Price

440 € 18000 € Apply

materiale

Dimensions


6 cm 306 cm

12 cm 475 cm

2 cm 236 cm

5 cm 117 cm

35 cm 48 cm
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New Selected section with the best of our Antiques, Modern Antiques, Art and Books catalog: a few selected products that are constantly updated.

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Triptych Neo-Gothic Clock Bronze France XIX Century
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OGANOG0122306
Triptych Neo-Gothic Clock Bronze France XIX Century

XIX Century - from 1801 to 1900

OGANOG0122306
Triptych Neo-Gothic Clock Bronze France XIX Century

XIX Century - from 1801 to 1900

Neo-Gothic clock triptych in gilt bronze. The front of the clock reproduces the facade of a neo-Gothic cathedral and the rose window houses the clock exhibition. The two candelabra have a square base and are surmounted by a large double-edged vase; the all-round decorations faithful to the neo-Gothic style highlight the chisel work on the golden and silver parts. Mechanism marked "Pickard à Paris, Pons".

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Azucena Monachella Alluminium Italy 1950s-1960s
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MOILIL0144187
Azucena Monachella Alluminium Italy 1950s-1960s

MOILIL0144187
Azucena Monachella Alluminium Italy 1950s-1960s

Floor lamp, enameled metal, brass, enamelled aluminum.

Rent

360.00€

Rent
Azucena Monachella Floor Lamp Alluminium Italy 1950s-1960s
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MOILIL0144186
Azucena Monachella Floor Lamp Alluminium Italy 1950s-1960s

MOILIL0144186
Azucena Monachella Floor Lamp Alluminium Italy 1950s-1960s

Floor lamp, enameled metal, brass, enameled aluminum.

Rent

360.00€

Rent
Richard Ginori Plates by Gio Ponti Ceramic Italy 1920s-1930s
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OGMOOG0143935
Richard Ginori Plates by Gio Ponti Ceramic Italy 1920s-1930s

Italy 1920s 30s

OGMOOG0143935
Richard Ginori Plates by Gio Ponti Ceramic Italy 1920s-1930s

Italy 1920s 30s

Four Gio Ponti plates from the "Vendemmia" series, Richard Ginori San Cristoforo manufacture. The ceramic plates feature polychrome decorations with figures and bear the designer's signature on the front. On the reverse brand of the manufacture.

Rent

720.00€

Rent
Two Charles X armchairs
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ANSESE0117618
Two Charles X armchairs

Two Charles X armchairs

ANSESE0117618
Two Charles X armchairs

Two Charles X armchairs

Two armchairs, Charles X period, in walnut inlaid with maple; on the front legs turned on the back saber with enveloping backrest carved on the coping., armrests with inlaid scrolls connect the backrest with the front legs.

Rent

450.00€

Rent
Console Charles X Walnut Italy XIX Century
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ANTACO0117621
Console Charles X Walnut Italy XIX Century

Charles Table

ANTACO0117621
Console Charles X Walnut Italy XIX Century

Charles Table

Console from the Charles X period, made of walnut with maple inlays, uprights with opposing volutes rest on a base supported by curly feet, in the bottom an opening door gives access to some compartments. The whole surface is inlaid with phytomorphic motifs; white marble top.

Rent

625.00€

Rent
Table Charles X Walnut Italy XIX Century
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ANTATV0117617
Table Charles X Walnut Italy XIX Century

Round table Charles X

ANTATV0117617
Table Charles X Walnut Italy XIX Century

Round table Charles X

Round center table, Charles X period, made of walnut with maple inlays; three uprights with opposing volutes rest on a base supported by curled feet, reinforced in the center by a baluster, shaped band. The whole surface is inlaid with phytomorphic motifs; white marble top.

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Chest of Drawers Charles X Maple Italy XIX Century
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ANMOCA0117616
Chest of Drawers Charles X Maple Italy XIX Century

Charles X chest of drawers

ANMOCA0117616
Chest of Drawers Charles X Maple Italy XIX Century

Charles X chest of drawers

Chest of drawers, Charles X period, in walnut inlaid with maple; with a so-called "guitar" shape, four drawers on the front, curled-shaped feet; the whole surface is inlaid with phytomorphic motifs, marble top

Rent

725.00€

Rent
Sofa Charles X Maple Italy XIX Century
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ANSESE0117615
Sofa Charles X Maple Italy XIX Century

Carlo X sofa

ANSESE0117615
Sofa Charles X Maple Italy XIX Century

Carlo X sofa

Sofa, Charles X period, in walnut inlaid with maple; partially carved shaped back. boat-like sides with a cornucopia development resting on turned pillars, curled feet, the whole surface is inlaid. with phytomorphic motifs.

