Price

320 € 5950 € Apply

Artistic technique

  • Volume-Sculpture [15]
  • Mixed Media [5]
  • Multiple Print [3]
  • Printing [8]
  • Painting [264]
  • Drawing [21]
  • Embroidery [1]

Dimensions


25 cm 93 cm

32 cm 73 cm

1 cm 33 cm
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Contemporary Drawing Fausto Melotti 1972 Abstract Subject
ARARCO0190588
Contemporary Drawing Fausto Melotti 1972 Abstract Subject

ARARCO0190588
Contemporary Drawing Fausto Melotti 1972 Abstract Subject

Pencil on paper. Signed on the back. The drawing is registered in the Fausto Melotti Archive, with code DIS 72006. Fausto Melotti was a multifaceted and very prolific artist and it is almost impossible to link his production to a particular technique or theme, without providing only a partial view of his vision artistic. The salient features that are constant in Melotti are geometry, the study of abstraction, which leads him to use realistic but not scientifically accurate elements, and arranging the elements so that they recall a musical rhythm, a detail that refers to his training as a musician Sculptor, painter, musician, poet, he made numerous design drawings for his works. Drawing represented for him a fundamental exercise, to transfuse the original graphic trait from sheets of paper into sculptures and ceramics. The sculptures for which he is best known are made up of geometric elements made with metals (brass, iron and gold) worked into thin filaments, giving life to ethereal, weightless and almost fragile compositions. The work is presented in a frame.

Rent

637.00€

Rent
M. Henry Ink on Paper France 1930
ARARNO0150780
M. Henry Ink on Paper France 1930

Untitled 1930

ARARNO0150780
M. Henry Ink on Paper France 1930

Untitled 1930

Ink on paper. Signature and date below. Accompanied by authentication on photo from Galleria Giò Marconi in Milan and stamp from private archive. It is the drawing of the young artist who soon became one of the most important exponents of world surrealism, who was a poet and painter, but also a filmmaker, art and film critic, photographer and humorous designer. Born in the north of France, in 1927 he settled in Paris, where he came into contact with a group of young poets and philosophers, with whom he founded the '' Grand Jeu '' movement: play is understood as an art of living. Since 1928 he has collaborated with texts, poems and drawings for the movement's magazine and in the meantime he collaborates as an editor and reporter with various Parisian newspapers.In 1932, having exhausted the experience of the `` Grand Jeu '', he passes to the surrealist movement, collaborating on its publications and participating in its exhibitions. His humor turns towards the unusual and cruelty, more and more derisive of the absurdity of everyday life, of the tragic side of common existence, to which the spirit and the unconscious rebel, trying to access the unobservable. Knows Salvador Dalí. In 1939 he also began his activity as a filmmaker. In 1941 his first personal exhibition took place in Paris: the first buyer was Pablo Picasso. Participate in all surrealist exhibitions, including the 1947 international one in Paris. In 1951, for reasons relating to the internal discipline of the group, he abandoned the surrealist movement with others, while continuing to practice its poetics. In 1955 he also became passionate about photography. Since 1968 he has devoted himself almost exclusively to painting, abandoning the activity of humorous draftsman. In the same year he settled permanently in Milan: in Italy he exhibited in various personal exhibitions, those in Milan at the Galleria Marconi. The work presented here, an early drawing, comes from an important Milanese private collection. It is presented in a frame.

Rent

315.00€

Rent
Ink Drawing by Mario Sironi Figures Italy XX Century
ARARNO0190579
Ink Drawing by Mario Sironi Figures Italy XX Century

Two Figures

ARARNO0190579
Ink Drawing by Mario Sironi Figures Italy XX Century

Two Figures

India ink on paper. Signed lower right. Accompanied by authentication on photo by his wife Matilde Sironi dated September 1963 and by certificate on photo from the JA PF archive. with number 031 and data of the work. Mario Sironi dedicated himself a lot to drawing and figure study, and his production included many drawings, figure studies, sketches for subsequent paintings. All the power and expressive force of Sironi's bodies can already be seen in these drawings, whose mind, an incessant forge of ideas and projects often created on a large scale (he created numerous murals), often made use of makeshift paper supports to draw, even of small dimensions, on which he traced, in just a few centimetres, large projects, provocative ideas and poetic images. The work comes from an important Milanese private collection. It is presented in a frame.

