Production F. lli ONOFRI

Group of 4 chairs, foam padding, skai covering, enamelled metal with chromed tips. Group of chairs that lend themselves to being customized with restoration work which involves careful cleaning of the metal part, replacement of the padding and upholstery by choosing from our different samples, so as to make them suitable for a Living environment with a Vintage style and to give new life to things.

Oil painting on canvas. The painting offers a half-length portrait of a young man who, in deshabillé, is lighting his pipe by drawing fire with a stick from the candle placed in front of him, on the table where a sword is also placed: perhaps it is a young knight in a moment of rest. It is precisely the candle, the only source of light in the scene, which suggests that the artist looked to the production of Georges De La Tour (1593 -1652), the French painter of the Caravaggio style who established himself for his "nocturnal" scenes, characterized by figures, usually low-ranking people rather than historical models or high-ranking figures, illuminated by the light of a candle, to create a special atmosphere of intimacy. The painting, restored and relined, is presented in a period frame.

Ceiling lamp, metal frame, glass pendants.

Pure Silk

Pure silk printed scarf with striped base.

N. 8

Nude leather sandals with woven pattern and back zip fastening. Heel height: 12 cm. The article has never been worn, as can be seen from the sole and the heel, it has only a slight defect which consists in the lack of a loop in the left shoe.

T. WALKER'S Patent HARPOON SHIP LOG A.2.

Mechanical harpoon towing log/"Harpoon towing log" model A2, made of brass and porcelain, without stabiliser, fitted with three dials on the porcelain panel, of which the first records miles up to 100, the second records units up to 10 miles, the third records quarter miles. The four rotor blades are stamped with the anchor motif and the initials T.W. The design details and features suggest a production date around 1880.

Vintage jais and glass stones necklace

Austria, Early XX Century

Green glass vase with iridescent surface. Top edge embellished with bronze decoration. Under the base, the manufacturer's signature.

Production QUICK MILL

Production in ITALY, CERAMIC

Size XS

Vintage elegant night blue coat, 1950s-1960s. Haute couture item probably studied as a prototype and never used. The peculiarity of this item is on the back characterized by a tail in the middle. Made in Milan, Italy.

Production THE HOUSEWIFE

Wall coat rack, wooden panel covered in fabric, enamelled metal hooks on solid wood slates.

Italy 20th century

Style desk made with vintage woods on a Venetian neoclassical desk model, Italy 20th century. Entirely veneered in walnut, walnut burl and threaded in maple, front with drawer, 3 drawers in the band and pair of doors, wavy legs. Interior in spruce and poplar.

Vintage Mila Schön dress made with sand and coral pure flax.

Oil painting on canvas. The biblical episode depicted refers to the story of Daniel, the prophet in the court of King Darius the Mede who, for having prayed to his God, was condemned to be thrown into the lions' den. But God saved Daniel, sending an angel to close the jaws of the beasts, and the king pardoned Daniel by instead condemning those who had denounced him. The subject has been depicted several times in art, for the fascination linked to history but also for its exotic flavor due to the presence of wild beasts; in particular we remember the version by Rubens of 1615, where the prophet is depicted naked in the underground pit, while he prays ardently, surrounded by a crowd of ferocious lions. The work presented here instead proposes a version centered on the dialogue between the prophet and the angel, who face each other, standing out with the vivid colors of their robes against the dark background of a prison; there is only one lion, meekly crouching at the angel's feet, and therefore the spiritual and salvific dimension of the biblical event prevails. According to the famous art historian Maurizio Marini, a specialist in the painting of Caravaggio and Baroque art, who had had the opportunity to view the painting years ago, the work could be attributable to Antonio Maria Vassallo (1620 -1664) for the compositional and chromatic choices. The painting, restored and relined, is presented with a listello frame.