Composition With a Couple Of Wooden Sculptures 19th Century

Etching In A Coeval Frame

Etching made by the famous painter and incisor Luigi Rados that represents Christ's Resurrection. It shows signs of humidity and comes in a coeval frame.

Etching in Coeval Frame

Etching made by Luigi Rodes, famous italian painter and incisor. The art piece represents the scene of Jesus walking over the water and saving Peter who his trying to emulate him, but is sinking in the lake. The etching shows several signs of humidity and comes in a coeval frame.

Etching In A Coeval Frame

Etching made by the famous italian painter and incisor Luigi Rados. It represents a scene from The Acts Of The Apostles in which St. Paul preaching to the people. The etching shows signs of humidity and comes in a coeval frame.

19th Century Etching

Etching. It is a print of the famous painting of Murillo titled The Saint Family or The Virgin Of Seville that today is preserved at Louver Museum in Paris. The etching had been made by Carlo Cattaneo in Turin. It shows several signs of humidity. It comes in a 20th century frame.

19th century wooden frames with engravings on paper of famous people, specifically of 6 academics and philosophers (Voltair, Rousseau, Linnè, Fénelon and Mably). The carvings had been made by Pierre-Michel Alix (1762-1807), fench cerver that in 1782 made the "Collection of portraits of importante man", They show signgs of wear as humidity damnages and drops.

Glimpse of a Church with salesmens 1858

Watercolor on paper. Signed at the bottom right. The charming watercolour depicts a view of the city at the entrance to a church, where street vendors have set up their lively stalls. Few biographical details are known about the Lombard painter Claudio Bernacchi, but his name appears frequently in the second half of the 19th century as a painter and architect in the realisation of works in Milan (such as the Pavilion built in 1857 in Piazza di Loreto on the occasion of the entry into Milan of the Austrian Emperor Franz Joseph and his wife), as well as a teacher of ornamentation at the Brera Academy. The painting is presented in a gilded frame from the end of the 19th century, with some missing pieces.

Pencil on paper. Portrait of woman with a good with beautiful rendering of chiaroscuro in pencil. It comes in a coeval gilded frame.

Oil on cardboard. It is a good quality portrait of an unknown artist. It comes with a revival frame.

Oil on cardboard. The mountain landscape presents a group of houses along the trail which a small figure is walking on. The painting is presented on an early '900 frame with some defects.

Oil on cardboard. The wide landscape presents a river, animated with figures and boats, that runs through the wide valley and which the small castle overlooks. The painting, that needs cleaning, is presented in an early '900 frame with some defects.

Oil on canvas. The painting, made in the first half of the 1900s, takes up the landscape works in the subject and in the pictorial mode: in a landscape rich in vegetation and with peaks in the background, a young commoner asks for charity from some travelers who rest on the roadside , near a stone arch. The canvas has undergone aging and is presented in a late 19th century frame.

Capriccio with Figures 1780

Etching. Below right the name of the engraver and the date of creation. As stated in the lower left, the "Capriccio with portico and pulcinelli" preserved at the Accademia Carrara in Bergamo is inspired by Francesco Guardi: the engraver, faithful to the painting in the architectural layout, has instead completely modified the figures , replacing the pulcinella with people from the street. Well preserved, the print is presented in a frame.