E. Polesello Nude Concept Oil on Canvas Italy XX Century

Nude Concept

Code :  ARARNO0189191

For rentals longer than 30 days, the fee is charged. need to contact customer support
Go to www.dimanoinmano.it to purchase the product
E. Polesello Nude Concept Oil on Canvas Italy XX Century

Nude Concept

Code :  ARARNO0189191

For rentals longer than 30 days, the fee is charged. need to contact customer support
Go to www.dimanoinmano.it to purchase the product

E. Polesello Nude Concept Oil on Canvas Italy XX Century - Nude Concept


Nude Concept

Artist:  Eugenio Polesello (1895-1983)

Work title:  Studio di nudo

Time:  20th Century / 1901 - 2000

Subject:  Naked

Artistic technique:  Drawing

Technical specification:  Pastel

Description : Studio di nudo

Crayons on paper. Signed lower right; further signature on the back, with the title. Delicate female nude, with soft colors, by the Venetian painter Eugenio Polesello, best known for his landscapes. In frame.

Product Condition:
Product in good condition, shows small signs of wear. We try to present the real state as fully as possible with photos. If some details are not clear from the photos, what is reported in the description will prevail.

frame Size (cm):
Height: 70
Width: 60
Depth: 6

work dimensions (cm):
Height: 55
Width: 44

Additional Information

Artist: Eugenio Polesello (1895-1983)

Born in Pordenone on 7 July 1895, Eugenio Polesello attended the Academy of Fine Arts in Venice, studying at the school of Guglielmo Ciardi. He took part in the First World War, fighting in aviation, then resumed his studies, again at the Venice Academy, under the guidance of Ettore Tito. Between 1922 and 1925 he was invited to the Ca' Pesaro exhibitions and also participated, within the same years, in other national exhibitions in Bologna, Turin, Padua, Udine, Livorno. Before 1930 he moved to Milan, where a publisher had invited him to illustrate Italian landscapes: his painting welcomes twentieth-century suggestions, linking them to the color of the Veneto, in simplified and convincing synthesis. He exhibited in Milan and in 1931, at the invitation of Dante Alighieri, in Paris, at the headquarters of the Association; in Paris he also exhibited in 1933, at the Charpentier gallery. Later he curated personal exhibitions in Rome, Genoa, again in Milan and in other cities, continuing on the other hand to participate in regional and national group exhibitions. His favorite theme was landscape painting, which he was able to create in clear tones and simple chromatic choices, always mindful of his original Venetian training. Polesello died in 1983 in Turin, the city where a large retrospective of his was held in 1991.

Time: 20th Century / 1901 - 2000

The twentieth century is characterized by the prevalence of the bourgeoisie over the working class and by the discovery that life continues to be a struggle for survival and to improve its quality. Technological progress, instead of favoring this development, becomes an instrument of mechanization and drying up of man, who needs to look for a "soul supplement" and new forms to express it. Therefore, a whole series of artistic currents are born that create works expressing the interiority of man, which evoke reality from within rather than represent it, and depict it using, freely, shapes and colors. We therefore have Decadentism with Art Nouveau, Matisse and Braque's Fauvism, Picasso's Cubism, then Expressionism with Munch, Kandinskij's Abstractionism and Metaphysical painting by Carrà and De Chirico. There are numerous currents and groups of artists and intellectuals who use Art as a Manifesto of their thought, often also with a political connotation.
Find out more about the 20th century with our insights:
FineArt: Nymph and Faun, Giuseppe Siccardi

Subject: Naked

Artistic technique: Drawing

Il disegno è il processo di tracciare segni su una superficie tramite l'applicazione di una pressione o il trascinamento di un apposito strumento sulla superficie. Gli strumenti sono: matite in grafite o colorate, penna, pennelli fini con inchiostro, pastelli a cera o carboncini; i supporti tradizionali più frequenti sono carta, cartoncino, tavola, muro, tela, rame, vetro.

Technical specification: Pastel

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Se sei un appassionato d'arte, non perderti i nostri approfondimenti sul Blog Arte Di Mano in Mano e su FineArt by Di Mano in Mano - Arte:
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Dai un'occhiata alle nostre rubriche di divulgazione sull'arte:
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