Porcelein Centerpiece Manufactured by Nanni Valentini

Variant of the iconic Medea chair in curved wood with enamelled metal structure; features the manufacturer's brand. Chair that has marked the history of Italian Design and produced by the Brianzola company "F.lli Tagliabue" since 1955, was highlighted at the "Compasso d'Oro" award in 1956. It still remains today a product with an unmistakable and still very current line, highly sought after by collectors of historical pieces of Italian Design.

Pair of table lamps with original base in cast brass worked in the typical style of Luciano Frigerio, paper lampshade.

Luminous flower vase model "2483/1" designed by Max Ingrand and produced by FontanaArte in the 1960s. Made of red painted metal and satin glass.

The Concert

Oil painting on canvas. Signature and location Rome at bottom right. On the back of the frame there is a label with the artist's name and the words "Chez J. Spiridon, Rue Pigalle, Paris". Also present on the frame is a label with inventory number. The label refers to the French collector Joseph Spiridon (1845 -1930), who dedicated himself to continuing the collection of works of art already begun by his father Georges, purchasing them in Italy from Cardinal Fesch, the prelate stationed in Rome who was his once an important art collector. The location of the painting in Rome corresponds to the long period that the Valencian artist Vicente March spent in the capital, where he had arrived while still young to further his artistic training. March stood out in particular for his paintings of folkloric subjects and genre scenes, a follower of costumbrismo, the Spanish artistic-literary movement that took inspiration from the costumes and scenes of popular life. His works achieved widespread success throughout Europe, ending up in numerous private collections. In this painting, of fine quality, March proposes an interior scene in a patrician setting, with two girls in eighteenth-century dresses who amuse themselves by playing the lute, one and the other singing; the two figures are placed near a high worked window of a rich hall, with frescoed walls and furnished with tapestries, with inlaid furniture and a fine damask fabric on the table. The capacity for pictorial rendering of details and details is notable. The painting is presented in a contemporary frame from the end of the 19th century.

Ceiling lamp, 7 lights in enamelled aluminium, brass and glass.