Oil painting on canvas. Portrait of a prelate, flanked by the Scolopi coat of arms, which bears the crowned monogram of Mary and the Greek letters MP and ΘY (abbreviations for Mother of God): in his hand he holds a papal bull with the seal of Pope Clement XI (1649 -1721 ) which bears the writing "Clemens Episcopus Servus Servorum Dei ad perpetuam rei memoriam", the pontifical wording in perennial memory of a fact, which the Holy Father validates or says. The relined and restored work is presented in a period frame.

73 x 69 In

Mechanical carpet in cotton and wool, fine knot. Machine manufacturing.

Italy, Early XIX Century

Empire bed supported by pinto feet and characterized by asymmetrical uprights: higher on one side, lower, but with columns on the other; in walnut, it has gilded bronze decorations.

110 x 75 In

Bukhara carpet in cotton and wool. Fine knot. Handmade.

Jesus is Loaded with the Cross

Oil painting on canvas. This is the second station of a Via Crucis, entitled "Jesus is loaded with the Cross". Christ, already crowned with thorns tied with a rope around his neck, receives on his shoulders the large and heavy wooden cross, which some servants lift for him, while soldiers look on; on the right a soldier on horseback is carrying the insignia that will be placed on top of the Cross. Relined, the painting is framed in wooden strip.

France, Late XIX Century

Freestanding clock with red marble base and leaf scroll decorations in golden antimony, surmounted by a sculpture depicting a water nymph. Sculptor's signature difficult to read. Mechanism marked AD Mougin.

Italy, Mid XX Century ca.

Tray with three silver plates with relief decoration on the edge with chiselled leaf scrolls. Silver marks engraved in one of the plates; the manufacturing brand is difficult to read. 350 grams.

Oil painting on canvas. The subject, recurring in 17th and 18th century painting due to the mystical but at the same time sensual component of this saint, presents Magdalene in the desert, wrapped in her long loose hair and a drape, while on her knees she meditates on the skull, the traditional Memento mori, holding a sackcloth in his hand; Above her is an angel holding the jar of ointments in his hand, another attribute of the saint, whose shoulder he is preparing to anoint, as a sign of consecration to God. The work, restored and relined, is presented in a contemporary frame.

Piedmont, Late XVIII-Early XIX Century

Neoclassical walnut wardrobe, Piedmont, late 18th - early 19th century. Front with pair of doors decorated with breadstick tiles. Carved drip tray placed under the hat.

France, Second Half XIX Century

Pendulum wall clock in embossed, gilded and chiseled bronze sheet metal with flower decorations and leaf scrolls. Dial with Roman numeral hours and pierced iron hands. Mechanism marked Japy Frères & Cie grande medaille d'Honneur.

Vintage floor lamp with aluminum and methacrylate base containing a neon light, fabric lampshade added later. Double ignition.

Mountain Landscape

Oil painting on canvas. Signed lower left. The Milanese painter Gino Federici specialized in Alpine views, as in this view, where in the foreground a flock of sheep drinks water from a stream, in the wide valley, under steep peaks. The painting is presented in a contemporary frame. It shows signs of previous restoration.

Italy, XX Century

Style mirror with carved and gilded frame, the cymatium is decorated with the shape of a double opposing curl.

Italy, XX Century

Style mirror with gilded shaped frame carved with leaf motifs.

Italy, XX Century

Empire style bookcase made by reusing ancient parts, supported by plinth feet, the open compartment is framed between a pair of pilasters; in mahogany, it is adorned with golden elements.