Cabinet Laminate Italy 1960s

Reception desk, larch wood, decorated glass on the front and on one side, vinyl material on the top and in the lower part.

Lombardy second quarter of the 19th century

Charles X wardrobe with three doors with carved and perforated cymatium with central anthemium, side leaf motifs and pine cones on the corners. Central door with mirror and side door panels in walnut to replace glass panels. Three drawers in the lower band, grissinate uprights and top-shaped feet. Upper backs replaced with plywood.

Northern Italy, XVIII Century

Walnut travel writing desk with cabinet concealing twelve drawers, six of which are smaller on the sides. Small drawers for the writing desk on the front, large drawer underneath. Detachable wavy legs with external locking screws; feet restored or replaced.

Saint George 1992

Oil on panel. Signed bottom right. On the back, with Cyrillic characters, there is the title, the date and the location, Bergamo. The Lithuanian artist, who currently lives and works between Moscow, Italy and the United Kingdom, is considered one of the most important contemporary Russian artists. In his large production there are landscapes, still lifes, many portraits of famous people and his surreal compositions, an expression of his peculiar "dream vision" of reality. Even in this table, albeit in the style of traditional icons, the depiction of the famous St. George is proposed in a surreal key that reminds of De Chirico, in which the dragon is replaced by a goose, the Saint's head is an egg, in the outlines there are figures of sorceresses... a clearly unorthodox interpretation! The panel has a vertical slit. The piece is presented in a frame.

Landscape with Figures and Bread Oven

Oil painting on canvas. Signed lower left. The landscape view shows in the foreground a mountain path that leads to a bread oven, where a woman prepares the bundles of wood for the fire, while a traveler approaches on the back of a donkey; in the valley the viaduct over the river that leads to the village, surmounted by other barren peaks. Micheroux, belonging to the Posillipo school, or the nineteenth-century school of Neapolitan artists dedicated to landscape painting, created several glimpses of the Campania hinterland, but little is left of his production and little is known about his life. The painting has some small drops of color. It is presented in a late 19th century frame.

Oil painting on canvas. Central European school of the eighteenth century. Under a blue sky, a large, rather barren landscape is depicted, with the edge of a wood opening onto a rocky valley, with a river flowing between the rocks and snow-capped peaks in the background; in the foreground, scattered, some figures of shepherds with their flocks. On the stretcher at the back of the work, a cartouche refers to Poussin, the artist representing seventeenth-century classicism whose pictorial methods inspired the author of the painting. The painting, relined, is presented in a period frame.

Italy, Second Half XIX Century

Six light chandelier. Structure, curly volutes, bobeches, pendants of different shapes and sizes and glass necklaces. Replacements of a bobeche and some parts of the central stem.

Paris, 1818 ca.

Horse, one of nine sculptures depicting animals of different species, entirely covered in fur; each animal rests on a wooden base, three of which have a label underneath which indicates the name of the author, Fratin, naturalist. The animals represented are quadrupedal mammals: bison, bovine, cow suckling the calf, horse, elk, ibex, tiger, lion, bear.