Gallant Scene

Oil on canvas. Signed both lower and upper left. The scene is set in a rich noble hall, where ladies and knights in eighteenth-century clothes entertain. It is the work of the prolific Neapolitan painter Salvatore Balsamo, who died very young. It is presented in a mid-1900s frame.

Italy, XIX Century

Majolica tureen decorated with polychrome flowers, small roses and cornflowers.

Italy, Mid XX Century

Centerpiece in chiseled and perforated silver. Bowl in ground glass. Silver and silversmith marks engraved on the central part of the edge. Grams 273.

Provence, Early XVIII Century

Oak wardrobe, front with walnut uprights and cherry doors, missing top, moulding at the subsequent base not pertinent. Lock replaced. Provence, early 18th century.

114 x 79 In

Abadeh Mechanical Rug, bamboo and acrylic, fine knot; machine made.

Coat stand model Octopus designed by architects De Pas, D'Urbino and Lomazzi made of chromed steel and wood.

Oil on canvas. The scene depicts the episode told in the biblical book of Genesis, of the expulsion of Adam and Eve from the Garden of Eden, after they committed the sin of eating the forbidden fruit, fruit of the tree of knowledge of Good and Evil. Aware of their nakedness, the man and woman are driven away by an archangel, with the sword of justice in his hand and surrounded by a cloud of fire, they walk shamefully and modestly into the world, represented in a Nordic landscape. The painting, restored and relined, is presented in an early 1900s frame, with carved and applied wooden decorations and friezes.

Vintage dining table with extendable round top in teak veneer wood.

Vintage table lamp designed by Achille Castiglioni and made of painted aluminum, chromed steel, lacquered aluminum and methacrylate.

Lombardy, Mid XVIII Century

Walnut chest of drawers, front with four drawers with baroque maple inlays and fillets, sides with low-relief carvings and ebonized moldings, shaped apron resting on the floor. Replaced hardware and locks. Lombardy, mid-18th century.

Italy, Late XIX Century

Gilded Umbertina mantelpiece, cymatium and sides embellished with floral and leaf carvings. It has some missing parts. Italy, late 19th century.

Italy, Late XIX Century

Group of six pairs of Art Nouveau windows, in colored and leaded glass, decorated with geometric motifs, one pair of which is embellished with festoons. Missing parts present. Italy, late 19th century.

Italy, Early XIX Century

Empire frame in elm wood, with print depicting the washing of the feet. Italy, first quarter of the 19th century.

Italy, Early XIX Century

Empire frame in elm wood, with print representing the accusation of the adulterous woman. Italy, first quarter of the 19th century.

Italy, Mid XVIII Century

Group of three baroque walnut chairs, Italy, mid-18th century. Open backrests with shaped backrest, wavy legs ending with carved feet. Raffia seats.

Piedmont, XX Century

Pair of painted sheet metal lanterns, Piedmont, 20th century. Structure decorated with leafy and floral elements. Missing glass.

Italy, Late XIX Century

Umbertino walnut bookcase, base with paneled doors, upper doors with verts. Fir shelves, ebonized feet. Missing spout. Italy, last quarter of the 19th century

Male Portrait, 1913

Oil painting on canvas. Signed and dated top right. The portrait of a gentleman of a certain age, leaning in an elegant pose on his walking stick, expresses the ability of Carlo Cazzaniga, a Milanese painter who was a pupil of Tallone, to create portraits of intense expressive force with rapid strokes of color and nuanced chromatisms. The painting is presented in a contemporary gilded frame.

Vintage coffee table centerpiece made with storage compartment made of transparent plastic material and glass with elegant brass details. In good original condition.