Camillo Borghese

The gilt bronze mantel clock has a base decorated on the front with leafy phytomorphic motifs and a central floral element, and is supported by elaborate spinning top feet that streamline its shape. On the base rests a large plinth in which the dial is housed and on the side the figure of a young man leaning against the plinth. The display of the clock in Roman numerals for the hours and Arabic numerals for the minutes bears the writing at the top “Lu. Lacroix H.er. " and under the heading "De S. A. I. Lu Prince Camille, A Turin". Under the dial, in gilded and chiseled bronze, there is a panoply with a basket overflowing with fruit and vegetables, above which a shovel and a lituo are crossed and from which two rich vegetable garlands hang; on the side a mask with female features within a crown consisting of two cornucopias and laurel branches. To the left of the plinth there is a young man with a short cassock and a long shovel held in his hands, in a relaxed attitude and leaning with his left arm against the structure of the clock, above which a bagpipe is placed. The mechanism is original. to the wind. The quadripartite tops, always in striped walnut, have an almond-shaped reserve in the center with floral decorations that is started inside by two fans and a central rose window. The feet are in the shape of a truncated pyramid.

Large spiral ceiling lamp in chromed metal.

19th Century / 1801 - 1900

Rectangular table made of chestnut wood veneered in dark walnut and inlaid with various woods, mother of pearl and bone. The inlay with floral motifs presents the top starting from four mirror reserves created around the central oval reserve where a classic vase is depicted with a panoply inlaid with a sample of flowers including roses, daisies, bluebells, lilies of the valley, tulips and lilies. while the lateral reserves are composed of leaves and flowers animated by birds. The bands, as well as the pyramidal trunk legs, are inlaid with plant motifs and the connecting bundles of the legs are embellished with butterflies.

19th Century / 1801 - 1900

Porcelain inkwell, with a shaped body entirely enamelled with chinoiserie-style motifs: there are large red flowers on a decorated blue background, on the sides two reserves in which there is a floral composition; the inkwell rests on three feet painted with monstrous faces, also reproduced in the two side handles. In the upper part there are the two ink containers equipped with gilded bronze lids worked with leaf motifs and pinecone-shaped grip; the large grip is also entirely in gilt bronze and worked with Regency-style motifs.

19th Century / 1801 - 1900

On a round base is placed the nativity scene composed of the Holy Family with the ox and the donkey, three cherubs flying in the sky. The seated Madonna and standing Saint Joseph turn an adoring gaze to the baby Jesus placed in a sheet on the manger, the faces of the two animals appear between them, while three cherubs hang in flight on a sort of architectural capriccio with a column. Missing protective glass case. The figurines are typically made with a terracotta bust and limbs with glassy eyes joined together in an integral manner with an iron and cloth mannequin, covered in silk clothes. The architecture is made of wood, cork and various materials.

England First Quarter XIX Century

Pair of tripods supported by saber-shaped uprights with lion feet, are connected by a small hexagonal shelf in the lower part; above, they frame a top that is also hexagonal, with a high band adorned with rosette carvings, also re-proposed on the top of the uprights. Rosewood.

Kingdom of the Two Sicilies First Quarter 19th Century

Gueridon supported by three uprights carved with lion feet and in the upper part with caryatids, to support the undertop band. The female figures are standing, dressed according to the Egyptian taste: they wear a low-cut dress that leaves the breasts uncovered, tightened at the waist by a belt, they wear bracelets and necklaces, while the hair is styled according to the Egyptian taste, with braids that fall neatly on the shoulders. These figures are partly ebonized, to make the skin, while the clothes and details are gilded. The legs are connected by a platform in the shape of a concave triangle. The circular top is in alabaster, enclosed within a cherry veneered frame.