Rent

637.00€

Rent
Contemporary Drawing by Fausto Melotti Painting Pencil on Paper Frame
SELECTED
SELECTED
ARARCO0190584
Contemporary Drawing by Fausto Melotti Painting Pencil on Paper Frame

Sculpture project

ARARCO0190584
Contemporary Drawing by Fausto Melotti Painting Pencil on Paper Frame

Sculpture project

Pencil on watermarked paper. Signed lower left. The drawing is accompanied by an authentication on photo from the Fausto Melotti Archive, with code DIS 36 015, showing the data of the work. Fausto Melotti was a multifaceted and very prolific artist and it is almost impossible to link his production to a particular technique or theme, without providing only a partial view of his artistic vision. The salient features that are constant in Melotti are geometry, the study of abstraction, which leads him to use realistic but not scientifically accurate elements, and arranging the elements so that they recall a musical rhythm, a detail that refers to his training as a musician Sculptor, painter, musician, poet, he made numerous design drawings for his works. Drawing represented for him a fundamental exercise, to transfuse the original graphic trait from sheets of paper into sculptures and ceramics. The sculptures for which he is best known are made up of geometric elements made with metals (brass, iron and gold) worked into thin filaments, giving life to ethereal, weightless and almost fragile compositions. The work is presented in a frame.

Rent

637.00€

Rent
Pen Drawing by Mario Tozzi Figure in Rest 1969 with Authentication Fra
ARARNO0209515
Pen Drawing by Mario Tozzi Figure in Rest 1969 with Authentication Fra

Figure in Rest 1969

ARARNO0209515
Pen Drawing by Mario Tozzi Figure in Rest 1969 with Authentication Fra

Figure in Rest 1969

Pen on paper. Signed lower right. Accompanied by photo authentication from the Mario Tozzi Archive. In Maestro Tozzi's extensive production there are many drawings, such as this one presented here, made with different techniques (ink, pastel, pencil, sanguine), dedicated to the human figure: in his dry and stylized style, Mario Tozzi outlines stylized, refined figurines in their silent and discreet geometry, favored by the absence of color, which brings out the forms on the white paper. Even in his pictorial production, Mario Tozzi's favorite subjects are, classically, figures and still lifes, but both figures and death are a set of solid geometric elements, the sphere, the cylinder, the cone, etc. The bodies are elementary, essential in the lines and details, powerful, statuesque, composed of just modeled solids, while the still lifes are a celebration of Euclidean geometry such as the jugs, bowls, flasks which are paradigms of volume and geometric rigor . Mario Tozzi's compositions are influenced by Cubism for certain cuts, by Metaphysics for certain architectural insertions and by Abstractism for the insertion of geometric figures. The work is presented in a frame.

Reserved

not available

Reserved
Contemporary Drawing F. Melotti 1984 Sketch on Paper Mixed Technique
ARARCO0190586
Contemporary Drawing F. Melotti 1984 Sketch on Paper Mixed Technique

ARARCO0190586
Contemporary Drawing F. Melotti 1984 Sketch on Paper Mixed Technique

Tempera, pencil and charcoal on paper. Signed on the back. The drawing is registered in the Archive Fausto Melotti with code DIS 84020. Fausto Melotti was a multifaceted and very prolific artist and it is almost impossible to link his production to a particular technique or theme, without providing only a partial view of his artistic vision. The salient features that are constant in Melotti are geometry, the study of abstraction, which leads him to use realistic but not scientifically accurate elements, and arranging the elements so that they recall a musical rhythm, a detail that refers to his training as a musician Sculptor, painter, musician, poet, he made numerous design drawings for his works. Drawing represented for him a fundamental exercise, to transfuse the original graphic trait from sheets of paper into sculptures and ceramics. The sculptures for which he is best known are made up of geometric elements made with metals (brass, iron and gold) worked into thin filaments, giving life to ethereal, weightless and almost fragile compositions. The work is presented in a frame.

