Art

Antique Painting

Aquatint by Giovanni Battista Romero To His Holiness Pius VII 1802

The Holiness of N. S. Pio VII..

Code: ARTPIT0001411

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Aquatint by Giovanni Battista Romero To His Holiness Pius VII 1802

The Holiness of N. S. Pio VII..

Code: ARTPIT0001411

not available
SAFE PAYMENTS
pagamenti sicuri
For rentals longer than 30 days, the fee is charged. need to contact customer support
Request information
Go to www.dimanoinmano.it to purchase the product
Buy

Aquatint by Giovanni Battista Romero To His Holiness Pius VII 1802 - The Holiness of N. S. Pio VII..

Features

The Holiness of N. S. Pio VII..

Artwork title:  Alla Santità di N.S. Pio VII felicemente regnante

Age:  19th Century / 1801 - 1900

Subject:  Historic Subject

Origin:  Italy

Artistic technique:  Printing

Technical specification:  Aquatint (Cable Engraving)

Description : Alla Santità di N.S. Pio VII felicemente regnante

Sepia aquatint from a drawing by Giuseppe Cades (1750-1799). It requires cleaning, the edges are cut. Originally, it had the title and date of engraving at the bottom. In frame. 1802.

Product Condition:
Fair condition. Wear consistent with age and use. Cut edges, it requires cleaning.

Frame Size (cm):
Height: 59
Width: 74
Depth: 3

Artwork dimensions (cm):
Height: 44
Width: 62

Additional Information

Age: 19th Century / 1801 - 1900

19th Century / 1801 - 1900

Subject: Historic Subject

Artistic technique: Printing

La stampa è un processo per la produzione di testi e immagini, tipicamente mediante l'impiego dell'inchiostro su carta e di una pressa da stampa. Spesso viene svolto come processo industriale su larga scala ed è una parte essenziale dell'editoria.

Technical specification: Aquatint (Cable Engraving)

The aquatint is a technique of indirect engraving on metal (copper or zinc), which consists in enriching a matrix (printing) of tones of light and dark. It is a supplementary etching. Sprinkle the slab of dust of bitumen or rosin, is heated slightly so that it connects to the merger so that at the time of etching may be corroded with only the spaces between the grains of powder, producing a rough surface (type of granite) that will retain the ink depending on the type of etching that has been made. Achieved the texture you will draw in the negative. The parts that you want white to be covered with paint. With aquatint, you can do, even in a same matrix, graniture using different powders of different sizes and with repeated morsure.
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