Italy second half of the 19th century

Curule seat with high armrests ending in a padded curl in continuity with the seat. The original wheels have been replaced with turned feet.

Console usable only close to a corner; metal supporting structure, teak veneered band, marble top.

Open cabinet with shelves; bamboo.

Wall mirror; teak veneered wood, mirrored glass.

Europe 1820-1830 ca.

Porcelain sugar bowl with saucer of European manufacture, possibly France. The gold decoration and the oriental figures in the reserves recall the Neapolitan manufacture of Raffaele Giovine.

Sideboard with hinged doors, flap doors and visible drawers; teak veneered wood.

Germany, Mid XIX Century

Two porcelain figurines depicting a girl and a winged figure. Under the brand foundations of the manufacture.

England Late 19th Century

Porcelain figurine with polychrome decoration depicting the allegory of Avarice. Maker's mark under the base.

China, 1910-1920

Porcelain vase in the shape of a baluster with an octagonal section, painted in Qianjiang polychrome enamels with the representation of a bird resting on an ornamental rock and surrounded by peony flowers. On the reverse a poem in beautiful handwriting and the artist's seal.

The Organ-Grinder

Oil painting on canvas. Signed lower right. Trace of a date, not readable. The Cuneo artist Ottavio Steffanini had a life in constant movement, divided between Italy, Europe, America (in particular Venezuela). A restless and unpredictable artist, he concentrated his painting above all on female figures, portrayed with placid sensuality and an opulence influenced by the Spanish masters with whom he studied. But in his production there is no shortage of other subjects, united by an incessant exaltation of life, of nature. Here, however, a male figure is proposed, a half-length portrait of an accordion player, dignified and proud in his pose and gaze. The work is presented in a period frame.

Shoulder bag in soft black leather with rope handles. The conditions are good, it only shows some signs of use over time.

Indonesia, Late XIX - Early XX Century

Fan with wooden and bakelite handle. The perforated leather bunting features an oriental-style decoration. Square base wooden and bakelite support.

XX Century

Column with plaster shelf depicting Venus de Milo decorated with mixed media in Pop Art style.

102x63 In

Melas carpet in cotton and wool; big knot. Handmade.

187 x 125 In

Keshan carpet in cotton and wool; extra-end knot. Manual manufacturing.

Italy, Early XIX Century

Armchair with cane back and seat, under armrests and legs turned on the bottom.

Italy 20th Century

Pantry in Renaissance style made with antique parts, walnut wood, Italy 20th century. Front and sides decorated with molded frames and semicircular geometric elements, pair of doors, shelf feet. Walnut interior, fir shelves.

Italy, XX Century

Cast iron tub painted in faux porphyry and faux granite.

Armchair, foam padding, imitation leather upholstery, enamelled metal legs with brass tip. It shows some small signs of wear. An armchair that lends itself to being revisited to make it suitable for an environment with a relaxation area, with an original style and a taste of times gone by, the product can be restored by our laboratory, with an intervention that involves the replacement of the padding and the fabric by choosing from our different samples.