Size 18

Elegant jacket in blue silk shantung embellished with sequin and bead embroidery depicting flowers of the same colour. Also note the two buttons that recall the embroideries. The size corresponds to a today's Italian 50/52 (length 81 cm, shoulders 45 cm, waist 110 cm).

Italy, 1880 ca.

Ginori porcelain tete a tete service with decoration made by the Richard Ginori manufacture. Decoration with retouched decal with mythological motif. Maker's mark under the bases. Service consisting of coffee pot, sugar bowl, two cups and tray.

Coffee table with chromed metal base and glass top.

Oil on canvas, applied on hardboard in the second half of the 1900s. The painting takes up the pictorial ways of the eighteenth century, with a decorative cut. In a peaceful landscape, with an architectural structure on the right and the green valley with the river opening on the left, two figures walk along the path, a woman with her bundle of clothes and the wayfarer with a saddlebag and a stick. The work is presented in a chronicle style.

Round doily in Renaissance stitch. Diameter 61 cm. White colour

Italy 20th century

Bronze sculpture of riding soldier. Anonymous author.

Italy, 1920s

Red blown glass plate with pod-shaped bottom.

Bohemia, XX Century

Crystal vase with gold decorations and polychrome plant motifs.

Italy, XIX Century

Pair of single flower vases in Murano glass.

Oil on wooden board. The painting pictorially reproduces the famous sculpture by Michelangelo, the Pietà of San Pietro or Pietà Vaticana. The composition of the figures is quite faithful to the reference work, but, as well as being painted in colour, it is placed in an open-air setting that refers to Renaissance painting, with the hill of Calvary emerging in shadow on the left. A coat of arms is painted at the bottom left, evoking a noble patronage. The work is presented in a period frame. It has several spots and small drops of color.

Italy, Second Half of the XX Century

Centerpiece in pod-shaped and hand-hammered silver with polylobed edge. Under the rim incussi hallmark of the silver and silversmith. 866 grams.

Italy, 1930s

Clear glass vase. Glass fish-shaped lid grip with gold inclusions.

Modular cabinet with hinged and sliding doors and visible drawers in exotic wood veneer, smoked glass and chromed aluminum foil.

Italy, 1950s

Ribbed glass bottle with gold inclusions. Cap missing.

Oil painting on canvas. The scene depicts a chamber concert: in the centre, the spinet player, behind him the recorder player and on the right side the maestro who conducts, who listens intently and moves his right hand to accompany the musical movements; behind the trio, ladies and gentlemen listen smiling and participating. Restored and relined, the painting is presented in a 19th century frame.

Lombardo-Veneto

Sculpture in linden wood, painted in polychrome and depicting Saint Paschal Baylon (1540-1592) in adoration of the Eucharist, which he holds in his left hand in a monstrance now without the sunburst case. Recognizable, as well as for the typical attitude of his iconography, also for the Franciscan habit and beardless face. The proclamation to Blessed in 1618 constitutes a post quem term for the realization of the sculpture, confirmation also given by the stylistic code of the carving, in particular by the thick locks of hair, the fleshy mouth and the heavy eyelids, characteristics of the sculpture of the first half of the Six hundred.

Oil painting on canvas. The painting has the artist's name (Giovani Piana) and the date of creation 1616 at the top. It depicts Saint Simon holding a book and a saw in his hand, his iconographic attribute which would indicate the martyrdom he suffered. Restored and relined, the painting shows traces of the restoration along the margins.

Modular cabinet with hinged doors and visible drawers in exotic wood veneer, smoked glass and chromed aluminum foil.

Vase holder in beech wood and oak veneer with brass tips; a particular piece of furniture with typical lines of the 50s, a touch of elegance with a taste of other times.