Italy, XX Century

Restoration style chandelier in gilt bronze, 16 lights.

Oil painting on canvas. Northern Italian school of the 18th century. According to the taste of the 18th century, the proposed landscape is dominated by the remains of an ancient temple, vestiges of past glories. All around there is a countryside with a stream, but fading in the distance towards the blue peaks of a mountain range. Restored and relined, the painting is presented in a period frame.

China, Ming Era (1368-1644)

Two richly modeled stoneware warrior figures painted with Sancai enamels.

Murano Mid 20th Century

Pair of Murano blown glass wall lights with 2 lights, Italy mid-20th century.

Ceiling lamp in green glass and white glass and in enamelled aluminium.

Italy, XX Century

Plaster garden statue depicting the allegory of spring, Italy 20th century.

England, Late XIX - Early XX Century

Edwardian wardrobe supported by truncated pyramidal feet, in the central part it has four drawers, a row made up of three drawers surmounted by a pair of doors, while on the sides there are two large mirrored doors; in mahogany, it is adorned with Adams-style inlays. The locks are branded "Hobbes&Co London", an important company in the sector active since the 19th century; in sitography this group is often also referred to as direct producers of furniture and furnishings.

China, Last Quarter XX Century

Pair of porcelain table lamps decorated with plant and animal motifs on a black background. Fabric lampshade.

Italy, XX Century

Three-light lantern in lacquered iron and sheet metal, 20th century Italy.

Vintage coffee table in stained beech wood with four legs connected by wooden elements and brass details, round glass top. Restored.

Oil painting on canvas. The painting offers a half-length portrait of a young man who, in deshabillé, is lighting his pipe by drawing fire with a stick from the candle placed in front of him, on the table where a sword is also placed: perhaps it is a young knight in a moment of rest. It is precisely the candle, the only source of light in the scene, which suggests that the artist looked to the production of Georges De La Tour (1593 -1652), the French painter of the Caravaggio style who established himself for his "nocturnal" scenes, characterized by figures, usually low-ranking people rather than historical models or high-ranking figures, illuminated by the light of a candle, to create a special atmosphere of intimacy. The painting, restored and relined, is presented in a period frame.

Oil on canvas. Mid 19th century. The large scene tells an unidentified historical episode, set in the Renaissance period, in which an archbishop listens to the plea of a young man in arms, accompanied by his mother, who supports his plea. The setting is inside the reception hall of the high prelate, presumably in the bishop's palace, which from the loggia in the background overlooks the Cathedral, whose dome can be glimpsed; the bishop is surrounded by his subordinates and guards, while different people of the people attend. Particular is the presence of the man sitting in the foreground on the left, who looks towards the viewer and points to the scene, as if he were telling it. The atmosphere is played on the contrasts between lights and shadows, between the bright colors of the dominant characters compared to the dull and suffused tones of the surrounding figures, who literally tend to disappear into the shadows at the limits of the scene. The work is part of that large nineteenth-century production that drew on the historical or literary subject, re-proposing it in a romantic key. The painting, restored and relined, is presented in an important frame from the second half of the 19th century, with some shortcomings.

Oil on panel. Northern European school of the late 19th century. In the composition inside a shed, hunted game lies on a level; on the left the muzzle of the hunting dog appears but is turned towards a nest full of chirping birds, located above the shaft of the carriage seen on the right. The painting is presented in a period frame.

England Early 20th Century

Small mahogany veneered showcase, with glass door made up of wooden frames that draw a neo-Gothic motif, three shelves inside. Moving feet, broken glass. England early 20th century

Ceiling lamp, blown glass.

Italy, XX Century

Five-light chandelier in milky Bohemian glass painted with floral motifs; it is adorned with glass pendants and necklaces.

Pair of vintage Italian-made coffee tables in walnut wood with square top and slender legs in a truncated pyramid shape; requires restoration work.

Group of 4 chairs, foam padding, skai covering, enamelled metal with chromed tips. Group of chairs that lend themselves to being customized with restoration work which involves careful cleaning of the metal part, replacement of the padding and upholstery by choosing from our different samples, so as to make them suitable for a Living environment with a Vintage style and to give new life to things.