Oil on hardboard. Signed lower right. Further signature, date and title on the back. Giovanni Balansino, Piedmontese by origin but Lombard by adoption, chose to depict his love for both lands with his painting made of broad and nervous brushstrokes, dedicating a large part of his production to them., which this glimpse includes of a town in the Lombard plain. In frame.

Italy, 1980s

Glass sculpture depicting a horse's head. Pointed signature and adhesive label of the designer under the base.

Pair of armchairs with spring padding, fabric covering, wooden base. A pair of armchairs that lend themselves to being revisited to make them suitable for an environment with a relaxation area, with an original style and a taste of times gone by, the product can be restored by our laboratory, with an intervention that involves the replacement of the padding and fabric by choosing from our different samples, to give new life to things.

Italy Early 1900s

Bronze sculpture on a marble base depicting a young fisherman. On the base engraved signature of the author.

Italy 19th century

Drop-shaped console in carved and gilded wood supported by legs carved in a curl and embellished with a wreath of leaves. Lombardy 19th century

Size XS

Two-layers brown tulle top with bead and sequins. The V shaped neckline and the the underbreast cut are marked by a beautiful framing of colorful sequins; the remaining fabric is decorated with geometrical and floral elements. It doesn't have a label but it suits an XS Brest 78cm, length 57cm

Adjustable floor lamp with adjustable position by sliding along the rod. Chromed and enamelled metal, enamelled aluminium.

Cherubs playing with cards

Oil on canvas. The depicted scene is set in a closed environment with a wide window which provides a glimpse of landscape. Three cherubs are sitting on benches and they are playing with cards, trying to build a castle. The painting has been restored. 18th century.

Lombardy, Mid XVIII Century

Walnut chest of drawers, front with four drawers with baroque maple inlays and fillets, sides with low-relief carvings and ebonized moldings, shaped apron resting on the floor. Replaced hardware and locks. Lombardy, mid-18th century.

Sofa with foam padding, metal legs with brass tips and fabric covering. A small sofa, to be revisited to make it suitable for an environment with a relaxation area that wants to recall an original style with a taste of times gone by, the product can be restored by our laboratory, with an intervention that involves the replacement of the padding and the fabric by choosing from our different samples.

"Canivet a Paris"

Level and square set with golden brass wire, signed “Canivet a Paris”. On the instrument there are also the inscriptions “6 p de France / Nelle Mesure”.

Mirror mounted on wooden panel, mirrored glass.

Soapstone sculpture depicting a Guanyin with a basket of flowers. Finely carved with beautiful workmanship of the drapery and attention to detail. Republic period.

Liverpool c.1840

Writing desk in rosewood supported by twisted uprights framing pinnacle turned elements, they rest on feet equipped with wheels, connected by a central crossbar padded in leather. In the undertop band there are two drawers, which can be opened from both sides, one of which has a liftable writing top with a leather insert. It features stamps “A. Blain, Liverpool ”in five different points.

Europe, XIX-XX Century

Group of seven glasses in cut and engraved glass of different manufactures, shapes and colours.

Jubilee Plate 1970

The 1970 Jubilee plate was issued to celebrate the 75th anniversary of the first Christmas plate produced in 1895. The title of the plate is “The Royal Palace Amalienborg” and it is the 12th in the series of Jubilee plates started in 1915, and still in production with a new plate every five years. A peculiar characteristic of all the Jubilee plates is that they repeat the ornamental motif of a previous Christmas plate; in this case the design of the Christmas plate of the year 1914 has been reproduced. White porcelain plate with decorations in various shades of blue. Each plate was produced in limited quantities only and exclusively in the year shown on the plate itself and production ended at the end of the year with the destruction of the original shape which made it impossible to reproduce. As a guarantee of authenticity, the plate bears the Bing & Grøndahl mark with the three towers, inspired by the coat of arms of the city of Copenhagen, and the initials of the painter who created the unique illustration of the plate. The plate measures 23 cm in diameter and on the back it has two holes made by Bing & Grøndahl during production so that it can be hung.

Oil on canvas. Signed H.Cooper lower left and dated 1909. On the back an inscription indicates the location of Bishops'; Stortford, in the English county of Hertfordshire. It actually depicts a glimpse of the English countryside, with a rural house on the bank of the river, on which stands a fisherman. The painting is presented in a period frame.