Lombardy second quarter XVIII century

Writing desk resting on wavy legs with goat feet, drawer in the band under the top, top and riser with carved crown depicting plant motifs and central star. On the bottom, the riser has a coeval protrusion indicating that the piece of furniture belongs to a boiserie, probably a bookcase. The piece of furniture is decorated with inlays depicting floral motifs present in the solid wood of the top and walnut briar veneer with maple threads also present on the drawer and upstand. Lombardy second quarter XVIII century

Turin, Late XVIII Century

Piedmontese neoclassical mirror, carved with characteristic phytomorphic motifs and leaf festoons; the dark color is due to the oxidation of the original silver plating, subsequently restored with small interventions. The central mirrors have been replaced.

A round dining table made of wood that stands out due to the shape of the leg and the veneer of the top, on which there is a glass top.

Pair of vintage wall lamps made of anodised aluminium, steel and opal glass.

France, XVIII Century

Small Louis XV chest of drawers, in cherry, modified and transformed into a bar cabinet. France, 18th Century,

Japan, XX Century

Pair of ceramic vases with dragon decoration and small ring handles.

Italy, XX Century

Murano chandelier with five lights, in blown glass and opaline blown glass; has lacks.

Vintage coffee table with plexiglass and brass structure and glass top.

Piedmont, Late XVIII Century

Piedmontese flap with four drawers, surmounted by a shaped door that opens with a flap concealing a cabinet with central compartment and small side drawers; in chestnut, the interiors are in poplar. It has restorations and has been modified in the height of the feet.

Italy, XX Century

Rococo style desk, finished in daylight, supported by wavy legs, has a drawer in the band and a top with Moroccan leather insert; it is adorned with gilded bronze applications and frames.

Italy, XX Century

Side table supported by turned uprights and ending with saber feet, connected by a shelf, is adorned with golden sheet metal applications; four-lobed marble top with sheet metal railing.

Italy, XX Century

Pair of chairs with ebonized wooden structure adorned with golden decorations and adorned with brass elements, the seat and raised backrest are padded.

Italy, XX Century

Pair of three-light sconces in neoclassical style, gilded bronze, Italy, 20th century. Wall plaque in the shape of an anthemius, wavy arms adorned with laurel wreaths, four floral bouquets to complete the decoration.

Vintage Italian-made mirror cabinet from the 1960s, with metal structure and legs; inside the hinged doors it has glass shelves.

Floral silk double bed set decorated with a beige and brown relief embroidery composed of bedcover, bedsheets and pillowcases that show signs of wear. Ivory SIlk Dimentions Bedcover 290x300cm Bedsheets 272x282cm Pillowcases 91x57cm

France, Mid XIX Century

Louis Philippe chair in mahogany, France, mid-19th century. Wavy rear legs, turned frustoconical front legs, carved and ending with wheels. Padded back and seat.

Nothern Italy, Early XVIII Century

Baroque chair in carved walnut, northern Italy, early 18th century. Back and seat in leather worked with non-coeval vegetal motifs, held in place by brass studs. Front carved folder replaced. One of the rear legs has a restoration.

157 x 75 In

Gabbeh carpet in cotton and wool, large knot. Manual manufacturing.

Oil painting on canvas. Bottom right signed Borella and dated 1894. It is probably Rafael Borella (1874 -1953), a painter born and trained in Milan but then moved to Uruguay. His first Italian production includes Venetian and Val d'Aosta landscapes. This painting, which offers a mountain view, with meadows crossed by a stream near which a fisherman sits. The scene could therefore be a youthful production by Borella, suited to him in terms of subject and style. The work is presented in a contemporary frame.