Ancient Painting '700 Landscape with Figures Oil on Canvas Style Frame
Artwork title: Paesaggio con figure
Subject: Landscape with Figures
Artistic technique: Painting
Technical specification: Oil on Canvas
Description : Paesaggio con figure
Oil painting on canvas. Northern Italian school of the eighteenth century. The landscape, set on the banks of a wide river, sees in the center some figures of peasants intent on picking fruit from a tree: a girl holds the ladder while the boy cuts off a bunch, on the left another couple places the fruit collected in a tub. All around a vast green countryside and some farmhouses. Restored and relined, the painting is presented in a period frame.
Product in good condition, shows small signs of wear. We try to present the real state as fully as possible with photos. If some details are not clear from the photos, what is reported in the description will prevail.
Frame Size (cm):
Artwork dimensions (cm):
Age: 18th Century / 1701 - 1800In the century of the Enlightenment, or the exaltation of reason and science as the only tools that can free man from ignorance and the yoke of the Church and the nobility, art passes from the intent of the Baroque to tell religious truths or to imitate nature, with strong chiaroscuro contrasts and artificial excesses, to the lighter and more vaporous forms (sometimes even frivolous and affected) of the so-called Barocchetto or Rococò, to lead to Neoclassicism which, looking at the ancient art of the Greeks and Romans, wants to re-propose the discovery of beauty, in the search for harmony, proportions, balances.
Find out more about the 18th century with our insights:
Discovering the Barocchetto
FineArt: Giovanni Domenico Lombardi, Conversion of a centurion, 18th century
Subject: Landscape with Figures
Artistic technique: PaintingLa pittura è l'arte che consiste nell'applicare dei pigmenti a un supporto come la carta, la tela, la seta, la ceramica, il legno, il vetro o un muro. Essendo i pigmenti essenzialmente solidi, è necessario utilizzare un legante, che li porti a uno stadio liquido, più fluido o più denso, e un collante, che permetta l'adesione duratura al supporto. Chi dipinge è detto pittore o pittrice. Il risultato è un'immagine che, a seconda delle intenzioni dell'autore, esprime la sua percezione del mondo o una libera associazione di forme o un qualsiasi altro significato, a seconda della sua creatività, del suo gusto estetico e di quello della società di cui fa parte.
Technical specification: Oil on CanvasThe oil painting is a painting technique using powder pigments mixed with bases in inert and oils.
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Se sei un appassionato d'arte, non perderti i nostri approfondimenti sul Blog Arte Di Mano in Mano e su FineArt by Di Mano in Mano - Arte:
Ecco alcuni tra i principali articoli:
Falsi nell'arte antica
Un messaggio di fiducia per ripartire
La potenza espressiva dell'arte figurativa etiope
Breve Storia del Collezionismo
Giorgio Upiglio, maestro dei libri d'artista
Matthias Withoos detto "Calzetta bianca"
San Rocco pensaci tu - Classic Monday
Dai un'occhiata alle nostre rubriche di divulgazione sull'arte:
Lavorazioni e tecniche
Mostre ed Eventi
Se sei appassionato di pittura antica, con tutta probabilità gusterai le schede di questi stupendi quadri:
"Dio parla a Noè dopo il diluvio", Jacopo da Ponte, detto il Bassano, seconda metà XVI secolo
Crocifissione, maestro della misericordia dell'accademia, terzo quarto del XIV secolo
Erminia incontra i pastori, Camillo Gavassetti, Seconda metà anni Venti del XVII Secolo
Eroine dell'antichità, Francesco Conti, XVIII secolo
Hieronymus III Francken, La Negazione di Pietro, XVII secolo
Jefte e la figlia, Girolamo Forabosco e aiuti, XVII secolo
L'Accademia di Platone, piccolo arazzo, fine XVII - inizio XVIII secolo
Maddalena e San Giovanni Battista
Natura Morta, Bartolomeo Arbotori, XVIII secolo
Sacra Famiglia con San Giovannino, Bartolomeo Ramenghi, scuola di, prima metà XVI secolo
Testa Femminile, Andrea del Sarto, ambito di, post 1522
Uva, fichi, melagrana e pesche su un capitello - Maximilian Pfeiler, primo quarto XVIII secolo
Sapevi che l'arte può essere anche un ottimo investimento (e non solo per grandi portafogli)?
L'Arte tra Collezionismo e Investimento
FineArt: Arte come investimento
The product can be seen at Cambiago
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Oil painting on canvas. Northern Italian school of the seventeenth century. In the portrait of this no longer young woman, dressed in an austere black dress that blends into the background, the white lace of the neck and sleeves and the detachable stomacher, or rather the richly embroidered bib to simulate a jewel, invented at the end of the '600 to cover the deep necklines of women's dresses, following the Catholic moralizing influence of the French court; the woman then exhibits a fine gold bracelet on her wrist. Restored and relined in the 19th century, the painting is presented in a late 19th-early 20th century frame.
Oil painting on canvas. Scene taken in reverse and with different variations in the background and in some details, from the work of Pieter Van Avont (1600 -1652), probably disseminated through engravings. This sacred subject was widely proposed in pictorial production, as an emblem of the Family, a fundamental model of the bonds of affection, love and understanding that every human family is called to express. Also in this representation the parental tenderness, the affections of the extended family in the figure of the little cousin Giovanni, the serene relationships between the children, watched over by the adults, transpire. Restored and relined, the painting is presented in a 19th century frame.
