffet cabinet with hinged doors, Walnut and Burl veneered wood.

Alessandria 1950s 60s

Ice bucket in silver with finely chiseled plant motifs decorations and taken in a zoomorphic shape. Under the base brand of silver and silversmith engraved. Grams 880.

Italy Early twentieth century

White porcelain sculpture with kittens and tray.

Original silk curtain applied on a wooden frame. The large painting served as a decorative pictorial element; inside a gilded frame painted with swirls and curls, on a green background, a composition of flowers and leaves is painted, starting from the vase at the bottom center in continuity with the decorations of the frame. The canvas has a small tear at the bottom left.

Portrait of a child

Oil on canvas. Signed lower right. Palermitan painter, Francesco Camarda distinguished himself for figure painting, dedicated to portraits and the nude, and above all for animalist painting, in the wake of the realist production of the Palizzi brothers. He was able to express a painting with a lively and fresh color. In this small canvas is proposed the portrait of a child sitting on a chair, hooded to frame the plump and smiling face, the direct gaze, the plump little hands resting on the knees in a proud and resolute pose. The work is presented in a contemporary frame.

Face of Madonna 1942

Oil on the table. signed and dated lower right. The painting takes up the models of 15th century Tuscan painting, showing the Madonna half-length with a landscape in the background. Aldo Marzi was a Sienese artist who divided his activity between painting and teaching at the Art Institute of his city. It is known above all for having made some of the banners for the Palio di Siena. The work is presented in a style frame.