Gucci Handbag Suede Italy 1950s

Gucci brown leather handbag from the late 1950s. It is a very particular model, with the closure flap that fits inside the handle; the interior is divided into two compartments. The conditions are very good: it has some slight marks on the leather, but it seems to have been used very little.

Gucci dark blue leather bag, in very good condition, except for some signs of use. It recalls the world of horses with the golden metal detail and the shape itself which recalls a saddle. The interior is in fabric, divided into three compartments.

Gucci bucket bag in soft camel-colored leather, with darker brown details and shoulder strap. Produced at the end of the 70s, the conditions are almost perfect as it has been used very little.

Handbag from the 1990s, early 2000s, of excellent craftsmanship, in ocher-colored ostrich, trapezoid shape and golden metal details. The condition is very good, it may not even have been used. The matching belt measures 115cm and is 3cm wide.

Rare Gucci bag in midnight blue leather, with a slightly trapezoid shape. Internally it is made up of two compartments, a pocket with a zip and a small matching coin purse. The golden metal closure is very interesting. It has been preserved in very good condition in its original dust bag; has excellent finishes, shows only slight signs of use.

Chest of drawers in oak veneered wood with aluminium profiles.

Germany Early 1900s

German-made violin marketed in Italy by Antonio Monzino. Dealer label inside. Coeval bow and case.

Archeology of the Night 1992

Mixed technique on paper. On the back the signature, the date and the title of the work. Also accompanied by photo authentication, with exhibition label at the Galerie CC in Graz. From the early 1970s, the Modenese artist Franco Guerzoni began a personal research dedicated to the exploration of the world of archeology, and to memory; Guerzoni likes memories, in the most positive sense of the term: personal memories and collective memories, constantly poured into his works which thus become dense with stratifications of matter and thoughts, sedimented by time and by the mind in the bed of the river of art. What emerges is a multitude of stories that the tireless artist has always collected starting from the first experiments with photography, passing through the study of archeology, up to artist's books and works with plaster. It comes from an important Milanese private historical collection

Italy Late 1800s Early 1900s

Majolica ceramic stoup with polychrome decorations depicting the heads of winged cherubs, plant motifs and San Sebastiano in the centre.

Italy Early 18th century

Small walnut coffee table, Italy, early 18th century. Drawer in the band with front in carved tiles, turned legs ending with a plinth foot and connected by crosspieces. Modifications, restorations and replacements.

The Forgotten Parts 1991

Mixed technique on paper. On the back the signature, the date and the title of the work. Also accompanied by photo authentication, with exhibition label at the Galerie CC in Graz. From the early 1970s, the Modenese artist Franco Guerzoni began a personal research dedicated to the exploration of the world of archeology and memory; Guerzoni likes memories, in the most positive sense of the term: personal memories and collective memories, constantly poured into his works which thus become dense with stratifications of matter and thoughts, sedimented by time and by the mind in the bed of the river of art. What emerges is a multitude of stories that the tireless artist has always collected starting from the first experiments with photography, passing through the study of archeology, up to artist's books and works with plaster. It comes from an important Milanese private historical collection.

Italy Early 20th century

Chest of drawers in exotic wood veneer style, Italy, early 20th century. Top, front with 2 drawers and sides with reserves inlaid with marquetterie, uprights with geometric inlays, wavy legs. Shortcomings.