Louis Philippe Coat Hanger Elm Italy XIX Century - Second Fourth XIXth Century

Italy Late 19th century

Empire style mirror in walnut, Italy, late 19th century. Frame veneered on the front in briar walnut, carved with a Greek leaf motif on the inside.

Late 19th century

Pair of neo-baroque, the front and the back have characteristic folders carved in volutes and with a central reserve inlaid with phytomorphic motifs (one is missing). Walnut.

Landscape with Peasant Woman

Oil on the table. signed lower right. Adolfo Tommasi, a painter from Livorno, in the wake of the "Macchialioli" established himself as a painter of nature: the humble aspects of nature, the countryside and the people who populate it were his main subjects, investigated with sensitivity for the atmospheric and luminous effects, rendered with a quick brushstroke, which builds shapes through juxtaposed colors without a contour line, albeit with attention to detail. The work is presented in a style frame.

Late 19th century

Walnut double bed supported by turned uprights, the footboard and headboard are carved.

Mid 19th century

Desk supported by turned legs, on the front it has two small side drawers and one in the undertop band. In walnut, the interiors are in poplar and oak.

Second half of the 19th century

Coffee table supported by turned legs connected by cross-shaped crosspieces (missing the central decorative element); in the shaped and carved volute undertop band there is a drawer. In chestnut.

Late 19th century

Console supported by wavy legs, it has a drawer in the undertop band, painted to emulate the briar.

XIX Century - from 1801 to 1900

Fireplace in neoclassical style of Lombard origin. The frame is decorated with applications in carved wood to form a Greek leaf motifs; the crown is also decorated with phytomorphic motifs and is crowned by a floral crown with love knot, from which branches with flowers depart. Partially painted and gilded, the mirror is mercury. It belongs to the production still of neoclassical taste, on resumption of the plans of Giocondo Albertolli, still active in Lombardy at the end of the XIX century.

First Fourth XIXth Century

Pair of Empire chairs supported by legs, of which the rear ones are saber-shaped and the front ones are turned and carved with characteristic leaf motifs, also re-proposed in the grip of the backrest. lacquered and partially gilded, the seat and back are padded.

France Second half of the 19th century

Table clock in gilded and perforated bronze with decorations in leafy scrolls and plant motifs. At the top the figure of a young hunter. Enamelled metal face with Roman numeral hours. Mechanism marked Hottot à Paris.