Lombard-Venetian Baroque Chest of Drawers Italy 18th Century

Code :  ANMOCA0083499

not available
Lombard-Venetian Baroque Chest of Drawers Italy 18th Century

Code :  ANMOCA0083499

not available

Lombard-Venetian Baroque Chest of Drawers Italy 18th Century

Features

Style:  Baroque (1630-1730)

Age:  18th Century / 1701 - 1800

Origin:  Lombardo-Veneto, Italy

Main essence:  Maple Walnut Pine

Material:  Bronze

Description

Lombard-Venetian Baroque chest of drawers supported by shelf-shaped feet; 3 frontal quadripartite walnut veneered drawers with marple threds and bronze handles. Solid walnut top, pine interiors.

Product Condition:
Fair condition. Wear consistent with age and use.

Dimensions (cm):
Height: 109,5
Width: 149
Depth: 63

Additional Information

Style: Baroque (1630-1730)

The term derives from the Spanish phoneme barrueco or portuguese barroco and literally means "shapeless pearl".
Already around the middle of the eighteenth century in France it was synonymous with unequal, irregular, bizarre, while in Italy the diction was of medieval memory and indicated a figure of the syllogism, an abstraction of thought.
This historical period was identified with the derogatory term of baroque, recognizing in it extravagance and contrast with the criteria of harmony and expressive rigor to which it was intended to return under the influence of Greco-Roman art and the Italian Renaissance.
Baroque, secentista and secentismo were synonymous with bad taste.
As far as furniture is concerned, ideational freedom, the need for pomp and virtuosity originated a synergy destined to produce unsurpassed masterpieces.
The materials deployed were worthy of competing with the most astonishing tales of Marco Polo: lapis lazuli, malachite, amber, ivory, tortoiseshell, gold, silver, steel, precious wood essences and more, dressed the furnishings that by shape and imagination virtually gave life to the a thousand and one nights of many powerful Italians.
Typical of the period were load-bearing or accessory parts resolved with spiral column motifs, clearly inspired by the Berninian canopy of St. Peter, parts with rich sculptural high-relief carving and even in the round within a whirlwind of volutes, cartocci and spirals, curved and broken profiles , copings shaken by gables of articulated shaping, aprons adorned with ornaments, corbels, buttresses and anything else needed to move shapes and structures.
The Baroque is, moreover, the century of illusionism: lacquers and thin tempera flock to furniture and furnishings to imitate with the marbling effects of marble veins or games of precious briars.
Find out more about the Baroque with our insights:
FineArt: Il Barocco
Classic Monday: a double sideboard body, late Venetian Baroque
Classic Monday: a pair of candle holders between Renaissance and Baroque
Classic Monday: a pair of mirrors between Baroque and Barocchetto
Classic Monday: a superb Austrian Baroque console
YouTube - A few bits of furniture history ep1: the Baroque

Age: 18th Century / 1701 - 1800

18th Century / 1701 - 1800

Main essence:

Maple

Hard, light wood used for inlays. It grows mainly in Austria, but it is widespread throughout the northern hemisphere, from Japan to North America, passing through China and Europe. It is one of the lightest woods ever, tending to white, it is similar to lime or birch wood. The briar is used in the production of ancient secretaires .

Walnut

Walnut wood comes from the plant whose botanical name is juglans regia , probably originally from the East but very common in Europe. Light or dark brown in color, it is a hard wood with a beautiful grain, widely used in antique furniture. It was the main essence in Italy throughout the Renaissance and later had a good diffusion in Europe, especially in England, until the advent of mahogany. It was used for solid wood furniture and sometimes carvings and inlays, its only big limitation is that it suffers a lot from woodworm. In France it was widely used more than anything else in the provinces. In the second half of the eighteenth century its use decreased significantly because mahogany and other exotic woods were preferred.

Pine

The term pine wood indicates the essence from various species of conifers, especially Scots pine, maritime pine and pinea pine. Used since ancient times for the most common furniture, with the advent of the veneer technique, in the 1600s, it was widely used in the construction of the structure of even luxury furniture, which were then covered, decorated (in Venice) or gilded ( in England). It has a color that varies from white to yellow with reddish hues and can be both very soft and very hard.

Material: Bronze

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