Cabinet Veneered Wood Maple Brass Italy 1950s

Study corner that can be positioned with the side on the wall and stabilized on the ceiling; desk top with drawer, open storage compartments and hinged doors, teak and formica veneered wood, uprights in enamelled metal with adjustable brass feet. Good conditions.

Vienna Late 19th - Early 20th century

Liberty rocking cradle in bent beech, designed by Jacob and Josef Kohn at the end of the 19th century. The padding with which it is lined internally was added later. It is very curious to remember how this iconic piece of furniture was used in the 1963 film “Yesterday, Today, Tomorrow”, with Sophia Loren and Marcello Mastroianni.

England Second half of the 19th century

Service cabinet supported by wavy and carved legs ending with claw and ball feet, on the front it has two drawers. In mahogany, the interiors are in oak, on the sides there are two bronze handles.

Cabinet with hinged doors and flap doors. Rosewood veneered wood, glass, panels covered in fabric and "grissinato".

Late 19th century

Neo-Baroque vase holder, carved with powerful scrolls and a central shell motif; entirely painted.

Cabonet with bar space in the middle with a flap door, double swing doors on the sides, stained mahogany veneer, important decorative drawing carved in brass.

Cupboard with hinged doors, flap door for desk compartment, visible drawers and open compartments; maple and cherry veneered wood, covered with brass plates.

Sofa, teak structure, foam padding, cloth upholstery.

Ceiling lamp, possibility of double switching; structure in chromed brass, glass.

Wall bookcase with uprights to be fixed to the wall, with container compartments and adjustable shelves; painted wood, aluminum.

Oil painting on canvas. Signed lower right. Mary breastfeeding her little son, under the loving gaze of Saint Anne: this is the theme of a sacred nature but proposed in a very human key, which underlines the sweetness of the mother-child relationship and of the family. Giuseppe Ghiringhelli was mainly a landscape and portrait painter, but in his production there are also various representations of the sacred Maternity which, like this one proposed here, are permeated with intimacy and sweetness and characterized by intense lights effects: in this work in particular it is suggestive the effect of the light that radiates from the little head of the child placed in the centre, on the faces bent over him of the two women, and then reverberates on the clothes and in the background, where the shadows created can be glimpsed. The work is presented in a frame from the first half of the 1900s.