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In our catalog you can find Objects and Works of Art from the 16th century to the present day.

Ancient art, icons, contemporary art, ancient painting, 19th and 20th century art.


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Adoration of Shepherds Oil on Canvas Center of Itay 17th Century
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ARARPI0057276
Adoration of Shepherds Oil on Canvas Center of Itay 17th Century

ARARPI0057276
Adoration of Shepherds Oil on Canvas Center of Itay 17th Century

Oil on canvas. Center-Italian School. Typical dynamic scene of baroque taste focused on the figures of the Virgin Mary and the Child surounded by other adoring figures: on the right there is Saint Joseph , on the left two shepherds and on top an array of angels incensing, The painting, already restored, shows small drops of color. Displayed in frame.

Rent

450.00€

Rent
Saint Margaret, Oil on Canvas, 18th Century
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ARARPI0057179
Saint Margaret, Oil on Canvas, 18th Century

ARARPI0057179
Saint Margaret, Oil on Canvas, 18th Century

Oil on canvas. The young martyr Margaret of Antioch is representd in ecstasy whit her iconographic symbols: she's holding martyrdom's palm and the Cross, the dragon at her feet. According to tradition, the ypung girl had been imprisoned during Diocletian's persecution because she was christian and she was visited by the devil in the guise of a dragon that swallowed her: Margaret ripped up its womb with the Cross and she came out victorious; because of that she's invoked as the patroness of pregnant women to have an easy childbirth. Restored and displayed in frame.

Rent

600.00€

Rent
Figure with Dog 18th Century
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ARARPI0057306
Figure with Dog 18th Century

Painting Under Glass

ARARPI0057306
Figure with Dog 18th Century

Painting Under Glass

Painting under glass Countryside landscape with a men holding an oil lamp and a lance taht is going off the path followed by a dog maybe to go hunting. Nordic style landscape and building. Displayed in frame.

Rent

113.00€

Rent
Carlo Aimetti Oil On Plywood Italy 20th Century
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ARARNO0092107
Carlo Aimetti Oil On Plywood Italy 20th Century

The Ceresio River, 1944

ARARNO0092107
Carlo Aimetti Oil On Plywood Italy 20th Century

The Ceresio River, 1944

Oil on plywood. Signature and date at the bottom left. On the back there is a label of participation to the painting show at the Arengario of Monza. Carlo Aimetto was born in the province of Varese; he dedicated himself to landscapes, painting gardens, parks, mountains, marines, lakes with a personal technique. Well known is his production of landscapes of the Ceresio Valley and Intelvi Valley. The painting comes with coeval frame.

Rent

60.00€

Rent
Alpine Landscape, Oil on Plywood 1968
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ARTNOV0002046
Alpine Landscape, Oil on Plywood 1968

ARTNOV0002046
Alpine Landscape, Oil on Plywood 1968

Oil on plywood. Signed B.Roncaglia and dated 1968 on the lower left corner. Half view of alpine valley with a pod under trees' shades. Comes with frame.

Rent

50.00€

Rent
Landscape By Raul Viviani Oil on Cardboard 20th Century
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ARARNO0107257
Landscape By Raul Viviani Oil on Cardboard 20th Century

Rapallo

ARARNO0107257
Landscape By Raul Viviani Oil on Cardboard 20th Century

Rapallo

Oil on cardboard. Signed at the bottom center. Title on the back Raul Viviani was a writer, art reviewer, painter, draftman and engraver that trained in Milan where he made his debut at a very young age winning over the critics. He painted mostly divisionist landscapes pervading them with poetry and suspended atmosphere that gave uniqueness to his art pieces. The painting comes with frame.

Rent

43.00€

Rent
Saint Francis In Ecstasy Oil On Canvas 1847
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ARARPI0057297
Saint Francis In Ecstasy Oil On Canvas 1847

ARARPI0057297
Saint Francis In Ecstasy Oil On Canvas 1847

Oil on canvas. Double monogram AL - LB and the year 1847 bottom left. Saint Francis in contemplation of the Cross in the rocky desert, turns his head in ecstasy towords the light above. The painting has a frame from the late 1800s.

Rent

275.00€

Rent
Female Bust Terracotta Italy XIX-XX Century
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ARARAR0167466
Female Bust Terracotta Italy XIX-XX Century

Italy Late 19th - Early 20th Century

ARARAR0167466
Female Bust Terracotta Italy XIX-XX Century

Italy Late 19th - Early 20th Century

Female bust in terracotta, probable manufacture of Signa, Italy, late 19th - early 20th century. Copy of the famous portrait of a matron of the Hadrianic age, dated ca. 128-130 d.c. and kept in the Uffizi Galleries in Florence. The female figure portrayed embodies the main portrait type of Hadrian's bride, and therefore the example of the rich and refined patrons and evergeti of the imperial age.

