Group Of Three Sconces Brass Opaline Glass Italy 1950s

Italy 1950s

Thermal jug in wood covered in parchment with brass elements. Under the base adhesive label of the manufacture.

Green glazed ceramic container with lid and egg cup from the Giovanni Gariboldi, Richard-Ginori, San Cristoforo Manufacture. Brand under the base.

Hanger in glazed ceramic in the shape of a mask. On the reverse brand of the manufacture.

Larch wood rolling shutter cabinet with leather handle on top. Inside it has 4 drawers with pipe compartments.

Bevelled and ground glass photo frame made in Italy.

Solid glass tidy tray.

Copper and polychromed enamel bowl. Manufacture's brand under the base. Lightly damaged

Group of 3 blown glass bows of differetn shapes and processing. The square shaped transparent glass bowl has a lightly rainbowed surface while the other two are embellished by small air bubbles and gilded.

Pair of Venini's style colorless glass lamps.

1950s Manual Washing Machine in metal and aluminum.

Oil on canvas. It is a counterpart copy of the original attributed to Francesco Solimena (1657 -1747) and kept as a canvas of the same size in the Galleria Doria Pamphilj in Rome, and traditionally considered a preparatory sketch for a fresco. This copy, from the material analysis, can be dated to the mid-18th century. The allegory, inscribed in an oval, represents a seated female figure who with her left hand holds the model of an architectural building, helped by a putto, while with the other hand she indicates a crown and a tiara, resting on a base which bears the name Europa. Around her are other cherubs, different objects, and a horse. The painting shows signs of restoration and relining.