Wall Cabinet, Rosewood Veneer Marble and Brass, 1960s GMA

Cabonet with bar space in the middle with a flap door, double swing doors on the sides, stained mahogany veneer, important decorative drawing carved in brass.

19th Century / 1801 - 1900

Empire console supported by plinth-shaped rear pillars and tapered frontal ones; walnut with green marble top.

18th Century / 1701 - 1800

Neo classical torch holder engraved with leafy motifs; partially lacquered.

Maria Dolente

Marble bas-relief. Engraved signature along the left margin. Born in Cannobbio (on Lake Maggiore), Giulio Branca was introduced to the art by the Cannobio sculptor Bergonzoli, and later attended G. Strazza's school of nude drawing and sculpture at the Brera Academy. Born in Cannobio on 13 December 1850 to Ludovico, he was introduced to art by the Cannobio sculptor Bergonzoli, and attended the school of the nude and G. Strazza's school of sculpture at the Brera Academy. He made about four hundred sculptures, including memorials, funerary monuments and portrait busts. Branca also took part, following a competition, in the completion of the high wall of the cathedral of Como, which had remained unfinished for centuries, sculpting several figures in white marble for the façade and the altar between 1897 and 1900. The work presented here is a bas-relief showing a half-bust of the grieving Madonna flanked by two pious women. It is presented in a coeval wooden frame from the end of the 19th and beginning of the 20th century.