Tray by Paolo De Poli Copper Enamel Italy 1950s

Copper and polychromed enamel bowl. Manufacture's brand under the base. Lightly damaged

Murano Glass Bowls Murano Italy 1950s Murano's Manufacture

Group of 3 blown glass bows of differetn shapes and processing. The square shaped transparent glass bowl has a lightly rainbowed surface while the other two are embellished by small air bubbles and gilded.

Pair of Glass Lamps Murano Italy 1950s

Pair of Venini's style colorless glass lamps.

Glass Bottle Murano Italy 1950s Seguso Manufacture

Damaged green glass bottle.

50s Manual Washing Machine

1950s Manual Washing Machine in metal and aluminum.

Kosta Boda Vicke Lindstrand Glass Sculpture Sweden 1950s-1960s

Sculpture made of chiseled glass with bas-relief ornament depicting a moose. Manufactured in Sweden, 1950s-1960s

Scope Of Vittorio Ranieri Tempera On Canvas Second Half '800

Landscape With Birds And Game

Tempera on canvas. In a fantasy landscape, on a completely blue background in which plant elements are inserted around a stream, various ornithological species are represented, depicted in their natural movements in nature. Scientific interest in the study of animal species grew during the second half of the 18th century, culminating, in particular for ornithological research, in Buffon's work "Historie naturelle des oiseaux" of 1770, which then became a reference point in the following decades for the reproduction of naturalistic settings in decorative terms and contributed to amplifying the commercial interest in chinoiserie work in Europe. Carlo Antonio Raineri and his son Vittorio are also included in the group of decorators who worked in Lombardy and Liguria between the eighteenth and nineteenth centuries, among the great European decorators who followed the taste of the time for exotic furniture, declining it according to the Lombard naturalistic tradition . In particular, they stood out for their ability to prune exotic fantasies from the excess and create a decorative scenario in compliance with the ornithological and naturalistic treatment. Their workshop had a wide following and contributed to a large production of this decorative genre. The large piece proposed here was probably part of a decorated boiserie, and was only mounted on a Ligurian frame in the mid-1900s. It is presented in a decorated frame in style.

Scope Of Vittorio Ranieri Tempera On Canvas Second Half '800

Landscape With Birds And Game

Tempera on canvas. In a fantasy landscape, on a completely blue background in which plant elements are inserted around a stream, various ornithological species are represented, depicted in their natural movements in nature. Scientific interest in the study of animal species grew during the second half of the 18th century, culminating, in particular for ornithological research, in Buffon's work "Historie naturelle des oiseaux" of 1770, which then became a reference point in the following decades for the reproduction of naturalistic settings in decorative terms and contributed to amplifying the commercial interest in chinoiserie work in Europe. Carlo Antonio Raineri and his son Vittorio are also included in the group of decorators who worked in Lombardy and Liguria between the eighteenth and nineteenth centuries, among the great European decorators who followed the taste of the time for exotic furniture, declining it according to the Lombard naturalistic tradition . In particular, they stood out for their ability to prune exotic fantasies from the excess and create a decorative scenario in compliance with the ornithological and naturalistic treatment. Their workshop had a wide following and contributed to a large production of this decorative genre. The large piece proposed here was probably part of a decorated boiserie, and was only mounted on a Ligurian frame in the mid-1900s. It is presented in a decorated frame in style.

Sleeping Putto in White Marble

XIX Century - 1800

White marble sculpture depicting a sleeping putto.

Female portrait

Pencil on paper. Effective portrait of a lady, with beautiful rendition of the chiaroscuro obtained in pencil. It is presented in a coeval gilded frame.