The Return from the Hunt
The Return from the Hunt
Oil on canvas applied to the table. Northern European school of the XVII-XVIII century. On the back there is an ancient attribution to Peter Wouwerman (1623 -1682), justified by the closeness to the pictorial methods of the Flemish artist, very attentive to the rendering of minute details. This painting depicts the return of a gentleman from hunting to his palace on the left side: while the horses are taken to rest and the dogs are watering at the fountain, a servant helps the master to remove his high boots, while the women leave the house to accommodate hunters. The painting is presented in a late 19th century frame.
Oil on paper applied to canvas. The four works propose pastoral subjects, animated by shepherds with their herds and their faithful dogs, sometimes at rest on the side of the road, in two scenes also flanked by fruit sellers. The works are inspired (as well as by the citation on the back of one of them) by the production of Francesco Londonio, the Milanese artist of the 18th century who made a name for himself for his rural and pastoral scenes, in a repertoire of tasty snapshots of peasant life. The four paintings are presented in contemporary gilded frames, with small defects.
Oil painting on canvas. The great scene, told in the Gospels, presents the messianic entry of Jesus into Jerusalem, on the back of a donkey and acclaimed by the cheering crowd who recognize him as the Messiah. The painting, on the first canvas, has several drops of color and needs restoration and cleaning. It is presented in a late 19th century frame.
The Announcement to the Shepherds
The Announcement to the Shepherds
Oil painting on canvas. The scene opens on a large northern landscape, at night: in it various families of shepherds lie asleep with their animals; a light-flooded gash is opened in the sky, from which the announcing angels look out. The reference to the evangelical moment of the announcement of the birth of Jesus by the angels to the shepherds of Bethlehem is therefore evident, albeit placed in a European setting. Intense play of golden light that illuminates the figures enveloped in the darkness of the night, in particular the flock in the foreground in the center, and its shepherd who on the right turns his face upwards in a direct line that joins up with the arm of the angel projecting towards the earth. Already restored and relined, the painting has some dirt spots that need cleaning. It is presented in a gilded frame from the end of the 19th century.
Oil on canvas. Epilogue of the great battles between Alexander the Great and the Persian king, the depicted scene told by Plutarch is about a riot which started among the Persian lines before Alexander's constant advance. Darius' trusted men took him as prisoner and stabbed him while the Greek army was approaching. Darius didn't make it to see the rival conqueror, but before dying he met with Polistrato, a Greek soldier who came at his bedside and gave him some water. Darius asked him for kindness and mercy for his family and his remains. Restored and relined, it is presented in a frame. Good condition. Late 1800s-Early 1900s.
The miracle of Soriano
The miracle of Soriano
Oil painting on canvas. The canvas recounts the miracle of Soriano: in this village of Calabria, the Madonna with Mary Magdalene (recognizable by the ointment jar) and Catherine of Alexandria (carrying the palm of martyrdom), would appear in 1530 to a young Dominican, to give him an image of San Domenico to be placed in the convent he built. A beautiful version of the painting is that of Grechetto, from 1654-1655, preserved in Genoa: ours seems to be inspired by this work, which re-proposes the tense composition of the figures. Restored and relined, the painting is presented in a period frame.
Oil painting on canvas. The mythological subject that portrays together the two divinities, symbol of profane love, has been amply illustrated in art: as in this work, Venus is usually depicted in a languid attitude, while exhibiting her naked Beauty; Cupid, dressed as a winged putto, is intent on extracting from the quiver one of his darts which induce falling in love, one of which is already stuck in the trunk behind the goddess. In the background an Italian landscape, with a small architectural structure. The shape of the painting refers to an original shaped frame. Restored and relined, the painting is currently presented in a period frame.
Oil painting on canvas. The coastal glimpse, near a rocky inlet where torrential waters flow, sees figures at the landing place of the ships, ready to welcome the boats that are approaching; in the distance the profile of the city. Restored and relined, the painting has widespread dirt stains especially in correspondence with the sky. It is presented in a stylish frame.
Oil on canvas. The landscape shows a very green countryside, crossed centrally by a watercourse on whose bank, in the foreground, a herd of cattle is watering; in the centre, on the opposite bank, a farmhouse surrounded by greenery, and in the background, blue-coloured peaks under a sky with pink clouds. As is recurrent in 18th century landscape painting, one finds here a bucolic atmosphere of serenity and peace, generated by nature. The painting, restored and retouched, is presented in a lath frame.
Oil on canvas. Italian school of the 18th century. The left field of the scene is occupied by a large ruined architectural structure, a vestige of the past. On the right, with blue mountains in the background, overlooking a town, a wide river flows through the wooded countryside, crossed by a small bridge over which two figures of travellers pass. The painting is part of the broad production that was widely in vogue, especially between the end of the 17th and the beginning of the 18th century, which took the name of Architectural Capriccio, a genre defined as the art of composing the landscape through the free combination of real or fantastic architectural elements, reworked ruins of antiquity, figures and macchiettas, according to a variety of declinations ranging from the grotesque to the visionary, from the picturesque to the elegiac. Restored and reworked, the painting is presented in a stylish frame.
Scultura/centrotavola in metallo.
An elegant porcelein centerpiece manufactured by Nanni Valentini in the late 1960s, with dark green decorations. Under the basement the manufacturer's trademark and a paper label are present. 'Arcore Ceramica' was founded in 1967 by Marco and Tina Terenzi, wife of the sculptor and ceramist Nanni Valentini. The object is coming from an important private collection in Milan.
Prod. Italia, stampa su legno.
Suitcase turntable, vinyl upholstery.
Metal "Amstel Beer" card holder.
Centerpiece in chromed metal.
Pocket emptier in plastic material.
Production in ITALY, GLASS With FABRIC CHALK
Production in ITALY, LACQUERED GLASS