Rent

300.00€

Rent
Oil on Board Cersare Gheduzzi 20th Century
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ARARNO0091817
Oil on Board Cersare Gheduzzi 20th Century

The Rosa Seen by Stabbioli, Morning, 1927

ARARNO0091817
Oil on Board Cersare Gheduzzi 20th Century

The Rosa Seen by Stabbioli, Morning, 1927

Oil on board. Signed at the bottom left. On the back there is the date 17/11/27 and a dedication " gift by the artist, pupil of the painter Follini of Turin". Originally from Bologna, but soon moved to Turin, Cesare Gheduzzi was here a pupil of Carlo Follini, whose teaching was decisive for his artistic training; he devoted himself mainly to the landscape, that of his lands, animated by scenes of popular life, that he knew how to describe with fidelity and elegance. The intense landscape, a view of Monte Rosa from the wide and expansive valley of Stabbioli, part of the municipality of Macugnaga, is animated by the solitary figure of a peasant with an empty gerla on her shoulder and the goat on the side, heading towards the malga in the center. Artwork displayed in frame.

Rent

150.00€

Rent
Trompe L'Oeil with Landscape Oil on Canvas Contemporary Art
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ARARNO0064554
Trompe L'Oeil with Landscape Oil on Canvas Contemporary Art

ARARNO0064554
Trompe L'Oeil with Landscape Oil on Canvas Contemporary Art

Oil on canvas. View of a verdant countryside crossed by a path and framed by two red curtains. Zanfagna name on the back but the author's name is unknown.

Rent

150.00€

Rent
Abstract composition
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ARTCON0000677
Abstract composition

ARTCON0000677
Abstract composition

Enamel on rounded metal plate. On the back cataloging label, of the Smalti De Poli of Padua, which refers to the artist Paolo De Poli (1905-1996): this is a tribute to the Paduan artist who distinguished himself for his works in fired enamel on metal. In frame.

Rent

113.00€

Rent
Group of 6 Frames Wood - Italy XIX Century
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ARAROT0118742
Group of 6 Frames Wood - Italy XIX Century

ARAROT0118742
Group of 6 Frames Wood - Italy XIX Century

19th century wooden frames with engravings on paper of famous people, specifically of 6 academics and philosophers (Voltair, Rousseau, Linnè, Fénelon and Mably). The carvings had been made by Pierre-Michel Alix (1762-1807), fench cerver that in 1782 made the "Collection of portraits of importante man", They show signgs of wear as humidity damnages and drops.

Rent

70.00€

Rent
Ultima Cena Textile Reproduction Italy XX Century
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ARARNO0106138
Ultima Cena Textile Reproduction Italy XX Century

Textile Reproduction

ARARNO0106138
Ultima Cena Textile Reproduction Italy XX Century

Textile Reproduction

Textile reproduction in silk, in two tones Made from a design by T. Strazza, as shown below on the left. The faithful reproduction of Leonardo's painting is part of a flourishing Lombard manufacturing production, which re-proposed the masterpiece in different formats. The work is exposed in a contemporary wooden frame.

Rent

50.00€

Rent
Venus And The Graces Dance In Front Of Mars Oil On Canvas 18th Century
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ARARPI0099244
Venus And The Graces Dance In Front Of Mars Oil On Canvas 18th Century

ARARPI0099244
Venus And The Graces Dance In Front Of Mars Oil On Canvas 18th Century

Oil on canvas. Northern Italy school. In the scene, four young girls dance, accompanied by different instruments: Venus, who is characterized by the crown on her head, beats on a triangle, the three Graces have a tambourine and castanets. In the lower centre, a boy accompanies them with the flute, while on the left, seated on a rock and leaning on his sword, the god Mars observes them. Restored and relined, the painting is presented in an antique gilded frame.

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Portrait of Eleonora Lampugnani Oil on Canvas XVI Century
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SELECTED
ARARPI0097145
Portrait of Eleonora Lampugnani Oil on Canvas XVI Century

ARARPI0097145
Portrait of Eleonora Lampugnani Oil on Canvas XVI Century

Oil on canvas. Lombard school. The rich lady portrayed is accompanied by the identifying inscription at the top right which reads "Eleonora Lampuniana Nupta N.V. Bartolomei De Cornu 1478": it is therefore Eleonora Lampugnani wife of Bartolomeo Del Corno. The Lampugnani family is an ancient patrician family of Milan (the name derives from the Lampugnano neighbourhood), with residences in Legnano and Busto Arsizio, and to which Filippo Maria Visconti (Duke of Milan) assigned the fief of Trecate in the fifteenth century; the noblewoman's husband belonged to the noble Piedmontese Corno family (originally called Del Corno). The noblewoman is portrayed standing, in a splendid richly embroidered dress, embellished with lace; she lays her hand on a precious box inlaid with ivory, probably a coin cabinet, a symbol of wealth and power, surmounted by a vase with flowers, a symbol of vanity. The painting has an ancient restoration on the hands, which are of lower quality than the face, the clothes, the glass jar. The painting comes from an antique Lombard collection. The date 1478, reported in the inscription, is not very consistent with the sixteenth-century clothing: according to the story of the family of origin of the painting, the date that appeared before the last restoration was 1578, and therefore it would be a modification mistakenly made by the restorer.

