Table Clock O. Ferrari Gilded Bronze Italy XX Century - Italy, First Half XX Century

Oil on wooden board. Signed lower left. The portrait of this woman of the vulgar takes place after the return of Domenico Cantatore (artist born in Puglia but raised and established himself artistically in Milan) to his homelands, which took place after 1956, which led him to choose as the undisputed protagonist of his works the South, its landscapes but also its human figures, through the portraits of its women and men, depicted with great realism. The work is presented in a frame.

Oil on canvas. Signed lower right. On the back there is a label of participation in the 1960 exhibition of contemporary Italian painting in Milan, organized by the Society for Fine Arts and Permanent Exhibition of Milan. It is a broad glimpse of the city of Venice, taken from one of the islands in front of it, of which some boats moored at the pier can be seen; the scene is horizontally divided quite clearly into two parts, from the central sky line of the city: above the sky, shaded in blue-grey tones, below the sea, with shades instead veering towards green. The atmosphere is clear, of absolute stillness, of immobility. Ezio Pastorio, originally from Cremona but transplanted to Valseriana after his studies, is considered "a great Italian master of the 20th century, who knew how to renew the artistic language of the landscape while maintaining a strong link with 19th century painting". His production is post-impressionist in nature, especially in the large landscape production that depicts the Po and Bergamo plains, the Venetian lagoon and some Parisian glimpses, admired during some travels. In his works, Pastorio creates suggestive atmospheres using infinite ranges of colours, which harmonize and sometimes even contrast, but always presented as a transparency which annuls the static nature of the representation and with a delicacy which expresses his devout religiosity towards nature and the created. The work, coming from a private collection, is presented in a frame.

Oil on canvas board. Signed lower right. Ezio Pastorio, originally from Cremona but transplanted to Valseriana after his studies, is considered "a great Italian master of the 20th century, who knew how to renew the artistic language of the landscape while maintaining a strong link with 19th century painting". His production is post-impressionist in nature, especially in the large landscape production that depicts the Po and Bergamo plains, the Venetian lagoon and some Parisian glimpses, admired during some travels. In his works, Pastorio creates suggestive atmospheres using infinite ranges of colours, which harmonize and sometimes even contrast, but always presented as a transparency which annuls the static nature of the representation and with a delicacy which expresses his devout religiosity towards nature and the created. Less frequent in his production are floral subjects, such as this composition of variegated flowers in vases, which nonetheless reflect all the artist's expressive capacity and his skilful use of colour. The work, coming from a private collection, is presented in a frame.

Oil on canvas. At the bottom right you have the signature, the location of Paris and the date. In the delicate transparencies typical of Ezio Pastorio, a view of the Seine crossed by several bridges is proposed here, at the point where it runs alongside the Musée d'Orsay on the left. Ezio Pastorio, originally from Cremona but transplanted to Valseriana after his studies, is considered "a great Italian master of the 20th century, who knew how to renew the artistic language of the landscape while maintaining a strong link with 19th century painting". His production is post-impressionist in nature, especially in the large landscape production that depicts the Po and Bergamo plains, the Venetian lagoon and some Parisian glimpses, admired during some travels. In his works, Pastorio creates suggestive atmospheres using infinite ranges of colours, which harmonize and sometimes even contrast, but always presented as a transparency which annuls the static nature of the representation and with a delicacy which expresses his devout religiosity towards nature and the created. The work, coming from a private collection, is presented in a frame.

Oil painting on canvas. Signed lower right. On the back, this label from the "Ponte Rosso" gallery in Milan, from the "La Roggia" gallery in Palazzolo (Bs) and participation label in Clusone at the exhibition "50 years of painting by Ezio Pastorio" in 1988. On the frame, this additional title Pianura Padana, who was one of the subjects most represented by Pastorio. Here is a glimpse of the plain, with farmhouses, sparse trees and pools of water, all dominated by the snow-capped alpine peaks in the background, which blend chromatically with the sky, to create a continuum between the two parts into which it is divided landscape horizontally. Ezio Pastorio, originally from Cremona but transplanted to Valseriana after his studies, is considered "a great Italian master of the 20th century, who knew how to renew the artistic language of the landscape while maintaining a strong link with 19th century painting". His production is post-impressionist in nature, especially in the large landscape production that depicts the Po and Bergamo plains, the Venetian lagoon and some Parisian glimpses, admired during some travels. In his works, Pastorio creates suggestive atmospheres using infinite ranges of colours, which harmonize and sometimes even contrast, but always presented as a transparency which annuls the static nature of the representation and with a delicacy which expresses his devout religiosity towards nature and the created. The work, coming from a private collection, is presented in a frame.