Reserved

not available

Reserved
James Thornhill Pen And Ink On Paper About 1720
ARTPIT0001366
James Thornhill Pen And Ink On Paper About 1720

The Birth Of Venus

ARTPIT0001366
James Thornhill Pen And Ink On Paper About 1720

The Birth Of Venus

Pen and brown ink drawing on paper. Writing on the back from the early '900 that describes the drawing as preparatory for decors and glass windows. There is also a paper label from a historic private collection. It is one of the first preparatory sketches for the scene of "The Birth of Venus", of which we know later sketches, expanded and enriched with more details. The sketch is presented in a XIX century frame.

Rent

165.00€

Rent
Contemporary Painting E. Morlotti Inkwell on Paper Italy 1963
ARARCO0231641
Contemporary Painting E. Morlotti Inkwell on Paper Italy 1963

Figures, 1963

ARARCO0231641
Contemporary Painting E. Morlotti Inkwell on Paper Italy 1963

Figures, 1963

Inkwell on paper. Signed and dated '63 lower right. On the back there is an autographed declaration of authenticity dated "Milan 31-3-1980". Small drawing from the 1960s, in which Ennio Morlotti proposes the study for some nude figures, in which he has already overcome the Picasso phase and is moving towards an informal expressionism. The work is presented in a frame.

Reserved

not available

Reserved
Portrait Of A Young Girl With A Dog Pencil Charcoal White Lead 1900
ARAROT0118959
Portrait Of A Young Girl With A Dog Pencil Charcoal White Lead 1900

ARAROT0118959
Portrait Of A Young Girl With A Dog Pencil Charcoal White Lead 1900

Pencil, charcoal and white lead on paper. SIgned (Amalia Bianche?) and dated at the bottom right. Very effective is the use of different pigments that creat a play of chiaroscuri underlined by the figures. The portrait come in a 19th century wooden frame that had been embellished with leather floral and leafy inserts. It shows small drops of color and missing parts.

Rent

140.00€

Rent
Vyacheslav Sawich Mikhailov Ink on Paper Russia XX Century
ARARCO0151422
Vyacheslav Sawich Mikhailov Ink on Paper Russia XX Century

Pair of Ink Drawings

ARARCO0151422
Vyacheslav Sawich Mikhailov Ink on Paper Russia XX Century

Pair of Ink Drawings

Ink on paper. One of the two is signed on the lower right. The works of the Russian artist Vyacheslav Sawich Mikhailov are exhibited in prestigious museums such as the Tretyakov Gallery or the Museum of Modern Art in Moscow, the National Museum of Russian Art, the Museum of Nonconformist Art in St. Petersburg. Considered an expressionist author, he creates scenes of intense drama with different techniques. The design proposed here is part of a series of scenes full of dramatically intertwined figures in contortions of the body, with allegorical elements and patches of often red color, evoking blood. In frame.

Reserved

not available

Reserved
Portrait Of A Young Woman Pencil Charcoal White Lead 19th Century
ARAROT0118960
Portrait Of A Young Woman Pencil Charcoal White Lead 19th Century

ARAROT0118960
Portrait Of A Young Woman Pencil Charcoal White Lead 19th Century

Penci, charcoal and white lead on paper. Signed E. Bianchi at the bottom left. Very effective is the use of different pigments that creates a play of chiaroscuri that underlines the figure. The portrait comes in a 19th century wooden frame decorated with leather leafy and floral inserts; it shows small color drops and missing parts.

Rent

140.00€

Rent
Modern Drawing by M. Henry Ink on Paper France 1927
ARARNO0150777
Modern Drawing by M. Henry Ink on Paper France 1927