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The Flight Into Egypt Oil On Canvas 18th Century
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ARARPI0095612
The Flight Into Egypt Oil On Canvas 18th Century

ARARPI0095612
The Flight Into Egypt Oil On Canvas 18th Century

Oil on canvas. Italian School. The scene, full of figures, depicts the Holy Family walking towards Egypt, guided by an Angel and assisted by other angels above. The figures are inserted in a typical Italian landscape, they are depicted in a very earthly dimension: the Child, even with a halo, sleeps peacefully in His Mother's hands; Mary, who is wearing an unusual pilgrim's hat, met her husband's Joseph gaze, who is reassuring her with a sweet gesture - he is putting a hand on her knee-, while he is talking with the Angel who is showing them the way. Relined, the painting has some paint losses that need restoration. It is in an adapted frame, from the late '800 - early '900.

Rent

600.00€

Rent
Nausicaa Berbenni Sculpture Of Candies 1983
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ARARCO0106146
Nausicaa Berbenni Sculpture Of Candies 1983

Straitjacket

ARARCO0106146
Nausicaa Berbenni Sculpture Of Candies 1983

Straitjacket

Sculpture made of candies. Nausicaa Berbenni was born in Trescore Balneario (BG) in 1983; now she lives and works in Milan. She studied at the Brera Academy and once taking over her father's bakery she could combine her passions, art and bakery, creating art pieces made of candies and sugar paste. The piece in question is a straitjacket that comes on a mannequin; it is made of sewn round candies that unfortunatelly had lost thair color because of the time going from a pstel color to a monochrome brownish tone that give to the art piece a more dramatice tone.

Rent

175.00€

Rent
Tapestry Cloth Italy 1949
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ARARNO0106870
Tapestry Cloth Italy 1949

Tapestry

ARARNO0106870
Tapestry Cloth Italy 1949

Tapestry

Tapestry, made with very fine sewing. On the bottom right is the signature P. Sacchi with the date of production 1949. The work proposes a floral composition in a vase, characterised by a rich variety of flowers. Coeval frame.

Rent

75.00€

Rent
Allegory Of Love Oil On Canvas Northern Europe 17th 18th Century
SELECTED
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SELECTED
ARARPI0097148
Allegory Of Love Oil On Canvas Northern Europe 17th 18th Century

ARARPI0097148
Allegory Of Love Oil On Canvas Northern Europe 17th 18th Century

Oil on canvas. North-European School. This is a funny allegorical scene of profane love, that wants to prove how everyone, of any social class and every age, can fall into the trap of falling in love. The background of the canvas is occupied by an enormous keepnet, the basket net used in some kinds of fishing, above its opening sits a putto playing the violin; the keepnet is crowded with couples, while a parade of other couples walks in front of them to reach the entrance. Between them, there are couples of old and young people, rich and poor people, nobles, bourgeois and proletarians. Everyone has a content and light expression, they share looks of love or they benevolently look at the happiness of the others. Inside the keepnet, there is even a couple of royals, that correspond, for their features and clothing, to the Elector Palatine of Rhineland, John William of the Palatinate-Neuburg and his second wife Anna Maria Luisa de' Medici. On the back of the painting, there is a label bearing a historical attribution to Jan Frans Douven (1656-1727), the Dutch artist who moved to Düsseldorf in 1682 as the official painter at the Court of the Elector Palatine of Rhineland, mostly representing scenes of the daily life of the prince and his second wife. The label would confirm the scope of the attribution to an artist of the 17th-18th century in Northern Europe. The painting comes from a historical collection in Milan. It shows some traces of restorations and a patch. Frame in style.

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Portrait Of Bartolomeo De Olevano Oil On Canvas Second Half '500
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ARARPI0097144
Portrait Of Bartolomeo De Olevano Oil On Canvas Second Half '500

ARARPI0097144
Portrait Of Bartolomeo De Olevano Oil On Canvas Second Half '500

Oil on canvas. Lombard School. It is the portrait of a man in armour standing proud, almost in motion, his hand sitting on the hilt of his sword; there is a coat of arms top left, a painted title block bottom right with a long Latin inscription, that identifies the man. He is Bartolomeo III Olevano, who belongs to the powerful noble family of the Olevano, feudal lords of many towns in the Pavia and Lomellina areas (where their castle still exists), who was very involved in the history of Pavia and its countryside until the 18th century. Bartolomeo III, born in 1512, had dedicated himself to the art of war for 40 years, carrying out numerous and highly honoured deeds, and was prefect of Mortara and Novara during the domination of Charles V, leader of soldiers and ambassador of Philip II. His most important achievements are summarised in the title block: a translation of the text is available. The coat of arms of the family has an olive tree on the left, from which the family took its name. The painting comes from an important historical Lombard family collection.

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