2 seater sofa, foam padding, leather upholstery.

Extending table with folding top opening in jacaranda wood veneer and ebony-stained wood frame.

Copper-dyed rattan clutch bag with jewel clasp. It can also be used on the shoulder thanks to the chain. The condition is almost perfect: it has a small mark near the clasp. It is signed by the Florentine house Rodo.

Italy, XX Century

Lombard trumeau entirely veneered in walnut burl with ebonised frames. Curled motifs, front with two-door riser with mirrors concealing interior shelves covered with decorated fabric, drawers underneath. Flap door concealing six small drawers and wavy underside with four drawers of which the smaller one underneath. Curled uprights and feet. Italy 20th century.

Oil on canvas. This is a traditional depiction of the event of Jesus' death on the Cross, with his mother Mary and the beloved disciple at the foot of the Cross, contemplating the dying Christ; in the background the city of Jerusalem. Very essential in its depiction, and static in the positions of the evangelical figures, the scene emphasises the drama with a sombre background, although a light opens up high above Christ to announce divine participation in the event. The painting, which has already been retouched, shows some minor colour fading.

Europe, First Half of the XIX Century

Porcelain nursery cup with polychrome chinoiserie decoration, European manufacture probably England, with mark imitating oriental marks.

Mixed media on canvas. The large scene, painted in the unique reddish-pink range, features two large figures on the right, while the entire left side is occupied by a desert landscape, with the waves of the dunes fading into the distance. The two figures depict a seated horseman, wearing a turban and Saracen dress, being fed by a maiden in Western dress, who is handing him a tray laden with food, while on the shelf below is a basin of water, ears of corn and various fruits. This could be one of the many representations of the story of Angelica and Medoro, recounted by Ariosto in Orlando Furioso, which tells of the love between the Christian maiden and the Saracen knave wounded in a clash, who then fled together to Catai, thus triggering Orlando's madness. The work is presented in a frame.

Chair with foam padding, skai upholstery and beechwood legs.

Desk with side drawer column in enamelled metal with leatherette-covered top.

Table with concrete-granule base, chrome-plated metal frame and glass top.

Highboard with hinged and flap doors, drawers and open compartment. Mahogany veneered wood, metal legs.

Portugal, first Half of the XX Century

Embossed and pierced silver oil cruet with plant motifs, garlands and bows. Silver and silversmith's mark engraved on the front of the base. Bevelled glass cruets with gold decorations. Grams 540.

Aluminium and glass ceiling lamp.

Highboard with hinged and flap doors, drawers, and open compartment. Mahogany veneered wood, metal legs.

Italy, 1960s

Irregularly shaped hammered and fire-enamelled copper bowl. Inner part enamelled in shades of green. Trademark of the manufactory under the base.

Service trolley with removable top that can be used as a tray in stained beech wood and mahogany veneer.

Desk with double column side drawers in enamelled metal and mahogany veneered wood with Formica-covered top.

Pair of armchairs, foam padding, skai upholstery, metal legs.

Oil on canvas. Northern Italian School of the 18th century. The broad landscape shows in the centre a herdsman who has just passed with his cattle over the small bridge over the stream, which flows through the wooded countryside; in the background, again in the centre, a farmhouse and several country buildings. Restored and retouched, the painting is presented in a stylish frame.