Swivel armchair, enamelled metal base, foam padding, imitation leather upholstery.

Europe, Early XX Century

Group of 4 glass goblets with engraved decorations and painted in various colours.

Italy, XX Century

Richly inlaid bedside tables depicting floral motifs and marquetterie on the top and connecting shelf. Inlaid drawer with shaped apron and decorative bronzes in the band under the top and wavy legs, feet with shoes. 20th century Italy

Chair with armrests, oak wood, spring padding, imitation leather covering.

Curiel. 1950s evening dress with satin and lace riverting. Two zips are hidden by a satin bow. The lace is ruined is some points but overall it is in good conditions.

Oil painting on canvas. Northern European school of the late 19th century. Unidentified signature lower right. The portrait presents a child in a maritime context: he is sitting on a rock on a beach, by the sea, he is dressed like a sailor and is holding a small toy sailing ship in his hand. The child is rather prim and serious. The painting has slight tears in the canvas and color stains. It is presented in an imposing late 19th century frame, with several missing and damaged plaster decorations.

Attributed to Domenico Lupini

Oil on canvas. The painting depicts an episode from Roman mythology relating to the young Roman heroine Clelia, who was given as a hostage, along with other maidens, to the Etruscan king Porsenna during peace negotiations with the city; Clelia managed to escape, however, by swimming across the Tiber. Porsenna demanded her return to the Romans, who agreed, but admiring her heroism, he decided to free her by allowing her to take other prisoners with her, whom Clelia chose from among the younger ones. The moment depicted in the painting is that of the crossing of the river, the personification of which is in the foreground on the right, in the figure of the canine old man, accompanied by a young woman with a cornucopia. The scene is very dynamic, with Clelia and the other maidens creating a dense and animated group around the horse ridden by the protagonist, as some versions of the story recall; behind them are the tents of the Etruscan king's camp with some soldiers. On the other side of the river is another group of women who have already made the crossing, while in the background is the classical-looking Capitoline city. The work, as a small cartouche attests, is attributed to Domenico Lupini, an artist about whom not much is known but whose sphere of activity can be assumed to have been between Bergamo and Venice. The only two signed works are a 'Converted Magdalene' and an 'Annunciation', but other works have been attributed to him by scholar Federica Nurchis and are located in the monastery of Santa Chiara in Bergamo. The painting presents a warm and refined chromatism that, together with the elegance of the characters and the compositional mode, suggest Lucini's Venetian sojourn, which seems to recall the atmospheres of Tintoretto, Veronese and Palma il Giovane. The painting shows signs of restoration and retouching.

Italy, XX Century

Bedside table with top in old stain and bronze railing, drawer in under-top band inlaid with palm wood and bois de rose like the truncated pyramid legs and the connecting shelf. Feet on wheels. 20th century Italy

Oil painting on canvas. Italian school of the 17th century. The large composition presents a variety of foods on a kitchen table: on the left a large wicker basket full of vegetables, surmounted by a group of hanging fish; other vegetables are placed on the table top, next to a plate of cherries, one with a loaf of bread, and further back another with prawns; on the right stands a vase full of colorful flowers and, sitting on the shelf of a cupboard, a black cat calmly licking its paw. The sharpness of the colors stands out, enhanced by the reflections of light on some foods, such as cherries or prawns, and on the copper jug ​​in front of the flowers. The painting, restored and relined, is presented in a strip frame.

Desk with side drawers and a central one under the top. Exotic wood veneer, brass, original back-treated glass top.

Bedside table with drawer and open compartment, exotic wood veneer, back-treated glass, brass.

Italy, Late XIX Century

Richly carved walnut showcase with cymatium forming a love knot, lateral pinnacles with bellflowers and rosettes; grooved uprights. Glass door decorated with liberty etching to form floral motifs and internal carved wooden frame. Italy, late 19th century

Short wedding dress in ivory silk shantung, with bateau neckline. Breast circumference: 90 cm. Waist: 70cm. Length: 103cm. Underskirt waistline: 70 cm. It has small stains from use, the zip slider also needs to be replaced because, as shown in the photo, it is damaged.

Armchair, spring and foam padding, fabric covering, wooden legs. An armchair that lends itself to being revisited to make it suitable for an environment with a relaxation area, with an original style and a taste of times gone by, the product can be restored by our laboratory, with an intervention that involves the replacement of the padding and the fabric by choosing from our different samples.

Wall mirror, with the possibility of back lighting (not serviced). Ceramic frame, mirrored glass.

Pair of coffee tables with double top, stained beech wood, glass.

Table with pair of drawers and footrest. Teak veneered wood. Decent condition, to be restored.

Italy, Early XIX Century

Chest veneered in walnut pedules with 2 doors on the front concealing small drawers and a compartment with flap access underneath, uprights in the shape of a semi-column. Key replaced. Italy 19th century

"Bean" shaped console with drawers under the top. Legs in beech wood, top in mahogany and briar veneer.