19th Century / 1801 - 1900

French Napoleon III center bookcase, supported by wavy legs, the lower band on both the front and sides is shaped; on the front it has two doors finished with fake books, with applied leather ribs, so as to simulate an open bookcase. In the upper part there is an open compartment and an upper tray shelf. The etagere has a similar shape, but in the central compartment there are various shelves placed at different heights. Interior in mahogany, they are veneered in bois de rose, with a 45 ° cut and quadripartite on the tops; the furniture is decorated with gilded bronzes and worked with leafy volutes, in the shoes, on the uprights, on the lower band and in the side handles.

France, Early XX Century

Pair of two-light wall sconces in opalescent glass and gilded bronze. Bundle structure of lake reeds with floral corolla hosting one of the two lights. Main decorative element consisting of a stylized fish in opalescent glass, characterized by a sinuous movement and with the tail pointing upwards, the latter resting on a leafy base and placed in a projecting position. The ornamental display is completed by rivulets of water in opalescent glass placed under the animal. The glass parts have small chips and slight defects.

Pair of armchairs; foam and springs padding, velvet covering, wood legs.

London, 1742-1743

George II period cup. A cup with a classic vase with two volute sockets with opposite curls, on the vase two decorative engraved orders; the same motifs are present in the lid which ends with a pine cone socket. There are three marks that allow us to recognize the London origin and the dating, "crowned leopard head", "passing lion" and a "g within a shield". weight 1810 g

Nancy 1910 ca

Colorless glass vase with inclusion of yellow and orange vitreous powder, acid worked with floral decoration finished in enamel. Signature “Daum Nancy” with Lorraine cross acid engraved on the body of the vase.

Nancy 1918-1930

Orange vase in multilayer blown glass with marbled effect, decorated with applied glass scarab. The insect is made by carving both the vitreous application and the body of the vase to create legs and antennae. Signature “Daum Nancy” with Lorraine cross engraved near the base.

Table with attributions to Franco Albini, walnut veneered wood. Restored.

Italy, Late XIX Century

Pair of large self-supporting eclectic shelves in carved and gilded wood, Italy third quarter 19th century. Shaped tops covered in velvet, uprights made up of a shaped back part against which, on the front, are carved pilaster-style architectural elements in Baroque style, the latter composed of "S"-shaped volutes with curls at the ends. The pilasters are also decorated with leaf elements and floral festoons held together by ribbons. Partially recovered gilding.

Pair of armchairs in the style of Ico Parisi, spring and foam padding, velvet upholstery, ebony-stained wooden legs.

England, Late XIX Century

Silver cutlery set consisting of 12 spoons, 12 forks, 12 fruit spoons, 12 fruit forks, 12 dessert spoons, 12 coffee spoons, 6 serving cutlery, James & William Marshall manufacture, Edinburgh 1850. 12 knives and 12 knives from fruit Manufacture S&L Sheffield 1985. Silver and manufacturing hallmarks engraved on the handles. 4166 grams net of the 24 knives. The service is kept in a mahogany chest of drawers with four drawers on the front, resting on grooved truncated pyramidal legs; the furniture body can be separated from the legs. Lever branded locks.

France, Third Quarter XIX Century

Napoleon III chandelier with eighteen lights arranged in a double order, France, third quarter of the 19th century. Structure in gilded bronze, characterized in the central shaft by the presence of parts in green glazed ceramic; the golden bronze is characterized by the alternation of highlighted portions with opaque portions, thus creating reflections that amplify its brightness. On a decorative level, eclecticism dominates, finding both elements of clear rococo taste, particularly in the moving structure composed of curls, leafy volutes and ornamental motifs with a calligraphic character, and elements derived from the classical world, such as floral festoons, rosettes, capitals and masks. At the apex, placed on a bed of sloping leaves, a pineapple. Bobeches in cut crystal, one of which has been replaced and others are broken. It has defects in the gilding.

Dining table from the Artona series designed by Afra and Tobia Scarpa for Maxalto. Wooden structure and stratifications in different essences, round top in shades of burgundy red.

Vintage ceiling lamp with six light points in Murano glass worked with chromed metal structure. Adjustable height.