Pure Silk

Pure silk scarf depicting the royal lottery, a gambling game popular in Italy in the eighteenth century, composed of various boxes representing various subjects or landscapes. The scarf is in good condition, it has a very slight mark and a small flaw in the yarn, almost imperceptible.

Italy, 1960s-70s

Multi-coloured submerged glass vase.

Italy, 1930s-1940s

Ico Olivetti typewriter with case. Born from an idea by Adriano Olivetti and Gino Levi Martinoli, head of the Projects and Studies Office founded in 1929, the Olivetti MP1 was physically designed in 1932 by Riccardo Levi, with designs by Aldo and Adriano Magnelli. Olivetti's first portable typewriter, also known as the ICO model. It was produced between 1932 and 1950 when it was replaced by the Olivetti Lettera 22.

Lucia

Royal Copenhagen Christmas Plate 2002 complete with box, booklet and certificate; it is the fifth in the series and is entitled "Lucia" designed by Ingrid Jensen. Plate number 4042 A. The box includes the second plate with the same illustration. Since 1998, Royal Copenhagen has started producing the Christmas plate dedicated to children with illustrations that represent the joy that Christmas inspires in children. White porcelain plate with decorations in various shades of blue. Each plate was produced in limited quantities only and exclusively in the year of the first printing, which takes place from March 1st, and production ended at the end of the year with the destruction of the original mold which made it impossible to reproduce. As a guarantee of authenticity, the plate bears the Royal Copenhagen mark with the three overlapping wavy lines, which represent the three Danish straits: Øresund, the Great Belt and the Little Belt, and the initials of the painter who created the unique illustration of the plate. The plate measures 17 cm. in diameter and on the back it has two holes made by Royal Copenhagen itself during production so that it can be hung.

Royal Copenhagen Christmas Plate 2001 complete with box, booklet and certificate; it is the third in the series and is entitled "Winter Children" designed by Ingrid Jensen. Plate number 5603 A. The box includes the second plate with the same illustration. Since 1998, Royal Copenhagen has started producing the Christmas plate dedicated to children with illustrations that represent the joy that Christmas inspires in children. White porcelain plate with decorations in various shades of blue. Each plate was produced in limited quantities only and exclusively in the year of the first printing, which takes place from March 1st, and production ended at the end of the year with the destruction of the original mold which made it impossible to reproduce. As a guarantee of authenticity, the plate bears the Royal Copenhagen mark with the three overlapping wavy lines, which represent the three Danish straits: Øresund, the Great Belt and the Little Belt, and the initials of the painter who created the unique illustration of the plate. The plate measures 17 cm. in diameter and on the back it has two holes made by Royal Copenhagen itself during production so that it can be hung.

Provence, Late 18th-Early 19th Century

Double top cupboard in walnut, Provence late 18th-early 19th century. Equipped with four paneled doors and a pair of drawers placed at half height. On the sides, uprights embellished with twisted columns, interspersed with acanthus leaves and carved rosettes, while the central section is decorated with finely carved floral festoons. Paneling also on the sides. Oak interior.

Armchair with armrests, foam padding with fabric covering and chromed metal structure.

Italy, Mid XIX Century

Mid-19th century walnut daybed, Italy. Turned backrest crosspiece, front armrest carved with the figure of a griffin, curled feet. Backrest and seat padded and covered in damask fabric. Removable backrest.

Italy, Late XIX Century

Umbertine sideboard notched, on the front it has two paneled doors; on the top rests a riser with a mirrored bottom and a shaped profile ending in a cymatium carved with floral motifs; equipped with a shelf supported by curled uprights. Veneered in walnut root.

France, Early XX Century

Pastiglia-carved and gilded frame; has shortcomings.

Italy, Late XIX Century

Neo-Renaissance sideboard in carved walnut, Italy, late 19th century. Front with pair of drawers in the band and two doors. Decorated with masks, spirals and leaf curls and a pair of pine Telamons, the latter acting as a pilaster. Walnut and poplar interior.

Italy, Mid XX Century ca.

Ceramic potiche decorated with grotesques and gilding. Pinecone lid socket. Under the base the manufacturer's brand.

Europe, First Half XX Century

Patinated plaster cake stand with cherubs holding the circular wooden shelf.

Italy, XX Century

Five-light girandole lamp in Murano glass, with golden inclusions; adorned with blown glass leaf motifs, one of the leaves is missing.

Italy, XX Century

Pair of basements in red Verona marble.

Pietrasanta Late XX Century

Synthetic marble garden statue depicting Venus at the source, Pietrasanta, late 20th century. The female figure, dressed in the old style, holds her dress in her left hand, while in her right she holds a jug. Used as a fountain; the vase resting on the base is missing. Signed "Dal Torrione".

Piedmont, Early XVIII Century

Cupboard supported by bracket feet (subsequently replaced), on the front it has two doors surmounted by as many drawers; pair of doors also in the upper body. In walnut, the front and sides are carved with tiles; locks replaced.

Italy, XX Century

Triptych of carved and gilded wooden frames consisting of a mirror and a pair of photo frames.

Group of six chairs, in stained beech wood and spring padding. The covering is in imitation leather.

England, Late XIX Century

Ebonized papier-mâché sail table, the top is lacquered and painted with a floral composition and the frames are in mother-of-pearl. England, last quarter of the 19th century