Italy Early 20th century

6 lights chandelier in brass and gilded bronze, Italy, early 20th century. Decorated with volutes, phytomorphic motifs and lion masks. Glass pendants.

England, Early XX Century

Coffee table in walnut, ebonized wood and carvings with top with splashback concealing stationery compartments and writing desk with morocco insert bearing cabinet with drawers and resting on 2 spool-carved legs and frame with fake side drawers. On the front there is a carved door recalling the decoration on the top, it requires restoration. England early 20th century

Pair of chairs, ebony stained wood, foam padding, fabric covering.

England First quarter of the 19th century George III

English desk supported by truncated pyramidal legs with brass feet, has three drawers in the band; the top in the center has a Moroccan insert that can be lifted like a lectern and is equipped with a “U” -shaped upstand with drawers. In mahogany, it features a brass-plated railing. The name "Carlton House Desk" takes its name from the London residence of the future George IV, for which Goerge Hepplewhite designed and built this model in the 18th century.

Ceiling lamp, blown glass.

Germany Early 1900s

German-made violin marketed in Italy by Antonio Monzino. Dealer label inside. Coeval bow and case.

Italy Late 19th century

Baroque style mirror in walnut, Italy, late 19th century. Equipped with mercury mirrors, one of which is placed inside the coping. Adorned with rocaille-style carvings.

France, Late XIX Century

Finely painted biscuit figure depicting a Dandy.

UK Size 14

Elegant blouse in pure black silk, with transparent and lace details. Buttoning with small black buttons.

Germany, Late XIX Century

White porcelain sculpture depicting the figure of an oriental man. Under the base the manufacturer's brand.

Italy Early 19th century

Neo-Renaissance style trunk with coeval side table, Italy, early 19th century. Trunk in camphor wood decorated with embossed sheet metal and bottom in gilded sheet metal, wrought iron handles on the sides, interior with a pair of side storage compartments. Equipped with lock with double throw opening mechanism on the front and bell sound signal. Side table in walnut, turned uprights, plinth feet connected by crosspieces. Restorations and replacements.

Italy First Half of the 19th Century

Majolica basin with polylobed edge. Decoration with bunches of polychrome flowers and evident signs of restoration.

Vintage mid-20th century bookcase of Italian manufacture. Elegant brass feet support a two-span structure in exotic wood. It has adjustable position shelves and two compartments, one with drawers and one with hinged doors.

150x123 In

Mir Serabend rug in cotton and wool; big knot. Manual manufacturing.

Vintage single bed frame in Italian-made maple with shelf with Formica top and small light point.

UK Size 14

Empire style wedding dress, strapless. The band on the breast is covered with lace decorated with transparent sequins and ivory beads. A pleated band is applied under the breast. The skirt slides along the body, remaining soft and creating movement in the fabric, finishing with a train. On the back there are loops to apply a ribbon and tighten creating a corset effect. Bust measurements: 90 cm. The dress has never been worn, it has the original label.

Oil painting on canvas. The scene tells the biblical episode of the book of Exodus in which little Moses, whom his mother had entrusted to the river inside a basket to save him from the massacre of the Israeli male children (ordered by the Pharaoh of Egypt to prevent the Israeli population became too numerous and could rebel against slavery), he was found by a handmaid of Pharaoh's daughter, who decided to adopt him and saved him. The scene, set along the river, is entirely occupied by the female figures of the princely retinue, crowded together and projected towards the bottom right corner where the basket with the newborn is placed. All eyes are also turned towards the child, in the direction indicated by the outstretched arm of the woman in the foreground on the right. The roundness of the female forms stands out, especially of the three figures in the foreground, where plays of light and shadow highlight the complexions that emerge from the clothes. Restored and relined, the painting is presented in a frame.