XIX Century - from 1801 to 1900

Triptych clock in gilded and chiseled bronze with carved and gilded wooden bases. The clock with a large rectangular base features finely worked burin decorations with leaf volutes, garlands, lion protomes and a cup-shaped vase at the top. Enamelled metal display with hours in Roman numerals and minutes in Arabic numerals protected by a lid with curved glass; the hands are in gilded and perforated bronze. In the center of the dial and on the manufacture branded mechanism. The six-flame candelabra have the same decorations as the clock and are 67 centimeters high.

XIX Century - from 1801 to 1900

Alabaster goblet held by a gilded bronze support with an enamelled decoration realized with the champleve technique. The base is shaped as an upside down goblet and holds a circular bronze structure with enamelled vegetal themed decorations. Handles with spirals, grotesque masks and snakes. Embossed signature of the author on the base.

Italy, Late '800s - Early '900s

Pair of vases in Medici breccia marble.

Italy, 1930s-1940s

Tea and coffee service in podded and chiselled silver with lid handles with plant motifs and zoomorphic-shaped spouts. Under engraved hallmarks of the silver and the silversmith. Grams 2420. Service composed of: teapot, coffee pot, sugar bowl and milk jug.

XVIII Century - from 1701 to 1800

Pair of carved and gilded wooden torches in Baroque style. Tripod base with curly decorated feet and a baluster-shaped shaft carved with volutes and plant motifs.

XIX Century - from 1801 to 1900

Inkwell with large base in green serpentine marble surmounted by two cup-shaped vases with lids and lion handles with the function of inkwells. In the center, a statue of Mercury with the author\'s engraved signature. The bronzes are gilded and have some parts worked in burin.

XIX Century - from 1801 to 1900

Silver table set finelly decorated with caryatids and greek. The set is made of an oil cruet, salt and pepper shaker and sugar bowl. Silver's brands wedged. gr1290

Watch Support

A table clock made of white marble with gilded bronze details. Rectangular basement with two turned columns and a cylindrical clock between them. The white marble is embellished with gilded bronze details, frames, flames and laurel garlands under the box. Pendulum with mask with silver spokes. The glazed metal face has Arabian numbers and it's signed Lèchopiè à Paris. Finely perforated gilded metal hands. Manufactured in France, last quarter of the 18th century.

XVIII Century - from 1701 to 1800

Black and green serpentine marble sculpture representing a sitting dog. His face's expression, his neck, his pose and his pows highlight the perfect sculpting skills of the artist. In history of art dog represent happyness. Alredy Plinio said that the dog along with the horse is the most loyal animal and man's companion.

XIX Century - from 1801 to 1900

Gilded bronze clock with polylobate base decorated with leafy and cyma mouldings patterns. 4 scrolls joined together with a central element embellished with frames and a garland support the clock case finelly chiselled and decorated with leafy pattern. On top of the case there are two flirting doves posed on rocks. The vise with H.ry Dasson signature has roman numbers for hours and arabic numbers for minutes scanned five by five; richly decorated hands. " Henry Dasson 1885" written on the base.

Trentino First half of the 19th century

Pair of small sculptures in carved Swiss pine; on a circular base there are two standing figures, one of an unidentified bishop, while the other of San Rocco: applied to the cloak are the two shells, symbol of pilgrimage, and the robe allows a glimpse of the plague; the little dog is missing, an attribute with which it is usually accompanied. Both are protected by glass bells.

Italy Late 18th century

Temple holder in patinated wood and lacquered faux marble in neoclassical style.

Europe XIX Century

Group of ten glasses in ground glass of different manufactures, shapes and colors. They have rich decorations in gold and polychrome; in the reserves there are refined paintings with female busts, figures and hunting scenes.

France Early 19th century

Mahogany wood trunk with brass sockets. Inside, a set in French porcelain finely decorated in pure gold and polychrome with ribbons and garlands of flowers. Service consisting of six teacups with saucers and sugar bowl. Missing teapot and milk jug. The six spoons are in silver and the other elements in contemporary glass. Retractable compartments with sheet metal cans. Lock with working key.

XIX Century - from 1801 to 1900

Box with a characteristic carp shape, entirely lacquered with gilded parts, the eyes are in glass paste and the teeth are in wood. The upper part of the body is removable and conceals the internal compartment, which is also entirely lacquered. Losses between the teeth and on the caudal fin. It belongs to the Japanese production, dating back to the 19th century.

Late 19th century

Neo-Gothic trestle supporting brazier, in wrought iron, supported by wavy legs worked with leaf motifs and ending with feral feet; in the upper part of the winged dragons hold rings between their jaws that support the ribbons, worked with a burin.

Italy, last quarter of the 19th century

Umbertine fusilier in walnut carved on the uprights with zoomorphic heads, Italy, last quarter of the 19th century. Decorated with metal studs and leather inserts fixed on the gun holders, uprights connected by 2 crosspieces carved with mask, coat of arms and spirals.

Big vase decorated with air bubbles made during the blowing

Padua Second Half XVIII Century

Small marble bust placed on a circular base, depicting an old woman with typical physiognomic features; the shoulders are surrounded by a drapery, while the head is covered by a cap. Sculpture can be compared to the inventions of Antonio Bonazza; in particular the pungent and ironic interpretation, the freshness of the passages, the recurrence of tense but not grotesque somatic features, as well as the adoption of engraved orbits, are characteristics of the production licensed by the artist and his atelier. In particular, interesting comparisons are possible with the famous Fattucchiera (Pollastrella) of Villa Widmann in Bagnoli di Sopra (1742). Present small lacks and abrasions, especially in correspondence of the nose; a re-composition affects the base.

France, first half of the 19th century

Gilded and chiseled bronze clock. On the large rectangular base there is a scene with mythological divinities in relief on a finely chiseled background. Decorations with plant motifs and repeated motifs. The clock is surmounted by a large statue depicting a young man with a zither. At the top a panoply with laurel wreath and torch. Gilt bronze display with hours painted in Roman numerals.