L. Dellani Attr. Oil on Wooden Board Italy 1897

The Devil's Bridge in Val di Lanza 1897

Code: ARARNO0182013

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L. Dellani Attr. Oil on Wooden Board Italy 1897

The Devil's Bridge in Val di Lanza 1897

Code: ARARNO0182013

not available
SAFE PAYMENTS
pagamenti sicuri
For rentals longer than 30 days, the fee is charged. need to contact customer support
Request information
Go to www.dimanoinmano.it to purchase the product
Buy

L. Dellani Attr. Oil on Wooden Board Italy 1897 - The Devil's Bridge in Val di Lanza 1897

Features

The Devil's Bridge in Val di Lanza 1897

Artist:  Lorenzo Delleani (1840-1908)

Artwork title:  Il ponte del Diavolo in Val di Lanza

Age:  19th Century / 1801 - 1900

Subject:  Landscape

Origin:  Italy

Artistic technique:  Painting

Technical specification:  Oil on Board

Description : Il ponte del Diavolo in Val di Lanza

Oil on the table. Dated 1897 lower right. On the back the title and attribution to Lorenzo Delleani. The proposed landscape foreshortening recalls the pictorial production of Lorenzo Delleani, who in the last decades of the 19th century devoted himself mainly to "en plein air" landscape painting, above all of the places of his origins, the Piedmontese valleys, characterizing his foreshortenings with chromatic vibrations and warm luminosities. In this glimpse of a valley in Piedmont, animated by small peasant figures crossing the stone bridge, the warm and suffused colors stand out well, created with quick brushstrokes and with soft edges. The work is presented in a period frame.

Product Condition:
Product in good condition, shows small signs of wear. We try to present the real state as fully as possible with photos. If some details are not clear from the photos, what is reported in the description will prevail.

Frame Size (cm):
Height: 44
Width: 57
Depth: 7

Artwork dimensions (cm):
Height: 26
Width: 36

Additional Information

Artist: Lorenzo Delleani (1840-1908)

Born in Pollone Biella in 1840, after an initial orientation towards music, Lorenzo Delleani discovered a passion for painting, which led him to enroll in the Accademia Albertina in Turin. The young artist earned his first critical acclaim with works of historical subjects, rather traditional in their formal structure, characterized by a decidedly academic-romantic general tone, organized according to scenographic cuts. In the meantime Delleani's interests moved towards landscape subjects and tended to leave the academic space. At the end of the sixth decade Delleani, widely inserted in the cultural life of Turin, became more and more interested in verismo intonation themes, flanking his production with in-depth studies "in the field"; in 1873, after a period spent painting around Turin, he also went to Venice, where he returned again in 1876, to assimilate the ways and inflections of painters such as Titian, Veronese, Tintoretto, whose chromatic vibrations and warm luminosities appear with insistence on his mid-1970s production (mainly views, and costume scenes). Space in his activity is acquired by the small tables with easy-going landscapes, built with quick brushstrokes, but, at the same time, the historical themes remain, enriched also by explicitly oriental subjects. Another significant moment was, in 1883, the trip of Delleani to Holland. Fruitful was his production of tablets, but also of larger format canvases. Invited to the 1st Venice Biennale in 1895, he then participated in the event until 1907. Always active in Italian artistic and cultural life, in 1901 Delleani was part of the promoting committee for the international exhibition of modern decorative art which was held in Turin in 1902, which also included Leonardo Bistolfi, his sincere friend and later considered the expert on his painting. Delleani died in Turin in 1908.

Age: 19th Century / 1801 - 1900

19th Century / 1801 - 1900

Subject: Landscape

Artistic technique: Painting

La pittura è l'arte che consiste nell'applicare dei pigmenti a un supporto come la carta, la tela, la seta, la ceramica, il legno, il vetro o un muro. Essendo i pigmenti essenzialmente solidi, è necessario utilizzare un legante, che li porti a uno stadio liquido, più fluido o più denso, e un collante, che permetta l'adesione duratura al supporto. Chi dipinge è detto pittore o pittrice. Il risultato è un'immagine che, a seconda delle intenzioni dell'autore, esprime la sua percezione del mondo o una libera associazione di forme o un qualsiasi altro significato, a seconda della sua creatività, del suo gusto estetico e di quello della società di cui fa parte.

Technical specification: Oil on Board

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