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Price

540 € 11900 € Apply

Dimensions


6 cm 319 cm

12 cm 352 cm

2 cm 236 cm

12 cm 129 cm

35 cm 52 cm
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New Selected section with the best of our Antiques, Modern Antiques, Art and Books catalog: a few selected products that are constantly updated.

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Pair of Silver Brandimarte Florence Candelabra
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OGANOG0133734

Pair of Silver Brandimarte Florence Candelabra

20th Century - 1900

OGANOG0133734

Pair of Silver Brandimarte Florence Candelabra

20th Century - 1900

Pair of five-flame silver candelabra with leaf volute arms, zoomorphic heads and plant motifs decorations. Brand of silver and silversmith engraved at the base. Grams 2830.

Rent

575.00€

Rent
Pair of Armchairs Beech Foam Fabric Italy 1960s
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MOSEPO0123661

Pair of Armchairs Beech Foam Fabric Italy 1960s

MOSEPO0123661

Pair of Armchairs Beech Foam Fabric Italy 1960s

Pair of armchairs with reclining back, stained Beech wood, foam padding, fabric upholstery.

Rent

338.00€

Rent
Piemontese Lacquered Wardrobe
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ANMOAM0130587

Piemontese Lacquered Wardrobe

XVIII Century - 1700

ANMOAM0130587

Piemontese Lacquered Wardrobe

XVIII Century - 1700

Piedmontese wardrobe supported by shaped feet, as well as the lower band; on the front it has two paneled doors, the sides are also paneled. Entirely lacquered and painted with festoons and bouquets of roses, the lacquering and painting were resumed later.

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Pair of Armchairs Foam Brass Fabric Italy 1950s-1960s
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MOSEPO0133016

Pair of Armchairs Foam Brass Fabric Italy 1950s-1960s

MOSEPO0133016

Pair of Armchairs Foam Brass Fabric Italy 1950s-1960s

Pair of armchairs, foam padding, fabric upholstery, brass legs.

Rent

400.00€

Rent
Renaissance Style Bust White Marble Italy XIX Century
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ARARAR0132766

Renaissance Style Bust White Marble Italy XIX Century

ARARAR0132766

Renaissance Style Bust White Marble Italy XIX Century

Renaissance style white marble sculpture depicting the bust of a child. The costume with its folds and finely carved sleeves with embroidery highlight the good sculptural ability of the anonymous artist.

Rent

700.00€

Rent
Pair of Biscuit Sèvres Busts
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OGANCE0093055

Pair of Biscuit Sèvres Busts

Marie Antoinette and Louis XVI

OGANCE0093055

Pair of Biscuit Sèvres Busts

Marie Antoinette and Louis XVI

Pair of bisque busts depicting Marie Antoinette and Louis XVI, resting on circular bases in glazed porcelain. In the lower part there is the trademark "S.40.", Attributable to the manufacture of Sèvres, in reference to the year of production (1840); “RG” monogram engraved on the back. In particular, the bust of the queen is attributed to the idea of one of the two Brachard brothers (Jean-Charles Nicolas or Jean.Nicolas-Alexandre), both active at the Sèvres factory between 1782 and 1827; an example of Marie Antoinette is kept at the National Museum of Ceramics Duca di Martina in Villa Floridiana, Naples.

Rent

500.00€

Rent
Inkwell by Jean-Marie Pigalle Bronze Marble France XIX Century
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OGANOG0121494

Inkwell by Jean-Marie Pigalle Bronze Marble France XIX Century

XIX Century - 1800

OGANOG0121494

Inkwell by Jean-Marie Pigalle Bronze Marble France XIX Century

XIX Century - 1800

Inkwell with large base in green serpentine marble surmounted by two cup-shaped vases with lids and lion handles with the function of inkwells. In the center, a statue of Mercury with the author\'s engraved signature. The bronzes are gilded and have some parts worked in burin.

Rent

750.00€

Rent
Bronze Candelabra with Imari Vase Porcelain Bronze Japan XIX C
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OGANCE0132182

Bronze Candelabra with Imari Vase Porcelain Bronze Japan XIX C

OGANCE0132182

Bronze Candelabra with Imari Vase Porcelain Bronze Japan XIX C

Imari porcelain vase with gilt bronze mounts with candlestick function. The vase painted in blue below has polychrome enamel decorations of plants, flowers and Shishi lions within reserves. Base in gilded bronze with rocaille and lion handles on the sides. The Japanese porcelain vase is from the late Edo period (1603-1868) and the gilt bronze mounts were made in France in the same period, around 1850.

