Quadro Anni 60

Oil on cardboard. Unidentified signature lower right. Landscape glimpse of a peasant countryside, with farmers approaching the wheat field, full of golden ears, while to the left of the path there is a shady spot, which leads to a fence. The painting is presented in a contemporary gilded frame, with small defects.

Oil painting on canvas. The subject, recurring in 17th and 18th century painting due to the mystical but at the same time sensual component of this saint, presents Magdalene in the desert, wrapped in her long loose hair and a drape, while on her knees she meditates on the skull, the traditional Memento mori, holding a sackcloth in his hand; Above her is an angel holding the jar of ointments in his hand, another attribute of the saint, whose shoulder he is preparing to anoint, as a sign of consecration to God. The work, restored and relined, is presented in a contemporary frame.

Mountain Landscape

Oil painting on canvas. Signed lower left. The Milanese painter Gino Federici specialized in Alpine views, as in this view, where in the foreground a flock of sheep drinks water from a stream, in the wide valley, under steep peaks. The painting is presented in a contemporary frame. It shows signs of previous restoration.

Nice vintage table lamp in aviation blue enamelled metal.

Mixed media on paper. Delicate oval portrait of a young man, whose face and hair fade into the pastel colors of the background, which seems to be one with his figure. The work is presented in a contemporary frame.

Europe, Early XIX Century

Pair of carved and gilded wooden candelabra with repeated motif decorations, flowered festoons, pods and grooves.

Nice vintage table lamp in aviation blue enamelled metal.

Vintage 80s wall lamp designed by Gian Nicola Gigante and produced by Zerbetto; in black lacquered metal with two neon lights.

Study of a Hand 1906

Pencil on paper. Signed lower right. On the back there is a further sketch of a donkey's head. Celada's painting is capable of blocking reality in time and space, in a way that appears detached, analytical and scientifically exact (colours, reflections, transparencies), but communicating - as opposed to a total unreality - a great narrative pathos. Here we propose the study of a hand of the artist who is still very young, but already capable of powerful expressiveness in outlining the figure. Work in frame.

Ceiling lamp with 3 pendants in colored glass and teak wood.

Interior of Stable, 1889

Oil on hardboard. Signed and dated 11-30-1889 lower left. Delleani, who initially painted mainly historical subjects, progressively approached landscape painting "en plein air", especially of the places of his origins, the Piedmontese valleys, characterizing his views with chromatic vibrations and warm brightness. In the last decades of his life, however, he also allowed himself to be involved in the orientalist trend, but then returned to his landscape views, creating above all panels rich in warm colors and suggestive atmospheres. Rarer but equally evocative is his production of interiors, such as this one of a stable, where the animated figures, the sheep, appear as almost indistinct spots of color within an environment played entirely on the luminous effects of a single chromatic range. Restored and protected, the painting is presented in a gilded frame from the early 1900s.