Desk with typescript, formica-covered wood, enameled metal legs.

Face of a Young Commoner

Oil painting on canvas. Signed lower left. The artist Giovanni Madonini was a portrait painter but above all of popular characters, often depicted intent on small activities and with bright colors. Work presented in frame.

Italy, Early XX Century

Chest of drawers in three sections, each with 6 drawers; the uprights are movable, also acting as a closure for the drawers.

65 x 38 In

Beluchi wool carpet, fine knot. Manual manufacturing.

England Third Quarter XIX Century

English Davenport equipped with feet with wheels, on one side it has a row of four drawers, while on the other they are only simulated. The inclined upper shelf has a Moroccan insert and can be lifted, this backsplash with drawer and finished with a railing.

XX Century

Wrought iron chandelier with central globe, from which the arms branch off and end with candle holders.

Pencil on paper. Signed on the back. The drawing is registered in the Fausto Melotti Archive, with code DIS 72006. Fausto Melotti was a multifaceted and very prolific artist and it is almost impossible to link his production to a particular technique or theme, without providing only a partial view of his vision artistic. The salient features that are constant in Melotti are geometry, the study of abstraction, which leads him to use realistic but not scientifically accurate elements, and arranging the elements so that they recall a musical rhythm, a detail that refers to his training as a musician Sculptor, painter, musician, poet, he made numerous design drawings for his works. Drawing represented for him a fundamental exercise, to transfuse the original graphic trait from sheets of paper into sculptures and ceramics. The sculptures for which he is best known are made up of geometric elements made with metals (brass, iron and gold) worked into thin filaments, giving life to ethereal, weightless and almost fragile compositions. The work is presented in a frame.

China Period of the Republic 1930 ca.

Baluster porcelain vase elegantly decorated in gold with figures of cranes, among pines and ornamental rocks. Lateral loops in the form of flowering plum branches. Wooden support.

Parma Last Fourth XVIII Century

Group of 12 neoclassical chairs in cherry, Parma, last quarter of the 18th century. Open back carved with festoon at the top and satchel with anthemium, fluted truncated cone legs, poded and carved with phytomorphic elements, carved vase feet. A partially gilded chair. Lacks and substitutions. Necessary restoration in the session.

Lombardy Second Quarter 19th Century

Pair of restoration chairs in walnut, Lombardy second quarter of the 19th century. Open back with central folder, decorated with carvings of leaves, curls and anthems; grissinato seat front, saber-shaped rear legs, wavy front legs and embellished with carved leaf elements. Removable upholstered seats.

Pair of armchairs with spring padding, velvet upholstery and wooden legs. Fair condition, to be restored. A pair of armchairs to be revisited to make them suitable for an environment with a relaxation area that wants to recall an original style with a taste of times gone by, the product can be restored by our laboratory, with an intervention that involves the replacement of the padding and the fabric by choosing from our different samples.

Prod. Italy, materiale plastico, specchiato.

Italy, XX Century

Walnut style bench, 20th century Italy. Truncated pyramidal band and legs adorned with grooved reserves; brass feet. Padded seat.

Square coffee table with rounded corners, chromed metal and brass structure, smoked glass top.

Italy, XX Century

Style bench with large seat and monumental backrest; it is carved with foliaceous frets and two fake pilasters on the sides of the backrest, it is entirely lacquered and painted with floral festoons and is adorned with golden inserts. Present removable cushion.

Italy, 1980s-90s

Silver candy holder with relief decoration in the shape of water drops. The silver and silversmith's marks are engraved in the cable. Unidentified Florentine silversmith. 270 grams.