Eliano Fantuzzi Oil On Canvas 20th Century - Red Figure

Crayons on paper. In the lower right, inconsistent signature and date 1930. In an orderly countryside, a cottage stands on the left with clothes hanging in the sun on outdoor lines; on the right, a man on crutches walks along the road, while another lights a cigarette on the bank above. In the center, a light pole divides the scene in two. The work is presented in a period frame.

Glimpse of Lake with Fog 1944

Mixed technique on paper. Signed and dated lower right. Mario Bezzola was a Milanese painter, as well as a critic of Italian XIX century art, who distinguished himself above all for his landscape production. This glimpse of the lake wrapped and confused in fog, in which the surrounding hills can be glimpsed, like greenish spots, is suggestive. It is presented in a coeval frame.

Winter Sunset - Cortina D'Ampezzo

The foreshortening presents the well-known ski resort as a small village lost in the middle of a blanket of snow, dominated by the Dolomite massif of the Tofane. The rendering of the colors is suggestive, with the rosy peaks at the first setting of the sun. The painting has widespread vertical fissures of color due to the wood of the panel. In frame.

Oil painting on canvas. Unidentified signature lower right. The woman is portrayed in a pose that expresses a thoughtful state: sitting on the ground, her eyes closed, her head slightly bowed; behind and around her, fabrics and cushions, to evoke the alcove. The chromatic tones are almost uniform, in the range of beiges - bluish browns, among which even the rosy complexion stands out delicately. The painting has traces of restoration. It is presented in a stylish frame.

Oil on wooden board. Signed lower right. Title and location on the back. Enrico Intraina was a Milanese artist who mainly produced landscapes and glimpses of his places, remaining linked to Lombard Naturalism. The painting is presented in a coeval frame.

Flowers in vase 1972

Oil on canvas board. Signed lower left. The composition of some flowers in a simple terracotta vase is characterized by the use of a strongly material colour, typical of the Gussago artist Eugenio Levi. Presented in a stylish frame.

Textile Reproduction

Textile reproduction in silk, in two tones Made from a design by T. Strazza, as shown below on the left. The faithful reproduction of Leonardo's painting is part of a flourishing Lombard manufacturing production, which re-proposed the masterpiece in different formats. The work is exposed in a contemporary wooden frame.

Sudden Thinking, 1984

Oil on cardboard. signed top center and dated bottom right. Further signature, date and title on the back. The work belongs to the last period of the painter of Marche origins Renato Bontempi, who first trained in Luca but then lived in Milan. From the initial figurative production, Bontempi progressively moves towards an abstract painting, to which the picture proposed here belongs. In Cronice.

Costal View of Naples Bay

Oil on canvas. Signed Att. Pratella at the bottom right. On the back there is a declaretion of belonging to the neapolitan artist. The subject is close to Pratella's production who preferred marine landscapes of the Naples Bay, his home town. It is part of a wide group of painting of uncertain attribution that for a stylistic quality that does not conform to the hand of Pratella. Good qualiti and pleasant atmosphere. The painting comes with frame.

Female Figure with Basket of Flowers

Oil on canvas. Signed lower right. On the back there is a sales label in Hungarian. Waldek, a European artist whose life there is no news, painted mainly female figures, young and smiling, intent on domestic activities. The work is presented in a style frame

Lake Como, S. Martino di Bellagio

Oil painting on canvas. Signed lower right. On the back the title. View of Lake Como, seen from the Lecco side of the lake, in correspondence with the small church of San Martino di Lierna, a small Romanesque church located along the medieval road that descends from the village of Casate to the village of Grumo. It is the work of the Milanese artist Fortunato Zangli, who distinguished himself as a landscape painter. The work is presented in a frame lacking external strips.

Glimpse of the Lombard countryside

Oil painting on canvas. Signed lower right. It is the work of the artist born and lived in Milan Vespasiano Quarenghi, who distinguished himself for his glimpses of the Lombard countryside, depicted from different angles and in different seasons, with a technique that is still influenced by impressionism. In a stylish frame.