Rent

575.00€

Rent
Table Clock Ferdinand Barbedienne Bronze Marble France XIX Century
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OGANOG0122012

Table Clock Ferdinand Barbedienne Bronze Marble France XIX Century

XIX Century - 1800

OGANOG0122012

Table Clock Ferdinand Barbedienne Bronze Marble France XIX Century

XIX Century - 1800

Ferdinand Barbedienne table clock in white marble and gilt bronze. The clock is set inside a fluted column in white marble and rests on a square base. The gilt bronze decorations are with vegetable and Greek motifs and a laurel wreath surrounds the base of the column. The exhibition in white marble with hours in gilded bronze with Roman numerals is protected by a glass lid. In the center of the dial there is the brand of the manufacture: F. Barbedienne à Paris ". The clock is surmounted by a gilded bronze statue depicting a bust of an empress with a diadem and shows the engraved brand of the manufacture on the reverse.

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Pair of Maison Bagues Appliques Bronze Glas France XX Century
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ANILLA0128696

Pair of Maison Bagues Appliques Bronze Glas France XX Century

20th Century - 1900

ANILLA0128696

Pair of Maison Bagues Appliques Bronze Glas France XX Century

20th Century - 1900

Pair of Maison Bagues two-light wall lamps supported by wavy arms in gilded bronze, decorated with glass leaves and flowers and which branch off from the central truncated-conical element, on which a glass parrot rests.

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Renaissance Frame Lacquered Wood Italy XVI Century
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ANCOSP0130303

Renaissance Frame Lacquered Wood Italy XVI Century

XVI Century - 1500

ANCOSP0130303

Renaissance Frame Lacquered Wood Italy XVI Century

XVI Century - 1500

Central Italy frame, partially lacquered, the corners and centers are decorated with phytomorphic racemes; external frame and gilt stop.

Rent

550.00€

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Queen Anne Flap Walnut England XVIII Century
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ANTASC0123584

Queen Anne Flap Walnut England XVIII Century

XVIII Century - 1700

ANTASC0123584

Queen Anne Flap Walnut England XVIII Century

XVIII Century - 1700

Queen Anne flap supported by shelf feet, on the front it has three drawers surmounted by a pair of small drawers, flanked by pull-out drawers to support the flap opening door, concealing a cabinet with compartments for documents, drawers and central door. In walnut and walnut burl.

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Venetian Baroque Console Walnut Alabaster Marble Italy XVIII Century
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ANTACO0128595

Venetian Baroque Console Walnut Alabaster Marble Italy XVIII Century

XVIII Century - 1700

ANTACO0128595

Venetian Baroque Console Walnut Alabaster Marble Italy XVIII Century

XVIII Century - 1700

Venetian baroque console supported by wavy legs, the apron on the front and sides is carved with characteristic rocaille motifs. In walnut, the shaped top is in alabaster with a border in black marble and white Botticino.

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Group of 4 Chairs Foam Fabric Beech Italy 1960s
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MOSESE0120257

Group of 4 Chairs Foam Fabric Beech Italy 1960s

MOSESE0120257

Group of 4 Chairs Foam Fabric Beech Italy 1960s

Group of 4 chairs, stained Beech wood, foam padding, fabric upholstery.

Rent

345.00€

Rent
Centerpiece Toni Zuccheri For Venini Glass Murano Italy 2007
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OGANOG0105003

Centerpiece Toni Zuccheri For Venini Glass Murano Italy 2007

OGANOG0105003

Centerpiece Toni Zuccheri For Venini Glass Murano Italy 2007

Heavy glass centerpiece with rich bubble decoration obtained during the blowing. Toni Zuccheri for Venini, Ed. 6-99. Manufacturer brand under the base and adhesive label on the side.

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Engraved Venetian Mirror Italy 18th Century
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ANCOSP0104973

Engraved Venetian Mirror Italy 18th Century

XVIII Century - 1700

ANCOSP0104973

Engraved Venetian Mirror Italy 18th Century

XVIII Century - 1700

Mercury mirror engraved with the theme of the Crucifixion, with Saint John and the Madonna. It belongs to Venetian production of the third quarter of the 18th century, as does the frame, carved and gilded.

Rent

268.00€

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Windsor Armchair Beech England XVIII Century
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ANSESE0131551

Windsor Armchair Beech England XVIII Century

XVIII Century - 1700

ANSESE0131551

Windsor Armchair Beech England XVIII Century

XVIII Century - 1700

Windsor armchair supported by turned legs connected by an "H" crossbar, with curved backrest supported by turned uprights, while the central one is carved and perforated. In beech.

