Two wall lamps in the style of Flavio Poli for Seguso, with chromed metal structure, very thick smoky green Murano glass lampshade.

Italy, Early XX Century

Golden iron chandelier, 6 lights, adorned with bobèches and pendants in transparent and amethyst-colored glass. Italy, early 20th century.

Ballerina 1896

Mixed media on cardboard. Signed dated lower right. Adolfo Magrini was a multifaceted artist: painter, illustrator, engraver, set designer, after an initial production influenced by the romantic painting of Palizzi and Morelli, he was contaminated by Central European influences, becoming more angular. This youthful work is still influenced by the Neapolitan artists with whom he trained. The painting is presented in a frame from the first half of the 20th century. Has some color damage.

Italy, XX Century

Wrought iron torch holder supported by curled feet, has gilded bronze inserts.

Armchair with curved wooden structure with armrests, seat in original red and white striped fabric with cushion.

England, First Quarter XIX Century

English George IV flap with upper display cabinet, England first quarter of the 19th century. Showcase in early twentieth century style with two doors with blown glass; on the front of the flap there is a concealed cabinet door with drawers and morocco insert, pair of side pulls and five drawers. Both the door and the cabinet have inlay decorations in maple and green-stained maple. Further embellished with maple threads and mahogany borders. Oak interior. There are small deficiencies in the veneering.

Italy Early 18th Century

Group of six spool chairs in walnut, with some replacements in the structure; the seat and raised backrest were subsequently reupholstered.

Female Figure

Pencil on paper. Signed lower right. Celada's painting is capable of blocking reality in time and space, in a way that appears detached, analytical and scientifically exact (colours, reflections, transparencies), but communicating - as opposed to a total unreality - a great narrative pathos. Proposed here is the study in red pencil of a female figure: the woman was always at the center of Celada's production, who both in portraiture and in figure studies presents a female body, firm and classicizing both in forms and in references to the painting of the past, Work presented in a frame.

85 x 59 In

Afshar carpet in cotton and wool; manual manufacturing, large knot.

Sweden, Mid XX Century

Glass vase Model Stella Polaris with wrought-effect surface. Manufacturer's mark and model number engraved under the base.

Pair of folding chairs made of wood.

UK Size 8

Half-sleeve blouse, with boat neckline, made with a patterned print in shades of blue, yellow, gold and white.

Italy, XX Century

Table lamp in the shape of a double-handled vase in alabaster; satin lampshade embroidered with floral motifs.

Pure silk scarf with Panthère de Cartier ring print on a red background and yellow profiles. The conditions are very good, it has slight marks, which do not preclude its use.

Italy, XIX-XX Century

Neo-Renaissance armchair in ebonized wood, with padded seat and raised backrest, the upper part is foldable and allows it to be transformed into a lectern.

Vintage coffee table in round teak veneered wood with three legs.

57 x 42 In

Senneh carpet in cotton and wool, fine knot. Manual manufacturing.

The bust portrays a noble woman, richly dressed. Certainly a portrait, as can be seen from the detailed physiognomic characteristics of the face; the depicted subject has a stern gaze and attitude, an element that characterizes the portrait sculpures of the time. The hair are tied on the back of her head in an elaborate hairstyle with braids. The neck is adorned with a necklace with a medallion in the centre and multiple strings of pearls. She is wearing an off-the-shoulder dress, refined with a thin lace hem and a bow in the middle of her chest. The sculptor has great skills with the use of a chisel to refine details and the texture of fabrics.

Provence, Mid XIX Century

Cupboard supported by bracket feet, on the front it has two doors framed between uprights carved with twisted columns and separated by a floral festoon; in the under-counter area, alternating with shelves, there are two drawers that can be opened by unlocking the mechanism on the sides. The upper body also has two paneled doors alternating with the same motifs found in the lower part, surmounted by a band carved with phytomorphic Greek.