Rent

600.00€

Rent
Dormeuse Charles X Maple Italy XIX Century
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ANSESE0117602
Dormeuse Charles X Maple Italy XIX Century

Carlo X triclinium sofa

ANSESE0117602
Dormeuse Charles X Maple Italy XIX Century

Carlo X triclinium sofa

Dormouse, Charles X period, in walnut inlaid with maple; shaped backrest. side by boat with curled feet, the whole surface is inlaid with phytomorphic motifs

Rent

600.00€

Rent
Bedouin on Horseback Bronze France XX Century
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OGANBR0166907
Bedouin on Horseback Bronze France XX Century

France Early 1900s

OGANBR0166907
Bedouin on Horseback Bronze France XX Century

France Early 1900s

Large bronze sculpture depicting a Bedouin on horseback with game. Based on the manufacturer's brand engraved.

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Inkwell by Jean-Marie Pigalle Bronze Marble France XIX Century
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OGANOG0121494
Inkwell by Jean-Marie Pigalle Bronze Marble France XIX Century

XIX Century - from 1801 to 1900

OGANOG0121494
Inkwell by Jean-Marie Pigalle Bronze Marble France XIX Century

XIX Century - from 1801 to 1900

Inkwell with large base in green serpentine marble surmounted by two cup-shaped vases with lids and lion handles with the function of inkwells. In the center, a statue of Mercury with the author\'s engraved signature. The bronzes are gilded and have some parts worked in burin.

Rent

700.00€

Rent
Lombard Venetian Silver Table Set Italy 19th Century
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OGANOG0119524
Lombard Venetian Silver Table Set Italy 19th Century

XIX Century - from 1801 to 1900

OGANOG0119524
Lombard Venetian Silver Table Set Italy 19th Century

XIX Century - from 1801 to 1900

Silver table set finelly decorated with caryatids and greek. The set is made of an oil cruet, salt and pepper shaker and sugar bowl. Silver's brands wedged. gr1290

Rent

500.00€

Rent
Table Clock Lèchopiè à Paris Marble Gilded Bronze France 1700s
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ANTOGG0001752
Table Clock Lèchopiè à Paris Marble Gilded Bronze France 1700s

Watch Support

ANTOGG0001752
Table Clock Lèchopiè à Paris Marble Gilded Bronze France 1700s

Watch Support

A table clock made of white marble with gilded bronze details. Rectangular basement with two turned columns and a cylindrical clock between them. The white marble is embellished with gilded bronze details, frames, flames and laurel garlands under the box. Pendulum with mask with silver spokes. The glazed metal face has Arabian numbers and it's signed Lèchopiè à Paris. Finely perforated gilded metal hands. Manufactured in France, last quarter of the 18th century.

Rent

500.00€

Rent
Pair Of Consoles Neoclassical Walnut Piacenza Italy Second Half 1700
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ANTACO0118932
Pair Of Consoles Neoclassical Walnut Piacenza Italy Second Half 1700

XVIII Century - from 1701 to 1800

ANTACO0118932
Pair Of Consoles Neoclassical Walnut Piacenza Italy Second Half 1700

XVIII Century - from 1701 to 1800

Pair of neoclassical consoles from Piacenza, supported by truncated pyramidal legs ending with pear-shaped feet, in the upper part they are tightened by collars. Walnut.

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Gueridon Maison Charles Bronze Marble Paris France 1950s 1960s
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ANTATV0118205
Gueridon Maison Charles Bronze Marble Paris France 1950s 1960s

XX Century - from 1901 to 2000

ANTATV0118205
Gueridon Maison Charles Bronze Marble Paris France 1950s 1960s

XX Century - from 1901 to 2000

Gueridon Maison Charles tripod, supported by saber legs with hoofed feet and connected by a circular crosspiece, in the upper part there are curls from which hang rings; in black and golden lacquered brass, round top in black marble with border in golden brass. Maison Charles (sometimes also called Maison Charles et fils) was founded by Ernst Charles, who bought a company of bronzes, then specializing in the production of lighting. Established on the market for their great skill in working with bronze, Ernst's nephews Jean, who had studied interior design and wood carving at the Boulle School in Paris, and Jacques, who had obtained a qualification in applied arts and interior design, also joined the company in the 1950s.

