Oil on Canvas by Gustavo Nacciarone Italy Late '800 Early '900 - Portrait of a Girl

France Late 19th century Early 20th century

Bronze statue depicting a female figure with a bunch of flowers. The statue rests on a circular base in gilded and chiseled bronze with plant motifs and supported by three feet with leafy volutes. The sculpture bears the signature of the incussa "Moreau" manufacture.

Gouache on paper. Neapolitan school of the nineteenth century. On the back at the bottom label with the title. The gouache is part of the typical Grand Tour production, which made the Gulf of Naples and the views of Vesuvius recurring and privileged subjects of nineteenth-century landscape painting. The pink shades of the sky that are reflected on the smoking volcano and the blues of the sky and the sea create a typically romantic atmosphere. The scene is animated by numerous figures of commoners and fishing boats. The work is presented in a late 19th century frame.

Gouache on paper. Neapolitan school of the nineteenth century. On the back at the bottom label with the title. The gouache is part of the typical Grand Tour production, which made the Gulf of Naples and the views of Vesuvius recurring and privileged subjects of nineteenth-century landscape painting. The pink shades of the sky that are reflected on the smoking volcano and the blues of the sky and the sea create a typically romantic atmosphere. The scene is animated by numerous figures of commoners and fishing boats. The work is presented in a late 19th century frame.

Oil painting on canvas. Neapolitan school of the nineteenth century. Typical example of Grand Tour painting, the painting offers a glimpse of the Gulf of Naples animated by numerous boats, of which in the foreground one of fishermen landing on the beach, where their wives and children await. In the background stands the smoking Vesuvius. The scene is lively for the vitality it expresses and for the colors, although the pink shades of the sky and Vesuvius recall the romantic note of the painting of the time. The canvas has small color drops. It is presented in a stylish frame.

Oil painting on canvas. Wide country landscape, with leafy trees, a path leading to the river and the small village in the distance. Traditional landscape for decorative purposes, typical of the 18th and early 19th century production. Subjected to restoration in the last century, the chassis was changed. Style frame.

Oil painting on canvas. French school of the late 19th century. At the bottom left is the signature P. Detanger, unknown author. Intense portrait of a noblewoman, severe and distinguished. Restored and relined, the painting is presented in a gilded frame from the early 1900s.

Oil on canvas. French school of the late 19th century. At the bottom right there is the signature P. Detanger, unknown author. Intense portrait of a gentleman, severe and distinguished. Restored and relined, the painting is presented in a gilded frame from the early 1900s.

Portrait of R. Linard 1887

Oil on canvas. At the top right there is the signature, the date and the dedication with the name of the friend portrayed ("a mon ami R. Linard"). Little is known about the author, known in Paris and cited as a pupil of Carolus Duran, one of the most popular painters in the city, a portraitist who distinguished himself for his realistic vigor, breadth of composition and richness of color. Also in this work, of excellent composition, an intense expressive force is found: the man's face emerges from the dark background (in which even the shoulders dressed in black are confused), with a penetrating gaze that looks straight ahead, flaunting security. Restored and relined, the painting is presented framed with a stretch of rope.

Oil on canvas. The scene, still with a romantic taste due to the pink atmospheres, sees a stream that flows with waterfalls and jumps between the rocks of an impervious landscape, dominated by rocky peaks; on the shore, a shepherd boy sitting on the boulder, contemplating the landscape. The painting has some color losses. It is presented in a coeval redorated frame.

Oil on canvas. The romantic scene for the rosy atmospheres offers a glimpse of mountains on whose slopes a lake opens up, with a village lying on the shore: the typology of the landscape recalls Lake Como. Small drops of color. The painting is presented in a coeval redorated frame.

Oil on cardboard. North-ItalIan school. The two small landscapes offer views of the countryside with the remains of ancient stone walls and wayfarers on the path that pass under the monumental arches. The atmosphere is romantic, imbued with pink colors. Although more landscape than monumental, the two squares are fully part of the production linked to the Grand Tour, the journey through Europe - and with the main stops in Italy! - that the young people of the European high aristocracy completed, upon completion of their university studies, to enrich their cultural background. This fashion favored a large production of small paintings of the places visited, in memory of the stage. The two paintings are presented in 19th century frames.

Oil on canvas. The portrait of the gentlewoman, sober in black, is proposed in an unusual exterior, which sees her sitting on a bare boulder, with the background of pink peaks and blue sky, to give a romantic atmosphere. The painting is presented in a gilded frame from the early 1900s.