Le Prophète 1927

ARARNO0150777
Modern Drawing by M. Henry Ink on Paper France 1927

Le Prophète 1927

Ink on paper. Signature, date and title below. Accompanied by authentication on photo from Galleria Giò Marconi in Milan and stamp from private archive. It is the drawing of the young artist who soon became one of the most important exponents of world surrealism, who was a poet and painter, but also a filmmaker, art and film critic, photographer and humorous designer. Born in the north of France, in 1927 he settled in Paris, where he came into contact with a group of young poets and philosophers, with whom he founded the '' Grand Jeu '' movement: play is understood as an art of living. Since 1928 he has collaborated with texts, poems and drawings for the movement's magazine and in the meantime he collaborates as an editor and reporter with various Parisian newspapers.In 1932, having exhausted the experience of the `` Grand Jeu '', he passes to the surrealist movement, collaborating on its publications and participating in its exhibitions. His humor turns towards the unusual and cruelty, more and more derisive of the absurdity of everyday life, of the tragic side of common existence, to which the spirit and the unconscious rebel, trying to access the unobservable. Knows Salvador Dalí. In 1939 he also began his activity as a filmmaker. In 1941 his first personal exhibition took place in Paris: the first buyer was Pablo Picasso. Participate in all surrealist exhibitions, including the 1947 international one in Paris. In 1951, for reasons relating to the internal discipline of the group, he abandoned the surrealist movement with others, while continuing to practice its poetics. In 1955 he also became passionate about photography. Since 1968 he has devoted himself almost exclusively to painting, abandoning the activity of humorous draftsman. In the same year he settled permanently in Milan: in Italy he exhibited in various personal exhibitions, those in Milan at the Galleria Marconi. The work presented here, an early drawing, comes from an important Milanese private collection. It is presented in a frame.

Rent

315.00€

Rent
Maurice Henry Ink on Paper France 1969
ARARNO0150778
Maurice Henry Ink on Paper France 1969

Les Bouches de Naples gemissent de Terreur ou de Plaisir 1969

ARARNO0150778
Maurice Henry Ink on Paper France 1969

Les Bouches de Naples gemissent de Terreur ou de Plaisir 1969

Ink on paper. Signature, date and title below. Accompanied by authentication on photo from Galleria Giò Marconi in Milan and stamp from private archive. It is the drawing of the young artist who soon became one of the most important exponents of world surrealism, who was a poet and painter, but also a filmmaker, art and film critic, photographer and humorous designer. Born in the north of France, in 1927 he settled in Paris, where he came into contact with a group of young poets and philosophers, with whom he founded the '' Grand Jeu '' movement: play is understood as an art of living. Since 1928 he has collaborated with texts, poems and drawings for the movement's magazine and in the meantime he collaborates as an editor and reporter with various Parisian newspapers.In 1932, having exhausted the experience of the `` Grand Jeu '', he passes to the surrealist movement, collaborating on its publications and participating in its exhibitions. His humor turns towards the unusual and cruelty, more and more derisive of the absurdity of everyday life, of the tragic side of common existence, to which the spirit and the unconscious rebel, trying to access the unobservable. Knows Salvador Dalí. In 1939 he also began his activity as a filmmaker. In 1941 his first personal exhibition took place in Paris: the first buyer was Pablo Picasso. Participate in all surrealist exhibitions, including the 1947 international one in Paris. In 1951, for reasons relating to the internal discipline of the group, he abandoned the surrealist movement with others, while continuing to practice its poetics. In 1955 he also became passionate about photography. Since 1968 he has devoted himself almost exclusively to painting, abandoning the activity of humorous draftsman. In the same year he settled permanently in Milan: in Italy he exhibited in various personal exhibitions, those in Milan at the Galleria Marconi. The work presented here, an early drawing, comes from an important Milanese private collection. It is presented in a frame.

Rent

240.00€

Rent
Ancient Painting Gino Simonetti '900 Woman at the Spinning Wheel
ARARNO0216747
Ancient Painting Gino Simonetti '900 Woman at the Spinning Wheel

Woman at the Spinning Wheel

ARARNO0216747
Ancient Painting Gino Simonetti '900 Woman at the Spinning Wheel

Woman at the Spinning Wheel

Tempera on paper. Signed lower left. Probably a sketch, due to the rapid drafting and unfinished contours, this work presents a young woman sitting spinning at a spinning wheel. The artist Gino Simonetti, painter but also writer, born in the Piacenza area, lived and worked mainly in Turin. the work is presented in a period frame.

Rent

80.00€

Rent
The Source of Boario Baths Watercolors On Paper Italy 20th Century
ARARNO0120467
The Source of Boario Baths Watercolors On Paper Italy 20th Century

ARARNO0120467
The Source of Boario Baths Watercolors On Paper Italy 20th Century

Watercolor on paper. 1920s-1930s. Signed A.C. Leveque at the bottom right. Title on the back. Glimpse of a famous bath station animated by a colorful crowd strolling along the avenues in front of the spa's landmark building, the white marble Art Nouveau dome, which extends to the sides into the balcony supported by columns with Ionic capitals. The painting comes in a coeval frame.

