E. Levi Oil on Canvas Italy 1966 - Landscape with Houses 1966

Grado

Oil on canvas. Signed lower left. Further signature and title on the back. It is a landscape glimpse of the lagoon from the beach with the mooring piers of the Friulian town, in the warm and bright colors and in the suspended atmosphere typical of Silvio Consadori's painting. Born and trained artistically first in Brescia, his hometown, then at the Carrara Academy in Bergamo, Consadori discovered Burano in 1935, immediately joining the circle of artists who spent long periods on the island. He was initially a painter of genre scenes (the interiors of cafés and maternity hospitals were among his most recurring subjects), while after the war he devoted himself constantly to sacred painting. Starting in the 1950s, his great cycles of frescoes with sacred subjects, which culminated in 1971 in what he himself defined as "the most complete result of my fresco painting": twelve frescoes in the church of San Giuseppe al Trionfale in Rome. In the last years of his life he spent long periods not only in Milan, where he taught at the Brera high school, but also on Lake Garda and Burano, where he died in 1994. Framed work.

Oil on wooden board Unidentified signature lower right. In imitation of Renaissance painting, the painting presents the three figures seated in a meadow with a large and gentle landscape in the background; Mary holds the prayer booklet in one hand, but her gaze is directed to the two children, Jesus in her arms and John sitting on the ground, who both hold in one hand the stick surmounted by the Cross, the iconographic symbol of the Passion. The painting is presented in a coeval frame.

Oil on canvas. Signed lower right. The glimpse of the view is taken from a landing stage on the Grand Canal and is centered on the Basilica of Santa Maria della Salute. The church with the bank on which it is located create a horizontal dividing line between sky and sea, shaded in the same chromatic ranges which are then interrupted only in the mooring in the foreground. Ezio Pastorio, originally from Cremona but transplanted to Valseriana after his studies, is considered "a great Italian master of the 20th century, who knew how to renew the artistic language of the landscape while maintaining a strong link with 19th century painting". His production is post-impressionist in nature, especially in the large landscape production that depicts the Po and Bergamo plains, the Venetian lagoon and some Parisian glimpses, admired during some travels. In his works, Pastorio creates suggestive atmospheres using infinite ranges of colours, which harmonize and sometimes even contrast, but always presented as a transparency which annuls the static nature of the representation and with a delicacy which expresses his devout religiosity towards nature and the created. The work, coming from a private collection, is presented in a frame.

Oil painting on canvas. Signed upper right. Ezio Pastorio, originally from Cremona but transplanted to Valseriana after his studies, is considered "a great Italian master of the 20th century, who knew how to renew the artistic language of the landscape while maintaining a strong link with 19th century painting". His production is post-impressionist in nature, especially in the large landscape production that depicts the Po and Bergamo plains, the Venetian lagoon and some Parisian glimpses, admired during some travels. In his works, Pastorio creates suggestive atmospheres using infinite ranges of colours, which harmonize and sometimes even contrast, but always presented as a transparency which annuls the static nature of the representation and with a delicacy which expresses his devout religiosity towards nature and the created. Less frequent in his production are floral subjects, such as this composition of multicolored roses in a vase: the colors stand out, in particular the pink background which creates a suggestive romantic effect, recalling the different shades of roses. The work, coming from a private collection, is presented in a frame.

Oil on canvas applied to plywood. Signed lower left. Ezio Pastorio, originally from Cremona but transplanted to Valseriana after his studies, is considered "a great Italian master of the 20th century, who knew how to renew the artistic language of the landscape while maintaining a strong link with 19th century painting". His production is post-impressionist in nature, especially in the large landscape production that depicts the Po and Bergamo plains, the Venetian lagoon and some Parisian glimpses, admired during some travels. In his works, Pastorio creates suggestive atmospheres using infinite ranges of colours, which harmonize and sometimes even contrast, but always presented as a transparency which annuls the static nature of the representation and with a delicacy which expresses his devout religiosity towards nature and the created. Less frequent in his production are floral subjects, such as this composition in a vase of wild flowers, among which poppies and cornflowers stand out, with a bulb abandoned on the table top. The work, coming from a private collection, is presented in a frame.

Pastels on paper. Signed lower right. Even with the characteristic nuances and undefined contours, in this glimpse of a Venetian calle, with the characteristic gondolas, Pastorio enhances the chromatic contrasts, using different lively and cheerful colors, which give vitality and lightness to the view. Ezio Pastorio, originally from Cremona but transplanted to Valseriana after his studies, is considered "a great Italian master of the 20th century, who knew how to renew the artistic language of the landscape while maintaining a strong link with 19th century painting". His production is post-impressionist in nature, especially in the large landscape production that depicts the Po and Bergamo plains, the Venetian lagoon and some Parisian glimpses, admired during some travels. In his works, Pastorio creates suggestive atmospheres using infinite ranges of colours, which harmonize and sometimes even contrast, but always presented as a transparency which annuls the static nature of the representation and with a delicacy which expresses his devout religiosity towards nature and the created. The work, coming from a private collection, is presented in a frame.

Hill Landscape with Cottage

Oil painting on canvas. Signed lower right. A glimpse of rolling hills characterized by the brilliance of the green color, in a wide range of shades enhanced by soft edges, surmounted by the blue sky and interrupted only by a cottage, which also incorporates the same colors of the earth and the countryside. It is the work of the young Milanese artist Amerigo Canegrati, who had great fame in the Thirties, and is considered among the representatives of the Lombard pictorial trends of the Italian twentieth century; his painting expresses deep coloristic qualities both in landscape paintings and in compositions and figures. The work is presented in a style frame.

Oil painting on canvas. Signed in the lower right corner and on the back (Verschafeldt). Light losses of color. In coeval frame with missing parts. Early 20th century.

Costal View of Naples Bay

Oil on canvas. Signed Att. Pratella at the bottom right. On the back there is a declaretion of belonging to the neapolitan artist. The subject is close to Pratella's production who preferred marine landscapes of the Naples Bay, his home town. It is part of a wide group of painting of uncertain attribution that for a stylistic quality that does not conform to the hand of Pratella. Good qualiti and pleasant atmosphere. The painting comes with frame.

Flowers

Oil on hardboard. Signed lower right. On the back there is a paper label with the data of the work. A beautiful bouquet of daisies fills a vase, placed in front of a drapery that creates a play of white and green colors. The painting is presented in a beautiful 1950s frame, box-like with a raised gilt edge.

Winter Landscape with Sleigh

Oil on canvas. Signed lower left. A landscape where sky and earth blend in shades of white and grey, inhabited and animated only by some shaded figures with a sled pulled by a horse. The work well expresses the ability of the Russian artist Ivan Karpoff, who moved to Italy as a young man and remained there until his death, to tell a Lombard landscape, with a Slavic sensitivity, transferring typical elements of his homeland. The painting is presented in a frame.

Sant'Elpidio a Mare 1934

Oil painting on canvas. Signed lower left. Further signature, title and date on the back. Vico Viganò, a native of the province of Milan, was a painter but above all an engraver, an art in which he obtained the greatest awards. His painting is characterized by strong colors, rendered with large and material brushstrokes; he mainly created landscapes, of the places he lived. This work portrays a glimpse of a farmhouse in the countryside of Sant'Elpidio a mare, a locality in the Marche region, with animals scratching around in the farmyard. The work is presented with a stylish frame, with small shortcomings.