Oil on Cardboard by Francesco Sartorelli - Italy XIX Century

Landscape

Oil on cardboard. Signed lower left. On the back paper label with artist's biography. After an initial period dedicated to music, Francesco Sartorelli chose the path of painting, training himself as a self-taught person. Landscape painter, initially of a traditional type, he then approached the pointillist painting, finally coming to define his own style made of fluid and loose brushstrokes. The small painting is presented in a styled frame.

Billboard roll

Written in beautiful handwriting on Yisebiao-type silk-edged paper (one-color frame). Artist's signature and seal in red, in the lower left corner. A hanging scroll is one of many traditional Chinese ways of displaying and displaying painting and calligraphy. Hanging scrolls are generally intended to be displayed for short periods of time and are then rolled up to be tied up and stored safely; they are rotated according to the season or occasion, and are never permanently exhibited. The surface to be painted of the paper or silk can be mounted with decorative borders of brocade silk. This roll is presented in a frame, stretched out on a panel.

Landscape with River and Female Figure Oil on Canvas Italy XIX C

Oil on canvas. Italian school. With a romantic atmosphere, the landscape with the hill full of trees, the stream crossed by a bridge and the young villager carrying the amphora of water on her head, is surmounted by a sky mottled of different colors, with darker clouds that fade away into the pink of the dawning sky. On the first canvas, the painting shows small drops in colour. It is presented in a stylish frame.

Gouache on Cardboard by Antonio Coppola Italy XIX C.

Glimpse of Paestum

Gouache on cardboard. Signed lower right. The Neapolitan painter Antonio Coppola attended courses at the Institute of Fine Arts in Naples. He was a good temperer and executed with ease and with marine effect and views of Naples, with a production sought above all by foreigners and tourists. The foreshortening shows the countryside around the temple of Paestum, with a hay cart and its farmer in the foreground. It is presented in a gilded frame from the end of the 19th century.

Jean-Pierre Thénot

Swiss landscape

Color lithograph. Signed lower right. Jean-Pierre Thénot was a French painter, draftsman and engraver, author of treatises on painting. The lithography offers a landscape view of the mountain: in the foreground on the right a chalet where refreshment is offered to travelers passing along the path; the landscape then extends over a wide mountain range, presumably that of the Alps, between whose peaks a lake opens up. The lithograph is part of a series of landscape views of Switzerland. The work is presented in a contemporary gilded frame.

Jean-Pierre Thénot

Landscape with Castle and Figures

Color lithograph. Signed lower left. Jean-Pierre Thénot was a French painter, draftsman and engraver, author of treatises on painting. The lithography offers a landscape view with a wide river on the bank of which stands a castle; in the foreground the scene is animated by figurines of ladies and gentlemen strolling along the path. It probably belongs to the series of reproductions of Swiss landscapes, made by the artist. The work is presented in a contemporary gilded frame.

Jean-Pierre Thénot

Swiss landscape 1857

Color lithograph. Signed and dated lower left. Jean-Pierre Thénot was a French painter, draftsman and engraver, author of treatises on painting. The lithography offers a landscape view with high waterfalls on the right, probably the Staubbach waterfalls in the Canton of Bern, and is animated by figurines of shepherds with their flock and couples in gallant walks; in the center of the landscape there is a chalet. The lithograph is part of a series of landscape views of Switzerland. The work is presented in a contemporary gilded frame.

Luigi Rados

Coeval frame engraving of the early 19th century

Engraving. Made by the painter and engraver Luigi Rados, it depicts the Resurrection of Christ. The print has diffuse gore of humidity. It is proposed in a beautiful coeval frame.

Luigi Rados

Engraving in a coeval frame

Engraving. Made by Luigi Rados, a well-known Italian painter and engraver, from a painting depicting the evangelical scene of Jesus walking on the water and saving Peter when, trying to emulate Christ, he sinks into the lake. The engraving, which presents diffuse gores of humidity, is presented in a beautiful coeval frame.

Luigi Rados

Coeval frame engraving

Engraving. Made by the well-known Italian painter and engraver Luigi Rados, it depicts a scene from the Acts of the Apostles, in which Saint Paul preaches to the people. The print has diffuse gore of humidity. It is proposed in a beautiful coeval frame.

Portrait Of A Young Woman Pencil On Paper 19th Century

Pencil on paper. Good use of the hatching and chiaroscuro are shown in this portrait of a young woman. The portrait comes with a 19th century wooden frame that had beeen embellished with leafy and floral leather inserts; the frame has some color drops and some missing parts.

Female Portrait Oil On Canvas 19th Century

Oil on canvas. Lombard School. Portrait of a middle-aged austere and composed lady, The painting is in good conditions and comes in a coeval frame. that shows small drops of the gilding.