Rent

135.00€

Rent
Vyacheslav Sawich Mikhailov Ink on Paper Russia 1990
ARARCO0151419
Vyacheslav Sawich Mikhailov Ink on Paper Russia 1990

Untitled 1990

ARARCO0151419
Vyacheslav Sawich Mikhailov Ink on Paper Russia 1990

Untitled 1990

Ink on paper. Signed and dated lower right. The works of the Russian artist Vyacheslav Sawich Mikhailov are exhibited in prestigious museums such as the Tretyakov Gallery or the Museum of Modern Art in Moscow, the National Museum of Russian Art, the Museum of Nonconformist Art in St. Petersburg. Considered an expressionist author, he creates scenes of intense drama with different techniques. The design proposed here is part of a series of scenes full of dramatically intertwined figures in contortions of the body, with allegorical elements and patches of often red to evoke blood. In frame.

Reserved

not available

Reserved
Drawings by Jean Cocteau Gouache on Paper Framed XX Century
SELECTED
SELECTED
ARARCO0189007
Drawings by Jean Cocteau Gouache on Paper Framed XX Century

3 Faces 8 Leaves

ARARCO0189007
Drawings by Jean Cocteau Gouache on Paper Framed XX Century

3 Faces 8 Leaves

Gouaches on paper. On the back there are stickers from Sotheby's Auction with the artist's name and the original title "Three faces eight leaves". These are two similar drawings, with the same subject albeit with small differences, and colored with different techniques. Jean Cocteau was a multifaceted artist: writer, playwright, playwright, he also dabbled in the visual arts, loving to experiment with all the avant-gardes of his century. Jean Cocteau published his first book of drawings in 1923, at just 36 years old. In it the poet portrayed his friends Raymond Radiguet, Pablo Picasso, Erik Satie, Francis Poulenc, but also numerous scenes of Parisian daily life, Nijinski's Russian ballets, allegories, caricatures, poetic images. Cocteau reveals himself to be a talented sketcher, but above all an artist capable of capturing the essence of faces, behaviors and human weaknesses. Framed work.

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Antique Painting Female Face Crayons on Cardoboard XIX Century
News
ARAROT0236020
Antique Painting Female Face Crayons on Cardoboard XIX Century

ARAROT0236020
Antique Painting Female Face Crayons on Cardoboard XIX Century

Crayons on cardboard. Signed Rossi lower left. Melancholic and ethereal portrait of a young woman, with a serious expression and lost in her thoughts, despite her elegant and graceful party dress. The work is presented in a contemporary frame.

Rent

185.00€

Rent
Modern Drawing C. Bravo Camus Chiquito Futbolista de Tanger 1982
News
ARARNO0235215
Modern Drawing C. Bravo Camus Chiquito Futbolista de Tanger 1982

Chiquito Futbolista de Tanger 1982

ARARNO0235215
Modern Drawing C. Bravo Camus Chiquito Futbolista de Tanger 1982

Chiquito Futbolista de Tanger 1982

Sanguine on paper. Signed and dated in Roman numerals lower right. The title at the top right. Claudio Bravo Camus was a Chilean painter who established himself above all for his compositions (particularly parcels) and hyper-realistic portraits, including those of eminent political figures. Rightly considered one of the greatest masters of hyperrealism, Claudio Bravo pursued photography in painting, but always starting from the direct observation of the objects themselves: "The eyes see much more than the camera: half tones, shadows, minute changes of color and lights,” he said. The portrait presented here, that of a well-known Moroccan football player, exudes a meticulous and mimetic realism, particularly in the man's gaze; it was created during the years in which the artist lived in Tangier, where he had taken refuge to escape Franco's dictatorship. It is presented in a frame.

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Contact us
Pair of Portraits Pencil on Paper Italy 1883
ARAROT0159931
Pair of Portraits Pencil on Paper Italy 1883

ARAROT0159931
Pair of Portraits Pencil on Paper Italy 1883

Pencil on paper. Bottom right, on both, the writing "Pietro Mulazzi sketched", with the date 1883. By an unknown artist but skilled in the use of pencils, these are the portraits of a bourgeois couple, whose gray faces emerge clearly from the paper background red. They are presented in contemporary gilded frames, with several shortcomings (to be restored).

Rent

242.00€

Rent