Production QUICK MILL

XX Century

Wrought iron chandelier with central globe, from which the arms branch off and end with candle holders.

Cabinet with sliding doors, open compartment and flap. Teak veneered wood.

Desk with typescript, formica-covered wood, enameled metal legs.

Italy, XX Century

Baroque style trumeau made of various essences, 20th century Italy. Architectural cymathium with oval mirror, upper part with a pair of glass doors, body equipped with a folding door concealing cabinet, three drawers and shelf feet.

Production in ITALY, CERAMIC

Sweden, 1957

Clear glass "Apple"vase Ingeborg Lundin for Orrefors. Pointed signature of the designer and manufacturer under the base.

Oil painting on canvas. The biblical episode depicted refers to the story of Daniel, the prophet in the court of King Darius the Mede who, for having prayed to his God, was condemned to be thrown into the lions' den. But God saved Daniel, sending an angel to close the jaws of the beasts, and the king pardoned Daniel by instead condemning those who had denounced him. The subject has been depicted several times in art, for the fascination linked to history but also for its exotic flavor due to the presence of wild beasts; in particular we remember the version by Rubens of 1615, where the prophet is depicted naked in the underground pit, while he prays ardently, surrounded by a crowd of ferocious lions. The work presented here instead proposes a version centered on the dialogue between the prophet and the angel, who face each other, standing out with the vivid colors of their robes against the dark background of a prison; there is only one lion, meekly crouching at the angel's feet, and therefore the spiritual and salvific dimension of the biblical event prevails. According to the famous art historian Maurizio Marini, a specialist in the painting of Caravaggio and Baroque art, who had had the opportunity to view the painting years ago, the work could be attributable to Antonio Maria Vassallo (1620 -1664) for the compositional and chromatic choices. The painting, restored and relined, is presented with a listello frame.

Group of 4 chairs, foam padding, skai covering, enamelled metal with chromed tips. Group of chairs that lend themselves to being customized with restoration work which involves careful cleaning of the metal part, replacement of the padding and upholstery by choosing from our different samples, so as to make them suitable for a Living environment with a Vintage style and to give new life to things.

Oil painting on canvas. The painting offers a half-length portrait of a young man who, in deshabillé, is lighting his pipe by drawing fire with a stick from the candle placed in front of him, on the table where a sword is also placed: perhaps it is a young knight in a moment of rest. It is precisely the candle, the only source of light in the scene, which suggests that the artist looked to the production of Georges De La Tour (1593 -1652), the French painter of the Caravaggio style who established himself for his "nocturnal" scenes, characterized by figures, usually low-ranking people rather than historical models or high-ranking figures, illuminated by the light of a candle, to create a special atmosphere of intimacy. The painting, restored and relined, is presented in a period frame.

Pair of armchairs with spring padding, feather cushions, stained wooden legs and fabric covering. A pair of armchairs to be revisited to make them suitable for an environment with a relaxation area that wants to recall an original style with a taste of times gone by, the product can be restored by our laboratory, with an intervention that involves the replacement of the padding and the fabric by choosing from our different samples.

Table with base in ebony-stained wood and top in teak veneered wood.

Ceiling lamp; enameled metal, glass.

T. WALKER'S Patent HARPOON SHIP LOG A.2.

Mechanical harpoon towing log/"Harpoon towing log" model A2, made of brass and porcelain, without stabiliser, fitted with three dials on the porcelain panel, of which the first records miles up to 100, the second records units up to 10 miles, the third records quarter miles. The four rotor blades are stamped with the anchor motif and the initials T.W. The design details and features suggest a production date around 1880.