Europe, Late XIX - Early XX Century

Art Nouveau reclining armchair in wicker and bamboo, late 19th-early 20th century Europe. The backrest can be reclined thanks to a ring nut that allows different degrees of angle. Equipped with armrests and a footrest structure that can be removed from under the seat.

Italy, XVIII Century

Putto torch holder in carved, lacquered and gilded wood. Restored in lacquering and gilding in the posthumous era.

China, Republic Period 1912-1949

Qianjiang enamel painted porcelain baluster vase depicting courtesans in a flower garden. Side handles highlighted in gold. The back part with a long poem written in Chinese characters.

Italy, 1980s

Six-flame pewter candelabra and tray. Under the bases, manufacturer's label and trademark.

Table with base in stained solid wood, top in exotic wood veneer, transparent glass support.

Pure Silk

Silk tie featuring the members of The Beatles, designed by Roberto Mocellini, for Apple Corps 1993 Ltd, the official merchandising company.

Italy, Early XIX Century

Empire bedside table supported by low plinth feet, on the front it has a drawer surmounted by a folding door, framed between ebonized half-columns to support the band under the top in which there is another drawer. In walnut, the top is in marble.

France, Mid XIX Century

Pair of Empire style porcelain vases with egg-shaped bodies mounted with original screw on a square base. Handmade decoration with genre scenes on the front and landscape on the back.

Gallant Scene 1885

Lithography. Signed lower left. Published by Arthur Tooth in London. The scene is typical of the painter of Italian-Austrian origins: Eugene de Blaas favored cute and often mischievous genre scenes, with girls and young men (often placed in Venetian streets but not only) intent on chatting, gossiping and courtship games. His favorite subject was the common female figure, depicted with an angelic face with diaphanous skin and a mischievous and romantic look, described with bright colors and with excellent technique in her daily environment. The lithograph has widespread humidity stains. In a mid-20th century frame.

Italy, Late XIX-Early XX Century

Pair of Art Nouveau windows in leaded glass and colored leaded glass, Italy, late 19th-early 20th century. Geometric pattern decoration.

Florence, Late XIX Century

Coffee table with top in a sample of marble and hard stone inserted in a Lumachello marble border, tripod support in Neo-Gothic style in ebonized walnut with gilded carvings. Florence, last quarter of the 19th century

Italy, 1990s

Transparent glass vase with horizontal bands in shades of green and blue. Pointed signature of the manufacturer under the base and adhesive label on the edge.

114 x 79 In

Bamboo and acrylic rug, fine knot, machine made.

Italy, XX Century

Pair of brazier floor lamps, with wrought iron structure, decorated with embossed sheet metal drapery motifs, as is the upper basin.

Table lamp in brass and glass.

Furniture composed of a coat hanger compartment with hinged doors, mirror, open shelf and drawer, side storage compartment. In lacquered wood and mahogany veneer with polyester finish.

Landscape with Hunters on Horseback 1852

Oil on canvas. Signed and dated lower right. This landscape has a suggestive atmosphere where desolate earthy hills prelude to higher peaks, fading into the distance; popular figures are included in this landscape, in particular three horsemen, probably hunters for the dogs that flank them, galloping along the path, while wayfarers on foot, women and children, give way to them. Standing out above all, filling the entire upper half of the work, is a leaden sky, full of grey clouds: the shades of grey above and the golden ochres of the earth below, define the favourite palette of this multifaceted Belgian artist, who in his pictorial production mainly created landscapes of the Ardennes. The painting was auctioned by Christie's in 2004, with an estimate of €3000.

Italy, Late XIX Century

Wrought iron gate worked with scrolls, partially gilded.

Italy, Early XVIII Century

Group of four baroque walnut chairs, Italy, early 18th century. Spool legs and crosspieces, turned feet. Padded backs and seats.