G. Ghiringhelli Oil on Canvas Italy XIX-XX Century

Madonna and Child with Adoring Women

Code :  ARARNO0149611

not available
G. Ghiringhelli Oil on Canvas Italy XIX-XX Century

Madonna and Child with Adoring Women

Code :  ARARNO0149611

not available

G. Ghiringhelli Oil on Canvas Italy XIX-XX Century - Madonna and Child with Adoring Women

Features

Madonna and Child with Adoring Women

Artist:  Giuseppe Ghiringhelli (1874-1944)

Work title:  Madonna con Bambino e donne adoranti

Time:  19th Century / 1801 - 1900 , 20th Century / 1901 - 2000

Subject:  Sacred Subject

Artistic technique:  Painting

Technical specification:  Oil on Canvas

Description : Madonna con Bambino e donne adoranti

Oil on canvas. Signed lower right. Born in Milan and trained at the Brera Academy, Giuseppe Ghiringhelli exhibited for the first time in 1900 at the Milan Triennale, and subsequently participated in numerous national exhibitions. He devoted himself mainly to landscape and portraits, but in his production there are also several representations of the sacred maternity, depicted with intense luministic effects. An example of this is the work proposed here, a true celebration of Motherhood understood as a central element of life: around Mary and the Child, facing forward to look at the world, other women gather, looking adoringly at the two central figures. , bringing free flowers. The work has a slight tear. It is presented in a contemporary frame.

Product Condition:
Product in fair condition showing some signs of wear.

frame Size (cm):
Height: 130
Width: 180
Depth: 6

work dimensions (cm):
Height: 100
Width: 150

Additional Information

Artist: Giuseppe Ghiringhelli (1874-1944)

Born in Milan in 1874 and died in Varese in 1944, Giuseppe Ghiringhelli studied at the Brera Academy, dedicating himself to landscape and portrait. In 1900 he exhibited for the first time at the Milan Biennale, and subsequently participated in several national exhibitions.

Time:

19th Century / 1801 - 1900

The revolutions in Europe between the end of the 18th and the beginning of the 19th century, accelerating social, political and economic changes, favor the birth of a new artistic movement, Romanticism, which places sentiment and love of country and that, detaching itself from the forms of Neoclassicism, proposes a style that shows the deep emotions of man, aroused by real life. In particular, in painting, historical subjects, scenes of popular life and patriotic struggle, the landscape as an expression of love for nature and orientalist subjects are imposed. To express emotions and feelings, we begin to use bright colors, the outlines are blurred, the contrasts of lights increase, to then progressively arrive at a painting, with the Macchiaioli first and then with the Impressionists, "en plein air", pure exaltation of emotions, chromatic effects, subjective impressions.
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20th Century / 1901 - 2000

The twentieth century is characterized by the prevalence of the bourgeoisie over the working class and by the discovery that life continues to be a struggle for survival and to improve its quality. Technological progress, instead of favoring this development, becomes an instrument of mechanization and drying up of man, who needs to look for a "soul supplement" and new forms to express it. Therefore, a whole series of artistic currents are born that create works expressing the interiority of man, which evoke reality from within rather than represent it, and depict it using, freely, shapes and colors. We therefore have Decadentism with Art Nouveau, Matisse and Braque's Fauvism, Picasso's Cubism, then Expressionism with Munch, Kandinskij's Abstractionism and Metaphysical painting by Carrà and De Chirico. There are numerous currents and groups of artists and intellectuals who use Art as a Manifesto of their thought, often also with a political connotation.
Find out more about the 20th century with our insights:
FineArt: Nymph and Faun, Giuseppe Siccardi

Subject: Sacred Subject

Artistic technique: Painting

La pittura è l'arte che consiste nell'applicare dei pigmenti a un supporto come la carta, la tela, la seta, la ceramica, il legno, il vetro o un muro. Essendo i pigmenti essenzialmente solidi, è necessario utilizzare un legante, che li porti a uno stadio liquido, più fluido o più denso, e un collante, che permetta l'adesione duratura al supporto. Chi dipinge è detto pittore o pittrice. Il risultato è un'immagine che, a seconda delle intenzioni dell'autore, esprime la sua percezione del mondo o una libera associazione di forme o un qualsiasi altro significato, a seconda della sua creatività, del suo gusto estetico e di quello della società di cui fa parte.

Technical specification: Oil on Canvas

The oil painting is a painting technique using powder pigments mixed with bases in inert and oils.

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