Neo-Renaissance Style Chair Beech Italy XX Century

Italy Early 20th century

Code: ANMOST0163296

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Neo-Renaissance Style Chair Beech Italy XX Century

Italy Early 20th century

Code: ANMOST0163296

not available
SAFE PAYMENTS
pagamenti sicuri
For rentals longer than 30 days, the fee is charged. need to contact customer support
Request information
Go to www.dimanoinmano.it to purchase the product
Buy

Neo-Renaissance Style Chair Beech Italy XX Century - Italy Early 20th century

Features

Italy Early 20th century

Style:  Neo-Renaissance Revival

Age:  20th Century / 1901 - 2000

Origin:  Italy

Main essence:  Beech

Material:  Carved Wood

Description

Neo-Renaissance style "Savonarola" chair in beech wood, Italy, early 20th century. Semicircular "barrel" seat with strips, turned and carved crosspieces. Richly carved, it has a pair of anthropomorphic faces at the top of the uprights and lion heads at the ends of the armrests.

Product Condition:
Product that due to age and wear may require restoration and resumption of polishing.

Dimensions (cm):
Height: 93
Width: 75
Depth: 70

Seat height:  37

Additional Information

Style: Neo-Renaissance Revival

Stylistic revival, from the 1900s, of the forms typical of the Renaissance style.
This is a style that re-proposes, looking at the grandeur of the past, decorative motifs and decorations typical of the 1500s.
Mascheroni, cornices, columns carved with herms that make up typical architectural structures of Renaissance palaces, are the elements that characterize the Neo-Renaissance style.
These elements will remain in the production of furniture until the early 1900s, contaminating themselves with floral elements.
Find out more about the Neo-Renaissance with our insights:
A Milanese library between the Belle Epoque and Fascism

Age: 20th Century / 1901 - 2000

20th Century / 1901 - 2000

Main essence: Beech

It is a semi-hard wood which, unfortunately, is easily wormed, therefore it is considered poor. Due to its light but variegated shades, from blond to reddish, it was nevertheless appreciated by French cabinetmakers. It was mainly used for furniture structures or, as an alternative to walnut, by provincial English furniture makers for popular works, mostly in the 1700s. The noblest use is due to Thonèt, who applied the steam bending of the beech in the making of the furniture, in particular for the chairs that took his name.

Material: Carved Wood

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