Iron Tray With Decoration Europe 19th-20th Century

Italy, Late XIX Century

Umbertine sideboard notched, on the front it has two paneled doors; on the top rests a riser with a mirrored bottom and a shaped profile ending in a cymatium carved with floral motifs; equipped with a shelf supported by curled uprights. Veneered in walnut root.

Cabinet with hinged doors and visible drawers, top with open shelf. Walnut veneered wood.

Lombardy Late 19th Century

Umbertine double-body display cabinet in fir and poplar, Lombardy, late 19th century. Upper part with a pair of glass doors, body equipped with a pair of paneled doors decorated with frames, the central one being octagonal. Turned feet and replaced glass. Restorations and deficiencies.

Buffet cabinet with mirror with hinged doors and central visible drawers; wood covered with vinyl material, doors with decorated glass, top with transparent glass, aluminum profiles.

Sideboard with hinged doors, flap doors and visible drawers; teak veneered wood.

Provence, Mid XIX Century

Cupboard supported by bracket feet, on the front it has two doors framed between uprights carved with twisted columns and separated by a floral festoon; in the under-counter area, alternating with shelves, there are two drawers that can be opened by unlocking the mechanism on the sides. The upper body also has two paneled doors alternating with the same motifs found in the lower part, surmounted by a band carved with phytomorphic Greek.

France Second Fourth XIXth Century

Restoration sideboard resting on a plinth base, the front is marked by three paneled doors alternating with pilasters that support the undertop band, in which there are three drawers. In elm and elm burl, the interiors are in poplar and oak.

18th Century / 1701 - 1800

Supported by 4 wavy legs; front side shaped as a crossbow with 2 mouded doors; openable moulded top. Inside it hides a lacquered lift surface and a surface with a central hole. The external surface is veneered and inalid with yellow leafy patterns intertwined with each other creating reserves. This pattern is very popular on several pieces typical of the late Baroque Roman prodution.