Religious Subject Oil on Canvas Italy XVII-XVIII Century

Code :  ARARPI0166968

Religious Subject Oil on Canvas Italy XVII-XVIII Century

Code :  ARARPI0166968

Religious Subject Oil on Canvas Italy XVII-XVIII Century

Features

Work title:  Adorazione dei Magi

Art School:  Venetian school

Time:  XVIII Century - from 1701 to 1800 , 17th century - from 1601 to 1700

Subject:  Biblical scene

Origin:  Italia

Artistic technique:  Pittura

Technical specification:  Oil on canvas

Description : Adorazione dei Magi

Oil painting on canvas. Venetian school of the seventeenth-eighteenth century. The evangelical scene shows on the left the Holy Family, humble in simple clothes and placed in a bare and almost dark room, while the whole right half is occupied by the figures of the Magi, richly dressed and with their exotic and sumptuous retinue of servants and camels ; the figure of the Child Jesus joins the two so different fields who, in his mother's arms and surrounded by divine light, stretches out his hand to accept the rich gift of one of the Magi, kneeling before him. The red color dominates the whole scene, in different shades, which connotes the clothes of the characters, both the tunics of Joseph and Mary, as well as the mantles of the rich kings, indicating the human and mortal nature that unites them. Restored and relined, the painting is presented in a gilded frame from the early 1900s (with modifications).

Product Condition:
Product in good condition, with small signs of wear.

frame Size (cm):
Height: 88
Width: 146
Depth: 8

work dimensions (cm):
Height: 76
Width: 134

Additional Information

Art School: Venetian school

Time:

XVIII Century - from 1701 to 1800

In the century of the Enlightenment, or the exaltation of reason and science as the only tools that can free man from ignorance and the yoke of the Church and the nobility, art passes from the intent of the Baroque to tell religious truths or to imitate nature, with strong chiaroscuro contrasts and artificial excesses, to the lighter and more vaporous forms (sometimes even frivolous and affected) of the so-called Barocchetto or Rococò, to lead to Neoclassicism which, looking at the ancient art of the Greeks and Romans, wants to re-propose the discovery of beauty, in the search for harmony, proportions, balances.
Find out more about the 18th century with our insights:
Discovering the Barocchetto
FineArt: Giovanni Domenico Lombardi, Conversion of a centurion, 18th century

17th century - from 1601 to 1700

In the seventeenth century, art was strongly conditioned by the religious problem: the Church was still one of the greatest patrons of works of art and used them to fascinate and impress the faithful, exalting salvation, reachable only with fidelity to the Church. 17th century art is therefore an educational tool, produced to be enjoyed and understood by many. Thus, the scenes that face the representation of an imaginary reality are accompanied by the analysis of the details and the great clarity of the environment, in order to propose every fiction as real and with the intention of emotionally involving the observer, making him live. in a subjective way an infinite and grandiose reality, also reflects the artist's desire to express himself freely: in fact he does not bend to pre-established schemes, he does not use rigid, contained forms, organized in rigorous compositional symmetries, but free, open and articulated forms . The art of the 1600s is therefore a representation, the purpose of which is to impress, move, persuade; it is the product of the imagination and its purpose is to persuade that something not real can become real. This complex artistic phenomenon is traditionally defined as Baroque, and its birth takes place in Rome between the third and fourth decade of the seventeenth century, where it is eminently represented by the work of Gian Lorenzo Bernini, Francesco Borromini and Pietro da Cortona. , even if the fundamental junction is constituted by the work of Caravaggio. The movement then spread throughout Italy and Europe (we remember in particular Rembrandt, Rubens, Velazquez), in the world of arts, literature, music, and in numerous other areas, until the mid-18th century.
Find out more about the 17th century with our insights:
Between Baroque and Baroque
Erminia meets the shepherds, Camillo Gavassetti / XVII Century

Subject: Biblical scene

Artistic technique: Pittura

La pittura è l'arte che consiste nell'applicare dei pigmenti a un supporto come la carta, la tela, la seta, la ceramica, il legno, il vetro o un muro. Essendo i pigmenti essenzialmente solidi, è necessario utilizzare un legante, che li porti a uno stadio liquido, più fluido o più denso, e un collante, che permetta l'adesione duratura al supporto. Chi dipinge è detto pittore o pittrice. Il risultato è un'immagine che, a seconda delle intenzioni dell'autore, esprime la sua percezione del mondo o una libera associazione di forme o un qualsiasi altro significato, a seconda della sua creatività, del suo gusto estetico e di quello della società di cui fa parte.

Technical specification: Oil on canvas

The oil painting is a painting technique using powder pigments mixed with bases in inert and oils.

Other customers have searched:

Product availability

The product is visible at Cambiago

Alternative proposals
It could also interest you