Pair of vintage Italian-made coffee tables in walnut wood with square top and slender legs in a truncated pyramid shape; requires restoration work.

Group of 4 chairs, foam padding, skai covering, enamelled metal with chromed tips. Group of chairs that lend themselves to being customized with restoration work which involves careful cleaning of the metal part, replacement of the padding and upholstery by choosing from our different samples, so as to make them suitable for a Living environment with a Vintage style and to give new life to things.

Italy Late 19th century

Baroque style mirror in walnut, Italy, late 19th century. Equipped with mercury mirrors, one of which is placed inside the coping. Adorned with rocaille-style carvings.

Owl 1994

Bronze bas-relief. Signed lower left, initials AG upper right. On the back of the panel, there is the name, title and date of the work. Achille Guzzardella, a Milanese sculptor-painter, is particularly renowned for his sculptural portraits of well-known personalities from the Italian art world. Among others, he portrayed Vittorio Sgarbi, who called him 'the fighter of clay' and also 'Achille who paints with his soul'. Eclectic and refined, he has also created other subjects, using different techniques. Oneiric in his oil painting and always close to man in his sculptural work, Guzzardella fascinates art lovers with his concreteness expressed through his personal formal research.

Cabinet with flap openings and drawer. Exotic wood veneer. A very special piece of furniture with lines and materials typical of the 1960s, suitable for living rooms with an original style and a taste of yesteryear.

Italy First Half of the 20th century

Bronze sculpture depicting the head of a laughing child. Square marble base. Anonymous author.

Italy, XX Century

Group of 5 wall sconces in 2-light style, Italy 20th century. Brass frame, decorated with leaf elements, phytomorphic motifs and a putto's head; bobeches with baccellatura and leaf greek. Restorations.

Italy XX Century

Wedding cup in blown Murano glass, decorated in gold and polychrome all over. The Barovier cup, a masterpiece of Renaissance glass art, was created in 1460 by Maestro Angelo Barovier as a wedding gift (it is, in fact, a wedding cup) and is still reproduced today following the same methods as 500 years ago: a composed of glass paste (chalcedony), hand painted blue and gold colored glass. There are paintings of the couple, a horse ride and the fountain of youth. The original is located in the Murano Glass Museum.

Ceiling lamp in chromed metal and blue glass.

England Third Quarter XIX Century

English Davenport equipped with feet with wheels, on one side it has a row of four drawers, while on the other they are only simulated. The inclined upper shelf has a Moroccan insert and can be lifted, this backsplash with drawer and finished with a railing.

Germany, 1950s

Gilt brass table clock with Roman numerals. Manual winding mechanism.

Size 18

Pistachio green sheath dress in chunky linen fabric, embroidered with leaves in cotton tape in a lighter shade. It is a tailored dress, with hidden side zip fastening. Wears Italian size 48 (length 103 cm, waist 86 cm).

Study corner that can be positioned with the side on the wall and stabilized on the ceiling; desk top with drawer, open storage compartments and hinged doors, teak and formica veneered wood, uprights in enamelled metal with adjustable brass feet. Good conditions.

19th Century / 1801 - 1900

Leather English sofa with studs and supported by mahogany legs that are connected to each other by an H-shaped crossbeam and with wheels.

N. 8

Nude leather sandals with woven pattern and back zip fastening. Heel height: 12 cm. The article has never been worn, as can be seen from the sole and the heel, it has only a slight defect which consists in the lack of a loop in the left shoe.

Female portrait 1950

Oil on canvas. Signed and dated (1-5-1950) in the lower left corner. Born in Bologna but artistically trained at the Brera Academy in Milan, in the early 1900s he studied in Paris, where he can admire the painting of the great masters of the past and follow with great interest the new pictorial trends that advance in the climate of general renewal brought by the new century. In fact, influences of themes such as symbolism and divisionism can be found in his paintings of the first decades of the twentieth century, but Mascarini chooses not to let himself go by the new currents that acclaim the deconstruction of form, remaining in the enclosure of his studio to paint the affections and gazes. of everyday life closest to him. His figurative language draws on the Lombard naturalism of the late nineteenth century, his painting is framed in a sober and balanced drawing. Landscape and portrait painter, he proposes delicate and placid scenarios, such as the glaciers he paints as he climbs in the silence of the high mountains that he loves very much, and portraits with faces harmoniously framed by soft brushstrokes, which express intimate feelings. The portrait of a lady presented here proposes a figure who, although elegant in her evening outfit, expresses serenity, calmness, intimacy rather than worldliness in her face and pose. The work is presented in a contemporary frame.