Planter Concrete Italy XX Century - Italy 20th century

Italy Early 20th century

Pair of grit statues, depicting male and female figures of the popular tradition intent on getting supplies from a fountain with jugs and basins, Italy early 20th century. Resting on a base decorated with leaves and floral elements.

Italy Early 20th century

Group of 4 female statues in grit, representing allegory of the 4 seasons, Italy, early 20th century.

Italy 20th Century

Polychrome decorated concrete garden statues depicting Snow White with three dwarfs.

Italy Early 20th century

Female statue in grit carrying a pair of amphorae, Italy, early 20th century. The figure rests on a rocky floor, flanked by a vase decorated with Greek and bunches of grapes.

20th Century - from 1901 to 2000

Vicenza stone garden sculpture of a Putto that was originally part of a fountain. It stands on a refined base.

XIX Century - from 1801 to 1900

Ornamental outdoor sculpture in Vicenza stone. It represents two putti intent on picking grapes from a trunk full of vine leaves. One of the two is sitting on a branch in an unstable position, almost as if suddenly turning to his right, attracted by a sudden noise; he is naked, covered only by a vine leaf. The other is at the foot of the trunk, but holds onto it with both hands; he too is half naked, a drapery partially covering him.

Late 19th century

Neo-Renaissance terracotta column, has bas-reliefs with grotesque motifs, while in the lower part there are tiles with male profiles.

Mid 19th century

Alabaster column, shows cracks.

Granite capital with bucranium head decorations and fluted column.

XIX Century - from 1801 to 1900

Ornamental sculpture made with Stone from Vicenza representig a putto that is bringing a shell to his ear with both his hands. Hi's naked and partially covered by a fluttering drapety held by a crossbody band.

XIX Century - from 1801 to 1900

Stone capitale decorated with a woven motif and a Ionic hat.

XIX Century - from 1801 to 1900

Pair of stone bas-reliefs depicting the Holy Family with donkey and ox and figures inside porch arches. The bas-reliefs were certainly part of a larger composition and are presented on a wooden support.