Rent

600.00€

Rent
Portrait of Eleonora Lampugnani Oil on Canvas XVI Century
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ARARPI0097145
Portrait of Eleonora Lampugnani Oil on Canvas XVI Century

ARARPI0097145
Portrait of Eleonora Lampugnani Oil on Canvas XVI Century

Oil on canvas. Lombard school. The rich lady portrayed is accompanied by the identifying inscription at the top right which reads "Eleonora Lampuniana Nupta N.V. Bartolomei De Cornu 1478": it is therefore Eleonora Lampugnani wife of Bartolomeo Del Corno. The Lampugnani family is an ancient patrician family of Milan (the name derives from the Lampugnano neighbourhood), with residences in Legnano and Busto Arsizio, and to which Filippo Maria Visconti (Duke of Milan) assigned the fief of Trecate in the fifteenth century; the noblewoman's husband belonged to the noble Piedmontese Corno family (originally called Del Corno). The noblewoman is portrayed standing, in a splendid richly embroidered dress, embellished with lace; she lays her hand on a precious box inlaid with ivory, probably a coin cabinet, a symbol of wealth and power, surmounted by a vase with flowers, a symbol of vanity. The painting has an ancient restoration on the hands, which are of lower quality than the face, the clothes, the glass jar. The painting comes from an antique Lombard collection. The date 1478, reported in the inscription, is not very consistent with the sixteenth-century clothing: according to the story of the family of origin of the painting, the date that appeared before the last restoration was 1578, and therefore it would be a modification mistakenly made by the restorer.

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Liberty Living Room Mahogany Italy XX Century
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ANMOAR0145228
Liberty Living Room Mahogany Italy XX Century

Early 20th century

ANMOAR0145228
Liberty Living Room Mahogany Italy XX Century

Early 20th century

Liberty room consisting of a wall console, table, divider, sideboard with riser, sofa with mirror, four chairs and a pair of armchairs. In mahogany, the furniture is decorated with custom-made gilded bronzes and brass-plated inlays; the mirror placed on the sofa has a velvet-covered frame and three glazed terracotta tiles painted with typically Art Nouveau female figures. The sideboard with a raised side also has painted panels placed on the doors and sides of the raised part, here with flowers, while in the center of the glass door there is a bas-relief ceramic tile with the allegory of the painting, this signature cannot be deciphered. on the back this trademark "Goldchelder Wien", referable to the well-known Viennese pottery factory; also present, engraved, the numbers "0764/16/30".

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Neoclassical Rolo Drop-Leaf Secretaire Italy 18th Century
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ANMORI0117638
Neoclassical Rolo Drop-Leaf Secretaire Italy 18th Century

XVIII Century - from 1701 to 1800

ANMORI0117638
Neoclassical Rolo Drop-Leaf Secretaire Italy 18th Century

XVIII Century - from 1701 to 1800

Neoclassical drop-leaf secretarie of the rolese production; it is supported by pyramidal truncated feet tightened by a collar on top. It has three drawers surmouted by a small drawer in the undertop band and a folding door that hides a compartment with drawers. Walnut. It shows the typical topo inlays, geometrical frames on the sides, tripartite front, a greek on the band and floral rosewindow inside the reserves except for the one on the door that shows an inlaid bird and the central one that has an elegant marquetterie drawing. Poplar interiors.

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Allegory Of Love Oil On Canvas Northern Europe 17th 18th Century
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ARARPI0097148
Allegory Of Love Oil On Canvas Northern Europe 17th 18th Century

ARARPI0097148
Allegory Of Love Oil On Canvas Northern Europe 17th 18th Century

Oil on canvas. North-European School. This is a funny allegorical scene of profane love, that wants to prove how everyone, of any social class and every age, can fall into the trap of falling in love. The background of the canvas is occupied by an enormous keepnet, the basket net used in some kinds of fishing, above its opening sits a putto playing the violin; the keepnet is crowded with couples, while a parade of other couples walks in front of them to reach the entrance. Between them, there are couples of old and young people, rich and poor people, nobles, bourgeois and proletarians. Everyone has a content and light expression, they share looks of love or they benevolently look at the happiness of the others. Inside the keepnet, there is even a couple of royals, that correspond, for their features and clothing, to the Elector Palatine of Rhineland, John William of the Palatinate-Neuburg and his second wife Anna Maria Luisa de' Medici. On the back of the painting, there is a label bearing a historical attribution to Jan Frans Douven (1656-1727), the Dutch artist who moved to Düsseldorf in 1682 as the official painter at the Court of the Elector Palatine of Rhineland, mostly representing scenes of the daily life of the prince and his second wife. The label would confirm the scope of the attribution to an artist of the 17th-18th century in Northern Europe. The painting comes from a historical collection in Milan. It shows some traces of restorations and a patch. Frame in style.

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