Ceiling lamp; enameled metal, glass.

Austria, Early XX Century

Green glass vase with iridescent surface. Top edge embellished with bronze decoration. Under the base, the manufacturer's signature.

Vintage coffee table in stained beech wood with four legs connected by wooden elements and brass details, round glass top. Restored.

Oil painting on canvas. The biblical episode depicted refers to the story of Daniel, the prophet in the court of King Darius the Mede who, for having prayed to his God, was condemned to be thrown into the lions' den. But God saved Daniel, sending an angel to close the jaws of the beasts, and the king pardoned Daniel by instead condemning those who had denounced him. The subject has been depicted several times in art, for the fascination linked to history but also for its exotic flavor due to the presence of wild beasts; in particular we remember the version by Rubens of 1615, where the prophet is depicted naked in the underground pit, while he prays ardently, surrounded by a crowd of ferocious lions. The work presented here instead proposes a version centered on the dialogue between the prophet and the angel, who face each other, standing out with the vivid colors of their robes against the dark background of a prison; there is only one lion, meekly crouching at the angel's feet, and therefore the spiritual and salvific dimension of the biblical event prevails. According to the famous art historian Maurizio Marini, a specialist in the painting of Caravaggio and Baroque art, who had had the opportunity to view the painting years ago, the work could be attributable to Antonio Maria Vassallo (1620 -1664) for the compositional and chromatic choices. The painting, restored and relined, is presented with a listello frame.

Italy, 1980s-90s

Silver candy holder with relief decoration in the shape of water drops. The silver and silversmith's marks are engraved in the cable. Unidentified Florentine silversmith. 270 grams.

Oil on hardboard. Signed lower right. Further signature, date and title on the back. Giovanni Balansino, Piedmontese by origin but Lombard by adoption, chose to depict his love for both lands with his painting made of broad and nervous brushstrokes, dedicating a large part of his production to them., which this glimpse includes of a town in the Lombard plain. In frame.

Pair of armchairs with spring padding, feather cushions, stained wooden legs and fabric covering. A pair of armchairs to be revisited to make them suitable for an environment with a relaxation area that wants to recall an original style with a taste of times gone by, the product can be restored by our laboratory, with an intervention that involves the replacement of the padding and the fabric by choosing from our different samples.

Sweden, 1957

Clear glass "Apple"vase Ingeborg Lundin for Orrefors. Pointed signature of the designer and manufacturer under the base.

Super 8 Canon 70s film camera in mixed materials

Production F. lli ONOFRI

Italy, XX Century

Walnut sideboard obtained by modifying a large cupboard from the early 18th century in the 20th century, transforming the front, previously made up of removable panels, into a pair of doors. Veneered in burr walnut on the front and on the side reserves. Uprights and central band with tiles, opening top; pair of side locks used in ancient times to block the top. Poplar and fir interior.

Desk with side drawers in walnut veneer and top in briar wood veneer.

Coffee table with double top; walnut veneer.

Ceiling lamp, metal frame, glass pendants.

Production QUICK MILL

China Period of the Republic 1930 ca.

Baluster porcelain vase elegantly decorated in gold with figures of cranes, among pines and ornamental rocks. Lateral loops in the form of flowering plum branches. Wooden support.

Prod. Italy, materiale plastico, specchiato.