Rent

213.00€

Rent
Oil on Canvas by Giuseppe Zais Italy XVIII Century
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ARARPI0131969

Oil on Canvas by Giuseppe Zais Italy XVIII Century

River Landscape with Shepherdess Child and Herds

ARARPI0131969

Oil on Canvas by Giuseppe Zais Italy XVIII Century

River Landscape with Shepherdess Child and Herds

Oil on canvas. The painting is accompanied by the expertise of two art historians, dr. Dario Succi and Dr. Federica Spadotto. Both confirm the attribution of the painting to Giuseppe Zais, "the master from Belluno unanimously recognized as one of the most original and genuine interpreters of the great landscape painting of the Venetian seventeenth century." In the landscape, under the branches of a tree that frames the left and with the background of blue mountains, a shepherdess and her little son stand out in the foreground, making their animals (sheep and cows) water from the river. the Zais, after an initial training in his native country at the school of his fellow countryman Marco Ricci, who moved to Venice in 1732, soon became part of the ranks of lagoon landscape architects, appreciated and hired for large decorative works in the palaces of the city. In the 1970s the Zais abandoned this production and chose to devote himself only to small works, which reflected an adhesion to the world of the humble and a contemplative dimension of the past, rarely subjects present in the paintings of important clients. The work presented here can be considered an example of this last creative phase, according to art historians in the 70s of the eighteenth century: the Zais proposes a rather barren foothill landscape, where the shepherdess followed by her little son play the their assignment, without any concession to an ideal beauty, but rather with a reminder of a precise, hard, simple real life, made up of effort and affection at the same time. Even the colors of the canvas enhance the artist's empathy for the world he depicts: the warm golden-brown tones of the landscape, illuminated by the blue of the distant peaks reverberating that of the sky, envelop the human and animal figures in the foreground, which they emerge thanks to material brushstrokes and brighter but not bright colors, especially in the fleece of animals and in women's clothes. Peculiar of the Zais are also the faces, round and full, with features that are repeated always identical in the peasant figures of his works, associated with turned bodies, dressed in clothes that look like papier-mâché. The work shows signs of restoration, although still on the first canvas. On the back there is an inscription in German with the name of the previous owner and the date "Christmas 1977". It is presented in a gilded frame from the early 1900s, with small cracks and lacks.

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Group of 7 Windsor Chairs Elm United Kingdom XVIII Century
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ANSESE0130926

Group of 7 Windsor Chairs Elm United Kingdom XVIII Century

XVIII Century - 1700

ANSESE0130926

Group of 7 Windsor Chairs Elm United Kingdom XVIII Century

XVIII Century - 1700

Group of seven Windsor chairs supported by turned legs connected by an "H" crosspiece, with a back supported by turned uprights, while the central one is carved and perforated with a wheel motif. In elm.

Rent

600.00€

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San Sebastian by Francesco Curradi Oil on Canvas Italy XVII Century
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ARARPI0131970

San Sebastian by Francesco Curradi Oil on Canvas Italy XVII Century

San Sebastian

ARARPI0131970

San Sebastian by Francesco Curradi Oil on Canvas Italy XVII Century

San Sebastian

Oil on canvas. The beautiful painting shows the face of St. Sebastian, depicted up below the shoulders, from one of which, uncovered, a crossbow arrow appears (the typology is recognizable by the type of arrow, dyed red). The painting was probably commissioned for devotional reasons: Sebastiano, a military saint, is the protector of soldiers but above all of archers and crossbowmen, and the choice to paint the small red arrow refers to the commissioning of a member of this military group. The work is accompanied by the expertise of the art historian Maurizio Marini, a specialist in Baroque painting and the art of Caravaggio. Marini considers this small portrait of the saint to be an autograph work of excellent technical-stylistic quality by the painter Francesco Curradi, considered one of the protagonists of the renewal of Florentine painting in the first half of the seventeenth century. Trained in the Florentine workshop of Giovan Battista Naldini, an eclectic and refined artist, Curradi surpassed the master by entering into a morphological and conceptual update and, freeing himself from the sentimental and religious limits of the Catholic Reform, he was able to acquire a remarkable psychological subtlety and an extreme pictorial quality. His qualities earned him many commissions and his works can be found in many churches and collections in the Umbrian and Tuscan countryside. Curradi had Cesare Dandini among his pupils, who, due to his refined features, often posed as a model for the works of the master, as would have happened for this San Sebastian. On the other hand, the same model, as well as other details, are found in other known works by Curradi, allowing a valid comparison. The painting has been restored and relined. It is presented in a frame from the first half of the 20th century.

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