Lombard Countryside

Oil painting on canvas. Signed lower right. Title and date on the back of the frame. Here we offer a glimpse of the Lombard countryside, with a plain crossed by a stream and surmounted in the distance by the snow-capped Alpine peaks. Ezio Pastorio, originally from Cremona but transplanted to Valseriana after his studies, is considered "a great Italian master of the 20th century, who knew how to renew the artistic language of the landscape while maintaining a strong link with 19th century painting". His production is post-impressionist in nature, especially in the large landscape production that depicts the Po and Bergamo plains, the Venetian lagoon and some Parisian glimpses, admired during some travels. In his works, Pastorio creates suggestive atmospheres using infinite ranges of colours, which harmonize and sometimes even contrast, but always presented as a transparency which annuls the static nature of the representation and with a delicacy which expresses his devout religiosity towards nature and the created. Coming from a private collection, the work is presented in a frame.

Oil painting on canvas. Signed lower right. This glimpse of the Venice lagoon is delicate in the transparency of the chromatic games, predominantly blue in all its range of shades, with anonymous boats in the foreground and Santa Maria della Salute in the background. Ezio Pastorio, originally from Cremona but transplanted to Valseriana after his studies, is considered "a great Italian master of the 20th century, who knew how to renew the artistic language of the landscape while maintaining a strong link with 19th century painting". His production is post-impressionist in nature, especially in the large landscape production that depicts the Po and Bergamo plains, the Venetian lagoon and some Parisian glimpses, admired during some travels. In his works, Pastorio creates suggestive atmospheres using infinite ranges of colours, which harmonize and sometimes even contrast, but always presented as a transparency which annuls the static nature of the representation and with a delicacy which expresses his devout religiosity towards nature and the created. The work, coming from a private collection, is presented in a coeval frame.

Oil on canvas board. Signed lower right. Further signature and date on the back. Not only potted flowers, but a composition - actually two, for another smaller one behind them - with fruits scattered on a table and, in the background, a sunset over the sea, which could be a painting but also the view from the window. Ezio Pastorio, originally from Cremona but transplanted to Valseriana after his studies, is considered "a great Italian master of the 20th century, who knew how to renew the artistic language of the landscape while maintaining a strong link with 19th century painting". His production is post-impressionist in nature, especially in the large landscape production that depicts the Po and Bergamo plains, the Venetian lagoon and some Parisian glimpses, admired during some travels. In his works, Pastorio creates suggestive atmospheres using infinite ranges of colours, which harmonize and sometimes even contrast, but always presented as a transparency which annuls the static nature of the representation and with a delicacy which expresses his devout religiosity towards nature and the created. The work, coming from a private collection, is presented in a frame.

Ligurian Beach

Oil on canvas. Signed lower left. It is a glimpse of the Ligurian Riviera, near a cove, surmounted by houses close to the coast. Berto Ferrari, born and always lived in Liguria, was a skilled and sensitive marine and landscape painter of the post-impressionist tradition, who painted the beauties of the Ligurian Riviera and numerous views of the Apennine hinterland. The painting has drops of color and traces of restoration. It is in a coeval frame.

Oil painting on canvas. Signed lower right. Mary breastfeeding her little son, under the loving gaze of Saint Anne: this is the theme of a sacred nature but proposed in a very human key, which underlines the sweetness of the mother-child relationship and of the family. Giuseppe Ghiringhelli was mainly a landscape and portrait painter, but in his production there are also various representations of the sacred Maternity which, like this one proposed here, are permeated with intimacy and sweetness and characterized by intense lights effects: in this work in particular it is suggestive the effect of the light that radiates from the little head of the child placed in the centre, on the faces bent over him of the two women, and then reverberates on the clothes and in the background, where the shadows created can be glimpsed. The work is presented in a frame from the first half of the 1900s.

Working Children

Oil painting on canvas. Signed lower left. The Veronese artist proposes an outdoor scene, in the farmyard in front of the farmhouse: three girls, seated on the ground, are intent on collecting the grains of wheat that have remained attached to the straw: raising their gaze, serious and contrite, to observe the spectator of their work. The brightness of the scene stands out, coming from the right, where the sun's rays filter through and reverberate on the colorful dresses of the girls, while on the left two tall plants provide shade. The artist uses a quick brushstroke, with a light and rapid touch, characteristic of an plein air painting, or live painting, which spread in the first half of the twentieth century. The work is presented in a frame from the early 1900s.

Glimpse of a Barn

Oil on wooden hardboard. Signed lower left. The farmyard of a farmhouse, where hens scratch around in the shade of a large leafy oak, is rendered in the characteristic pictorial style of Leonardo Bazzaro, who uses quick and broad brushstrokes, with soft outlines, to create an enveloping atmosphere of peaceful everyday life. Milanese by birth and training, Leonardo Bazzaro is considered a lively exponent of Lombard impressionism, dedicated to chromatic and luministic research. His very fruitful production of works was dedicated in the early years to Milanese interiors, but then attracted by open-air painting, he moved to landscape views and in particular he was attracted by the color of the Venetian lagoon, which led him to stay for a certain period in Chioggia. The painting is presented in a coeval frame.